Desperate to quell her addiction to drugs, disastrous romance, and nineties San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird.While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and meta-textual exploration to complement her promises of maturity and responsibility. But as she struggles to make queer love and art without succumbing to self-destructive vice, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she'll have to compromise her artistic process if she's going to properly ride out doomsday.

`I must find my own complicated junkie to have violent sex with. In 1994, nothing seemed like a better idea, save being able to write about it later.' Michelle Tea is our exuberant, witty guide to the hard times and wild creativity of queer life in America. Along the way she reclaims SCUM Manifesto author Valerie Solanas as an absurdist, remembers the lives and deaths of the lesbian motorbike gang HAGS, and listens to activists at a trans protest camp. This kaleidoscope of love and adventure also makes room for a defence of pigeons and a tale of teenage goths hustling for tips at an ice creamery in a `grimy, busted city called Chelsea'. Unsparing but unwaveringly kind, Michelle Tea reveals herself and others in unexpected and heartbreaking ways. Against Memoir is the winner of the 2019 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Best known as writer of fiction and memoir, this is the first time Tea's journalism has been collected. Delivered with her signature candour and dark humour, Against Memoir solidifies her place as one of the leading queer writers of our time.

Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Michelle Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex Willa, Michelle's tormented poet-girlfriend Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart.

A graphic and uncompromising autobiographical bender, the story of Tea's years as a prostitute, with provocative illustrations by Laurenn McCubbin.

The beloved literary iconoclast delivers a fresh twenty-first century primer on tarot that can be used with any deck. While tarot has gone mainstream with a diverse range of tarot decks widely available, there has been no equally mainstream guide to the tarot-one that can be applied to any deck-until now. Infused with beloved iconoclastic author Michelle Tea's unique insight, inviting pop sensibility, and wicked humor, Modern Tarot is a fascinating journey through the cards that teaches how to use this tradition to connect with our higher selves. Whether you're a committed seeker or a digital-age skeptic-or perhaps a little of both-Tea's essential guide opens the power of tarot to you. Modern Tarot doesn't require you to believe in the supernatural or narrowly focus on the tarot as a divination tool. Tea instead provides incisive descriptions of each of the 78 cards in the tarot system-each illustrated in the charmingly offbeat style of cartoonist Amanda Verwey-and introduces specially designed card-based rituals that can be used with any deck to guide you on a path toward radical growth and self-improvement. Tea reveals how tarot offers moments of deep, transformative connection-an affirming, spiritual experience that is gentle, individual, and aspirational. Grounded in Tea's twenty-five years of tarot wisdom and her abiding love of the cards, and featuring 78 black and white illustrations throughout, Modern Tarot is the ultimate introduction to the tradition of the tarot for millennial readers.

For over 40 years, Valerie Solanas' biting polemic has delighted and terrified readers. 'SCUM' is an indictment of patriarchal culture, a call to action, a radical feminist vision for a different world. Alternating between satire and seriousness, the book remains as a relevant today as when it was first written. Popular and divisive from its first publication, the 'SCUM Manifesto' has proved an enduring classic and has been translated into over a dozen languages. This edition contains a new introduction by American poet Michelle Tea.

From PEN/America Award winner, 2021 Guggenheim fellow, and beloved literary and tarot icon Michelle Tea, the hilarious, powerfully written, taboo-breaking story of her journey to pregnancy and motherhood as a 40 year-old, queer, uninsured woman Written in intimate, gleefully TMI prose, Knocking Myself Up is the irreverent account of Tea’s route to parenthood—with a group of ride-or-die friends, a generous drag queen, and a whole lot of can-do pluck. Along the way she falls in love with a wholesome genderqueer a decade her junior, attempts biohacking herself a baby with black market fertility meds (and magicking herself an offspring with witch-enchanted honey), learns her eggs are busted, and enters the Fertility Industrial Complex in order to carry her younger lover’s baby. With the signature sharp wit and wild heart that have made her a favorite to so many readers, Tea guides us through the maze of medical procedures, frustrations and astonishments on the path to getting pregnant, wryly critiquing some of the systems that facilitate that choice (“a great, punk, daredevil thing to do”). In Knocking Myself Up, Tea has crafted a deeply entertaining and profound memoir, a testament to the power of love and family-making, however complex our lives may be, to transform and enrich us.

"Heartbreakingly beautiful writing; sometimes funny, sometimes shattering--always revolutionary. Truly amazing collection "--Margaret Cho
"Sister Spit is like the underground railroad for burgeoning queer writers. Not only in the van, but in the audiences trapped in the hinterlands of America and looking to escape. Sister Spit saves lives."--Justin Vivian Bond, author of "TANGO: My Childhood, Backwards and in High Heels"
A collection of writing and artwork from the irreverent, flagrantly queer, hilariously feminist, tough-talking, genre-busting ruffians who have toured with the legendary Sister Spit. Co-founded in 1997 by award-winning writer Michelle Tea, Sister Spit is an underground cultural institution, a gender-bending writers' cabaret that brings a changing roster of both emerging writers and some of the most important queer and counterculture artists of the day to universities, art galleries, community spaces, and other venues across the country and worldwide.
"Sister Spit: Writing, Rants and Reminiscence from the Road" captures the provocative, politicized, and risk-taking elements that characterize the Sister Spit aesthetic, stamping the raw energy and signature style of the live show onto the page. Bratty poets and failed priestesses, punk angst and tough love, too much to drink and tattooed timelines--this anthology captures it all in a collection of poetry, personal narrative, fiction, and artwork. Featuring a who's who of queer and queer-centric writers and artists, the collection functions as a travelog, a historical document, and a yearbook from irreverent graduates of the school of hard knocks.
Includes contributions by Eileen Myles, Beth Lisick, Michelle Tea, MariNaomi, Cristy Road, Ali Liebegott, Blake Nelson, Lenelle Moise, and many more

