What is the place of religious belief in modern culture? Recent years have seen cataclysmic chab=nges in society, yet, far from being banished from today's world, religion is assuming a new significance. Clashing Symbols has become recognised as the most accessible and authoritative introduction to a crucial area in religious studies: the relationship between faith and culture.

Up until the day he discovered his friend's bodies in the Narrows, McKaelin had never done anything of consequence. His entire life had been spent searching for a purpose, and now that it had found him he only prayed that he was up to the task. In his wake, a cascading chain of events followed that drew him ever farther from his beloved homeland. But it was worth it. She was worth it.The job before the new Protector of The Line and his companions was simple. Rescue Princess Sannil from an army of orcs and a fate that would alter the course of the free lands for centuries, then free the Druid Vermilon from Castle LindenWood's dungeons after returning her safely home. Only then is there hope of prevailing against the forces of evil. Shaltorayce has risen.

Deep within the abandoned city, the Dark Lord's power grows, feeding off the greed and inhumanity of the lesser forms of men. Sensing that the time is near when a new heir will be named "First of The Line," he subtly begins to sow the seeds of destruction, in an attempt to reclaim the destiny which had been snatched from his grasp.
Will the new heir of the Druid Dream magic be able to master its power in time to stop him? Or will he take possession of her soul, and with it, all of the free lands.
The initial book of the Druid Dreams saga, First of The Line, takes us back to the beginning in a heart pounding tale of adventure, suspense, and drama which is sure to leave you spellbound!

The true story of a legendary SAS soldier who participated in the battle of Mirbat and assaulted the Iranian Embassy to free the hostages held within. No publicity, no media. We move in silently, do our job, and melt away into the background. If you have the stamina, the willpower and the guts, we'll welcome you with open arms and make you one of us. And if you haven't, then it's been very nice knowing you. Eighteen years in the SAS saw Pete Winner, codenamed Soldier 'I', survive the savage battle of Mirbat, parachute into the icy depths of the South Atlantic at the height of the Falklands War, and storm the Iranian Embassy during the most famous hostage crisis in the modern world. For the first time Pete also details his close-protection work around the world, from the lawless streets of Moscow to escorting aid convoys into war-torn Bosnia. He also unveils the problems of Post-Traumatic Stress Disorder faced by many Special Forces veterans, and how he battled his own demons to continue his roller-coaster career. This is his story, written with a breathtaking take-no-prisoners attitude that brings each death-defying episode vividly to life.

A deluxe edition of original and classic short stories, packed with monsters, vampires and a host of weird creatures. Tales of shadows and voices in the dark from the likes of H.P. Lovecraft, Edgar Allan Poe, Mary Shelley, Bram Stoker, Nathaniel Hawthorne and William Hope Hodgson are cast with previously unpublished stories by some of the best writers of horror today. A dazzling collection of the most gripping tales of horror, vividly told.

Focusing on the body as a visual and discursive platform across public space, we study marginalization as a sociocultural practice and hegemonic schema. Whereas mass incarceration and law enforcement readily feature in discussions of institutionalized racism, we differently highlight understudied sites of normalization and exclusion. Our combined effort centers upon physical contexts (skeletons, pageant stages, gentrifying neighborhoods), discursive spaces (medical textbooks, legal battles, dance pedagogy, vampire narratives) and philosophical arenas (morality, genocide, physician-assisted suicide, cryonic preservation, transfeminism) to deconstruct seemingly intrinsic connections between body and behavior, Whiteness and normativity.

Bradt's Dordogne & Lot, with Bordeaux & Toulouse is the most detailed guide to the entire region, with coverage that includes the Lot-et-Garonne and Tarn-et-Garonne in addition to Dordogne, Lot and Bordeaux. Dana Facaros and Michael Pauls (authors of the original Cadogan guide to the area) have lived in the Lot valley for over thirty years and are the perfect guides to the region's landscapes, towns, food, art, architecture and, of course, wine: Bordeaux's 8,800 wine chateaux produce on average 650 million bottles a year! Their guide starts with Bordeaux, the capital of the Nouvelle-Aquitaine region as well as the world capital of wine, along with the departements of the Gironde, Dordogne, Lot, Lot-et-Garonne, and Tarn-et-Garonne in between. This is a land of great wines and stunning rivers, encompassing long sandy beaches along the Cote d'Argent (with Europe's biggest sand dune on the south end), forests and rolling hills. Here, too, are the UNESCO-listed Prehistoric Sites and Decorated Caves of the Vezere Valley, and extraordinary Palaeolithic masterpieces (Lascaux, Font de Gaume and Pech Merle). History has been made here, evidenced in medieval castles and bastides, and beautiful old cities such as Sarlat, Perigueux, St-Emilion, Cahors and Figeac. Hundreds of unspoiled villages dot landscapes that are among the most idyllic in France, while Romanesque churches, including the great abbey at Moissac, are a feast for art lovers. Outdoor activities are well covered, too, including cycling, sailing, surfing, canoeing, kayaking and walking the numerous Grand Randonnees (including three main routes of the Camino de Santiago) that pass through here, along with scores of other paths. And last but not least, the food is good: think truffles, oysters, duck, saffron, strawberries and melons, walnut groves and orchards. The weekly markets are gorgeous, and the summers are filled with wine, music and theatre festivals. All of this and more is covered by expert authors Dana Facaros and Michael Pauls in this new title from Bradt, offering all the information you need both prior to departure and while on the road.

