The giant of Ljubljana marshals some of the greatest thinkers of our age in support of a dazzling re-evaluation of Jacques Lacan.
It is well known that Jacques Lacan developed his ideas in dialogue with major European thought and art, past and present. Yet what if there is another frame of reference, rarely or never mentioned by Lacan, which influenced his thinking, and is crucial to its proper understanding? Zizek focuses on Lacan's "silent partners," those who provide a key to Lacanian theory, discussing his work in relation to the Pre-Socratics, Diderot, Hegel, Nietzsche, Holderlin, Wagner, Turgenev, Kafka, Henry James, Artaud and Kiarostami.
As Zizek says, "The ultimate aim of the present volume is to instigate a new wave of Lacanian paranoia: to push readers to engage in the work of their own and start to discern Lacanian motifs everywhere, from politics to trash culture, from obscure ancient philosophers to contemporary Iranian filmmakers."
Contributors include Alain Badiou, Bruno Bosteels, Joan Copjec, Mladen Dolar, Fredric Jameson, Silvia Ons, and Alenka Zupancic.

The Panopticon project for a model prison obsessed the English philosopher Jeremy Bentham for almost 20 years. In the end, the project came to nothing; the Panopticon was never built. But it is precisely this that makes the Panopticon project the best exemplification of Bentham's own theory of fictions, according to which non-existent fictitious entities can have all too real effects. There is probably no building that has stirred more philosophical controversy than Bentham's Panopticon. The Panopticon is not merely, as Foucault thought, "a cruel, ingenious cage", in which subjects collaborate in their own subjection, but much more-constructing the Panopticon produces not only a prison, but also a god within it. The Panopticon is a machine which on assembly is already inhabited by a ghost. It is through the Panopticon and the closely related theory of fictions that Bentham has made his greatest impact on modern thought; above all, on the theory of power. The Panopticon writings are frequently cited, rarely read. This edition contains the complete "Panopticon Letters", together with selections from "Panopticon Postscript I" and "Fragment on Ontology", Bentham's fullest account of fictions. A comprehensive introduction by Miran Bozovic explores the place of Panopticon in contemporary theoretical debate.

Hitchcock gets onto the analyst s couch in this extraordinary volume of case studies. The contributors bring to bear an unrivaled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre, analyzing movies such as Rear Window and Psycho. Starting from the premise that everything has meaning, the authors examine the films ostensible narrative content and formal procedures to discover a rich proliferation of hidden ideological and psychic mechanisms. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning. An extraordinary landmark in Hitchcock studies, this new edition features a brand-new essay by philosopher Slavoj i ek, presenter of Sophie Fiennes s three-part documentary The Pervert s Guide to Cinema. Contributors: Pascal Bonitzer, Miran Bo ovi, Michel Chion, Mladen Dolar, Fredric Jameson, Stojan Pelko, Renata Salecl, Alenka Zupan i and Slavoj i ek.