When there's nowhere to go but up, why bother going anyplace at all?
Fourteen-year-old Trisha Driscoll is a hungry machine, taking in her hometown of Mogsfield, Massachusetts - a place that has shamelessly surrendered to neon signs, theme restaurants, and cookie-cutter chain stores. Cynical but naive, Trisha observes the disappointing world from the ignored perspective of a teenager: creepy guys, the unfathomable sadness of the elderly, illegal tattoos, and the wild kingdom of mall culture.
After being hired and abruptly fired from the most popular shop at the absurd and kaleidoscopic Square One Mall, Trisha finds herself linked up with a chain-smoking, physically stunted mall rat named Rose, and her life shifts into manic overdrive.
A whirlwind exploration of poverty and dropouts, Rose of No Man's Land is the world according to Trisha-a furious love story between two weirdo girls, brimming with snarky observations and soulful wonderings on the dazzle-flash emptiness of contemporary culture.

In uncompromising and fresh prose, Tillman tells the story of three very contemporary girls. Grace, Emily and Jane collide with friends, family, and culture under dark and comic circumstances, presented in uncanny, disturbing, and sometimes shocking terms. In Haunted Houses, Tillman wries of the past within the present, and of the inescapability of private memory and public history. A caustic account of how America makes and unmakes a young woman.

In uncompromising and fresh prose, Tillman tells the story of three very contemporary girls. Grace, Emily and Jane collide with friends, family, and culture under dark and comic circumstances, presented in uncanny, disturbing, and sometimes shocking terms. In Haunted Houses, Tillman wries of the past within the present, and of the inescapability of private memory and public history. A caustic account of how America makes and unmakes a young woman.

A gutsy, wise memoir-in-essays from a writer praised as impossible to put down (People) As an aspiring young writer in San Francisco, Michelle Tea lived in a scuzzy communal house; she drank, smoked, snorted anything she got her hands on; she toiled for the minimum wage; and she dated men and women, and sometimes both at once. But between hangovers and dead-end jobs, she scrawled in notebooks and organized dive bar poetry readings, working to make her literary dreams real. In How to Grow Up, Tea shares her awkward stumble towards the life of a Bonafide Grown-Up: healthy, responsible, self-aware, stable. She writes about passion, about her fraught relationship with money, about adoring Barney's while shopping at thrift stores, about breakups and the fertile ground between relationships, about roommates and rent, and about being superstitious (why not, it imbues this harsh world of ours with a bit of magic.) At once heartwarming and darkly comic, How to Grow Up proves that the road less traveled may be a difficult one, but if you embrace life's uncertainty and dust yourself off after every screw up, slowly but surely you just might make it to adulthood.

Fourteen-year-old Trisha Driscoll is a gender-blurring, self-described loner whose family expects nothing of her. While her mother lies on the couch in a hypochondriac haze and her sister aspires to be on "The Real World, " Trisha struggles to find her own place among the neon signs, theme restau-rants, and cookie-cutter chain stores of her hometown. After being hired and abruptly fired from the most popular clothing shop at the local mall, Trisha befriends a chain-smoking misfit named Rose, and her life shifts into manic overdrive. A "postmillennial, class-adjusted "My So-Called Life"" ("Publishers Weekly"), "Rose of No Man's Land "is brim-ming with snarky observations and soulful musings on contemporary teenage America.

An urgent proclamation of what life is like for American women without the security of a financial safety net Indie icon Michelle Tea--whose memoir The Chelsea Whistle details her own working-class roots in gritty Chelsea, Massachusetts--shares these fierce, honest, tender essays written by women who can't go home to the suburbs when ends don't meet. When jobs are scarce and the money has dwindled, these writers have nowhere to go but below the poverty line. The writers offer their different stories not for sympathy or sadness, but an unvarnished portrait of how it was, is, and will be for generations of women growing up working class in America. These wide-ranging essays cover everything from selling blood for grocery money to the culture shock of "jumping" class. Contributors include Dorothy Allison, Bee Lavender, Eileen Myles, and Daisy Hernandez.

In this gritty, confessional memoir, Michelle Tea takes the reader back to the city of her childhood: Chelsea, Massachusetts,a place where time and hope are spent on things not getting any worse. Tea's girlhood is shaped by the rough fabric of the neighbourhood and by its characters,the soft vulnerability of her sister Madeline and her quietly brutal Polish father the doddering, sometimes violent nuns of Our Lady of Assumption Marisol Lewis from the projects by the creek and Johnna Latrotta, the tough-as-nails Italian dance-school teacher who offered a slim chance for escape to every young Chelsea girl in tulle and tap shoes. Told in Tea's trademark loose-tongued, lyrical style, this memoir both celebrates and annihilates one girl's tightrope walk out of a working-class slum and the lessons she carries with her. With wry humour and a hard-fought wisdom, Tea limns the extravagant peril of a dramatic adolescence with the private, catastrophic secret harbored within the walls of her family's home,a secret that threatens to destroy her family forever.