Never trust other people's memories, and watch out for your own Sean Whittlesea was there when his wife was murdered. He saw the light leave her eyes. He held her dead body in his arms. He knows he wept, but he cannot recollect a single other detail. Tormented by the tragedy, Sean relives the horror over and over again. As he struggles to recall what really happened, his imagination serves up an endless chain of scenarios. The truth, however, remains hidden in the vault of his memory, and the key is nowhere to be found. Nearly two decades later, Sean, now remarried and a father of two, wins a bizarre contest hosted by his eccentric boss. The prize is the Memory Palace, a state-of-the-art black box that purportedly allows its possessor to relive every moment he has ever experienced, playing out all the memories on a screen. While the small machine at first appears to be the answer to the mystery surrounding the death of his wife, it instead upends Sean's life. He pushes his family further and further away as the Memory Palace forces him to confront harsh realities and difficult questions that he lacks the strength to face or answer. Spiraling downward, Sean encounters increasingly harrowing challenges that force him to realize that his memory is not the only thing at stake. To recover the truth about his past, Sean must fight for his very life.

This book explores the circulation and reception of popular discourses of achieving girlhood, and the ways in which girls themselves participate in such circulation. It examines the figure of the achieving girl within wider discourses of neoliberal self-management and post-feminist possibility, considering the tensions involved in being both successful and successfully feminine and the strategies and negotiations girls undertake to manage these tensions. The work is grounded in an understanding of media, educational, and peer contexts for the production of the successful girl. It traces narratives across school, television and online in texts produced for and by girls, drawing on interviews with girls in schools, online forum participation (within the purpose-built site www.smartgirls.tv), and girls' discussions of a range of teen dramas.

Rogin shows us a Jackson who saw the Indians as a menace to the new nation and its citizens. This volatile synthesis of liberal egalitarianism and an assault on the American Indians is the source of continuing interest in the sobering and important book.

This book explores the circulation and reception of popular discourses of achieving girlhood, and the ways in which girls themselves participate in such circulation. It examines the figure of the achieving girl within wider discourses of neoliberal self-management and post-feminist possibility, considering the tensions involved in being both successful and successfully feminine and the strategies and negotiations girls undertake to manage these tensions. The work is grounded in an understanding of media, educational, and peer contexts for the production of the successful girl. It traces narratives across school, television and online in texts produced for and by girls, drawing on interviews with girls in schools, online forum participation (within the purpose-built site www.smartgirls.tv), and girls' discussions of a range of teen dramas.

Movies are often examined for subtext and dramatizations of social and psychological issues as well as current movements. Studies of well-known Catholic directors, such as Alfred Hitchcock and John Ford, have made the search for Catholic themes a reputable field of examination. Through a Catholic Lens continues the search for these themes and examines the Catholic undercurrents by studying nineteen film directors from around the world. Although these directors may or may not be practicing Catholics, their Catholic background can be found in their writing and directing. Each chapter, written by a different contributor, analyzes one film of each director for its Catholic motifs. With the recent increase of cinema studies, this collection will be of interest to students and academics as well as cinema buffs.

The award-winning television series Mystery Science Theater 3000 (1988-1999) has been described as ""the smartest, funniest show in America,"" and forever changed the way we watch movies. The series featured a human host and a pair of robotic puppets who, while being subjected to some of the worst films ever made, provided ongoing hilarious and insightful commentary in a style popularly known as ""riffing."" These essays represent the first full-length scholarly analysis of Mystery Science Theater 3000--MST3K--which blossomed from humble beginnings as a Minnesota public-access television into a cultural phenomenon on two major cable networks. Included are interviews with series creator Joel Hodgson and cast members Kevin Murphy and Trace Beaulieu.

Fawn M. Brodie has called Fathers and Children "the most brilliant psychoanalytic study of an American president yet published-altogether extraordinary." Michael Paul Rogin's volume is now available in paperback for the fi rst time. Andrew Jackson-valiant defender of New Orleans against the British, stalwart spokesman for the Union against nullifi cation, the common man's champion against special interests-has been considered a great president and a symbol for his age. Now Rogin reveals the dark interior of Jackson's life and career, his hostility toward the American Indian and his responsibility in seeking their destruction. "The architect of his own fortunes," a self-made man subservient to no one, Jackson embodies the triumphant aspects of the popular mythology of the post-Revolutionary era, when the patriarchal order in politics and society was crumbling, freeing people to make their own ways, alone and unfettered.

Movies are often examined for subtext and dramatizations of social and psychological issues as well as current movements. Studies of well-known Catholic directors, such as Alfred Hitchcock and John Ford, have made the search for Catholic themes a reputable field of examination. Through a Catholic Lens continues the search for these themes and examines the Catholic undercurrents by studying nineteen film directors from around the world. Although these directors may or may not be practicing Catholics, their Catholic background can be found in their writing and directing. Each chapter, written by a different contributor, analyzes one film of each director for its Catholic motifs. With the recent increase of cinema studies, this collection will be of interest to students and academics as well as cinema buffs.

Never trust other people's memories, and watch out for your own Sean Whittlesea was there when his wife was murdered. He saw the light leave her eyes. He held her dead body in his arms. He knows he wept, but he cannot recollect a single other detail. Tormented by the tragedy, Sean relives the horror over and over again. As he struggles to recall what really happened, his imagination serves up an endless chain of scenarios. The truth, however, remains hidden in the vault of his memory, and the key is nowhere to be found. Nearly two decades later, Sean, now remarried and a father of two, wins a bizarre contest hosted by his eccentric boss. The prize is the Memory Palace, a state-of-the-art black box that purportedly allows its possessor to relive every moment he has ever experienced, playing out all the memories on a screen. While the small machine at first appears to be the answer to the mystery surrounding the death of his wife, it instead upends Sean's life. He pushes his family further and further away as the Memory Palace forces him to confront harsh realities and difficult questions that he lacks the strength to face or answer. Spiraling downward, Sean encounters increasingly harrowing challenges that force him to realize that his memory is not the only thing at stake. To recover the truth about his past, Sean must fight for his very life.

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