This book discusses the return of geopolitical ideas and doctrines to the post-Soviet space with special focus on the new phenomenon of digital geopolitics, which is an overarching term for different political practices including dissemination of geopolitical ideas online, using the internet by political figures and diplomats for legitimation and outreach activity, and viral spread of geopolitical memes. Different chapters explore the new possibilities and threats associated with this digitalization of geopolitical knowledge and practice. Our authors consider new spatial sensibilities and new identities of global as well as local Selves, the emergence of which is facilitated by the internet. They explore recent reconfigurations of the traditional imperial conundrum of center versus periphery. Developing Manuel Castells' argument that social activism in the digital era is organized around cultural values, the essays discuss new geopolitical ideologies which aim to reinforce Russia's spiritual sovereignty as a unique civilization, while at the same time seeking to rebrand Russia as a greater soft power by utilizing the Russian-speaking diaspora or employing traditionalist rhetoric. Great Power imagery, enemy-making, and visual mappings of Russia's future territorial expansion are traditional means for the manipulation of imperial pleasures and geopolitical fears. In the age of new media, however, this is being done with greater subtlety by mobilizing the grassroots, contracting private information channels, and de-politicizing geopolitics. Given the political events of recent years, it is logical that the Ukrainian crisis should provide the thematic backdrop for most of the authors.

This book explores the origins, manifestations, and functions of Pan-Slavism in contemporary Central and Eastern Europe. In particular, it argues that despite the extinction of Pan-Slavism as an articulated Romantic-era geopolitical ideology, a number of related discourses, metaphors, and emotions have spilled over into the mainstream debates and popular imagination. Using the term Slavophilia to capture the range of representations, the volume lookas at how geopolitical discourses shape the identity and policies of a community. The book further provides a comparative analysis that covers a range of Slavic countries in order to understand how Pan-Slavisim works and resonates across geograhpic and political contexts. It highlights the political use of Pan-Slavic and Slavophilic ideas that seeks to question and undermine Western democracy and supranational instutions and ideas, such as the EU.

More than 700 'utopian' novels are published in Russia every year. These utopias - meaning here fantasy fiction, science fiction, space operas or alternative history - do not set out merely to titillate; instead they express very real Russian anxieties: be they territorial right-sizing, loss of imperial status or turning into a 'colony' of the West. Contributors to this innovative collection use these narratives to re-examine post-Soviet Russian political culture and identity. Interrogating the intersections of politics, ideologies and fantasies, chapters draw together the highbrow literary mainstream (authors such as Vladimir Sorokin), mass literature for entertainment and individuals who bridge the gap between fiction writers and intellectuals or ideologists (Aleksandr Prokhanov, for example, the editor-in-chief of Russia's far-right newspaper Zavtra). In the process The Post-Soviet Politics of Utopia sheds crucial light onto a variety of debates - including the rise of nationalism, right-wing populism, imperial revanchism, the complicated presence of religion in the public sphere, the function of language - and is important reading for anyone interested in the heightened importance of ideas, myths, alternative histories and conspiracy theories in Russia today.

This volume explores the relationship between new media and religion, focusing on the WWW's impact on the Russian Orthodox Church. Eastern Christianity has travelled a long way through the centuries, amassing the intellectual riches of many generations of theologians and shaping the cultures as well as histories of many countries, Russia included, before the arrival of the digital era. New media pose questions that, when answered, fundamentally change various aspects of religious practice and thinking as well as challenge numerous traditional dogmata of Orthodox theology. For example, an Orthodox believer may now enter a virtual chapel, light a candle by drag-and-drop operations, send an online prayer request, or worship virtual icons and relics. In recent years, however, Church leaders and public figures have become increasingly sceptical about new media. The internet, some of them argue, breaches Russia's "spiritual sovereignty" and implants values and ideas alien to the Russian culture. This collection addresses such questions as: How is the Orthodox ecclesiology influenced by its new digital environment? What is the role of clerics in the Russian WWW? How is the specifically Orthodox notion of sobornost' (catholicity) being transformed here? Can Orthodox activity in the internet be counted as authentic religious practice? How does the virtual religious life intersect with religious experience in the "real" church?

More than 700 'utopian' novels are published in Russia every year. These utopias - meaning here fantasy fiction, science fiction, space operas or alternative history - do not set out merely to titillate; instead they express very real Russian anxieties: be they territorial right-sizing, loss of imperial status or turning into a 'colony' of the West. Contributors to this innovative collection use these narratives to re-examine post-Soviet Russian political culture and identity. Interrogating the intersections of politics, ideologies and fantasies, chapters draw together the highbrow literary mainstream (authors such as Vladimir Sorokin), mass literature for entertainment and individuals who bridge the gap between fiction writers and intellectuals or ideologists (Aleksandr Prokhanov, for example, the editor-in-chief of Russia's far-right newspaper Zavtra). In the process The Post-Soviet Politics of Utopia sheds crucial light onto a variety of debates - including the rise of nationalism, right-wing populism, imperial revanchism, the complicated presence of religion in the public sphere, the function of language - and is important reading for anyone interested in the heightened importance of ideas, myths, alternative histories and conspiracy theories in Russia today.

This book discusses the return of geopolitical ideas and doctrines to the post-Soviet space with special focus on the new phenomenon of digital geopolitics, which is an overarching term for different political practices including dissemination of geopolitical ideas online, using the internet by political figures and diplomats for legitimation and outreach activity, and viral spread of geopolitical memes. Different chapters explore the new possibilities and threats associated with this digitalization of geopolitical knowledge and practice. Our authors consider new spatial sensibilities and new identities of global as well as local Selves, the emergence of which is facilitated by the internet. They explore recent reconfigurations of the traditional imperial conundrum of center versus periphery. Developing Manuel Castells' argument that social activism in the digital era is organized around cultural values, the essays discuss new geopolitical ideologies which aim to reinforce Russia's spiritual sovereignty as a unique civilization, while at the same time seeking to rebrand Russia as a greater soft power by utilizing the Russian-speaking diaspora or employing traditionalist rhetoric. Great Power imagery, enemy-making, and visual mappings of Russia's future territorial expansion are traditional means for the manipulation of imperial pleasures and geopolitical fears. In the age of new media, however, this is being done with greater subtlety by mobilizing the grassroots, contracting private information channels, and de-politicizing geopolitics. Given the political events of recent years, it is logical that the Ukrainian crisis should provide the thematic backdrop for most of the authors.