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Carnival Art, Culture and Politics - Performing Life (Paperback): Michaeline Crichlow Carnival Art, Culture and Politics - Performing Life (Paperback)
Michaeline Crichlow
R1,702 Discovery Miles 17 020 Ships in 12 - 19 working days

Drawing on rich insights from cultural, post-structural and postcolonial studies, this book demands that we rethink Carnival and the carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the entangled times and spaces of these performances. The authors review Carnival's performative aspects not merely as a calendrical festival, but rather center attention on the relationship between carnival and everyday life, and on how people negotiate their social spaces and possibilities in the context of modern power. The book therefore seeks to highlight the knotted time-spaces of power and to demonstrate the dynamic interplay between state spaces and people's spaces that are being weaved by carnival's interlocutors. It demonstrates how Carnival and the Carnivalesque become analytic optics through which the relations of power in the social and political life of subjects who seek to tacitically or strategically vary their given identities, can be productively engaged. This book was originally published as a special issue of Social Identities: Journal for the Study of Race, Nation and Culture.

Carnival Art, Culture and Politics - Performing Life (Hardcover): Michaeline Crichlow Carnival Art, Culture and Politics - Performing Life (Hardcover)
Michaeline Crichlow
R4,563 Discovery Miles 45 630 Ships in 12 - 19 working days

Drawing on rich insights from cultural, post-structural and postcolonial studies, this book demands that we rethink Carnival and the carnivalesque as not just celebratory moments or even as critical subtext, but also as insightful performatives of social life anywhere, given the entangled times and spaces of these performances. The authors review Carnival's performative aspects not merely as a calendrical festival, but rather center attention on the relationship between carnival and everyday life, and on how people negotiate their social spaces and possibilities in the context of modern power. The book therefore seeks to highlight the knotted time-spaces of power and to demonstrate the dynamic interplay between state spaces and people's spaces that are being weaved by carnival's interlocutors. It demonstrates how Carnival and the Carnivalesque become analytic optics through which the relations of power in the social and political life of subjects who seek to tacitically or strategically vary their given identities, can be productively engaged. This book was originally published as a special issue of Social Identities: Journal for the Study of Race, Nation and Culture.

Globalization and the Post-Creole Imagination - Notes on Fleeing the Plantation (Paperback): Patricia Marie Northover,... Globalization and the Post-Creole Imagination - Notes on Fleeing the Plantation (Paperback)
Patricia Marie Northover, Michaeline Crichlow
R1,130 Discovery Miles 11 300 Ships in 10 - 15 working days

"Globalization and the Post-Creole Imagination" is a major intervention into discussions of Caribbean practices gathered under the rubric of "creolization." Examining sociocultural, political, and economic transformations in the Caribbean, Michaeline A. Crichlow argues that creolization--culture-creating processes usually associated with plantation societies and with subordinate populations remaking the cultural forms of dominant groups--must be liberated from and expanded beyond plantations, and even beyond the black Atlantic, to include productions of "culture" wherever vulnerable populations live in situations of modern power inequalities, from regimes of colonialism to those of neoliberalism. Crichlow theorizes a concept of creolization that speaks to how individuals from historically marginalized groups refashion self, time, and place in multiple ways, from creating art to traveling in search of homes. Grounding her theory in the material realities of Caribbean peoples in the plantation era and the present, Crichlow contends that creolization and Creole subjectivity are constantly in flux, morphing in response to the changing conditions of modernity and creatively expressing a politics of place.

Engaging with the thought of Michel Foucault, Michel Rolph-Trouillot, Achille Mbembe, Henri Lefebvre, Margaret Archer, Saskia Sassen, Pierre Bourdieu, and others, Crichlow argues for understanding creolization as a continual creative remaking of past and present moments to shape the future. She draws on sociology, philosophy, postcolonial studies, and cultural studies to illustrate how national histories are lived personally and how transnational experiences reshape individual lives and collective spaces. Critically extending Bourdieu's idea of habitus, she describes how contemporary Caribbean subjects remake themselves in and beyond the Caribbean region, challenging, appropriating, and subverting older, localized forms of creolization. In this book, Crichlow offers a nuanced understanding of how Creole citizens of the Caribbean have negotiated modern economies of power.

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