On a blustery night, detectives from the Massachusetts State Police knocked on Amy Gleason's door. Gleason, along with fellow nurse Kim Hoy, had helped a patient deal with pain and suffering at the end of her life. Now the patient was dead, and the two nurses were being investigated for murder. Both believed they had done the right thing, but they had no idea what it would cost them. In this captivating and powerful true story, Dr. Lewis M. Cohen uses the experiences of Gleason, Hoy, and the nursing assistant who accused them of murder to explore what happens when decisions about end-of-life care shift from the hospital to the courtroom and the church. Tracing this issue from the uproar over Terri Schiavo's feeding tube to the controversial figure of Jack Kevorkian, and to the legitimate threat of serial killer medical professionals, Cohen goes behind the scenes on both sides of this debate. He examines how advances in modern medicine have given us tremendous tools for prolonging life but have also forced us to address how we treat patients who are dying and suffering.

How sexual risk is negotiated betwen partners is an area of considerable theoretical interest, with the dominant models of analysis focusing on individual decisions to engage in sexual behaviour and relying on "rational" decision-making. This work, based on the findings from work co-ordinated by the Centre d'Etudes Sociologiques in Brussels, offers a social critique of the theories and perspectives which have currently been brought to bear in the study of sexual risk behaviour and HIV. Leading European researchers offers a conceptual framework for analysis based on sexual interactions and their social context. The practical relevance of new perspectives on sexual behaviour in the context of HIV/AIDS prevention is also discussed.

How sexual risk is negotiated betwen partners is an area of considerable theoretical interest, with the dominant models of analysis focusing on individual decisions to engage in sexual behaviour and relying on "rational" decision-making. This work, based on the findings from work co-ordinated by the Centre d'Etudes Sociologiques in Brussels, offers a social critique of the theories and perspectives which have currently been brought to bear in the study of sexual risk behaviour and HIV. Leading European researchers offers a conceptual framework for analysis based on sexual interactions and their social context. The practical relevance of new perspectives on sexual behaviour in the context of HIV/AIDS prevention is also discussed.

A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics-through story lines, symbols, harmonies, and musical motifs-has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.

A thoroughly updated and substantially expanded edition of an acclaimed anthology This is a thoroughly updated and substantially expanded new edition of one of the most popular, wide-ranging, and engaging anthologies of Western political thinking, one that spans from antiquity to the twenty-first century. In addition to the majority of the pieces that appeared in the original edition, this new edition features exciting new selections from more recent thinkers who address vital contemporary issues, including identity, cosmopolitanism, global justice, and populism. Organized chronologically, the anthology brings together a fascinating array of writings-including essays, book excerpts, speeches, and other documents-that have indelibly shaped how politics and society are understood. Each chronological section and thinker is presented with a brief, lucid introduction, making this a valuable reference as well as an essential reader. A thoroughly updated and substantially expanded edition of an acclaimed anthology of political thought Features a wide range of thinkers, including Thucydides, Plato, Aristotle, Cicero, Augustine, Aquinas, Christine de Pizan, Machiavelli, Luther, Calvin, Hobbes, Spinoza, Locke, Swift, Hume, Rousseau, Adam Smith, Jefferson, Burke, Olympes de Gouges, Wollstonecraft, Kant, Hegel, Bentham, Mill, de Tocqueville, Frederick Douglass, Lincoln, Marx, Nietzsche, Lenin, John Dewey, Gaetano Mosca, Roberto Michels, Weber, Emma Goldman, Freud, Einstein, Mussolini, Arendt, Hayek, Franklin D. Roosevelt, T. H. Marshall, Orwell, Leo Strauss, de Beauvoir, Fanon, Martin Luther King Jr., Malcolm X, Havel, Fukuyama, Habermas, Foucault, Rawls, Nozick, Walzer, Iris Marion Young, Martha Nussbaum, Peter Singer, Amartya Sen, and Jan-Werner Muller Includes brief introductions for each thinker

In The Wager of Lucien Goldmann, Mitchell Cohen provides the first full-length study of this major figure of postwar French intellectual life and champion of socialist humanism. While many Parisian leftists staunchly upheld Marxism's "scientificity" in the 1950s and 1960s, Lucien Goldmann insisted that Marxism was by then in severe crisis and had to reinvent itself radically if it were to survive. He rejected the traditional Marxist view of the proletariat and contested the structuralist and antihumanist theorizing that infected French left-wing circles in the tumultuous 1960s. Highly regarded by thinkers as diverse as Jean Piaget and Alasdair MacIntyre, Goldmann is shown here as a socialist who, unlike many others of his time, refused to portray his aspirations for humanity's future as an inexorable unfolding of history's laws. He saw these aspirations instead as a wager akin to Pascal's in the existence of God. "Risk," Goldmann wrote in his classic study of Pascal and Racine, The Hidden God, "possibility of failure, hope of success, and the synthesis of the three in a faith which is a wager are the essential constituent elements of the human condition." In The Wager of Lucien Goldmann, Cohen retrieves Goldmann's achievement--his "genetic structuralist" method, his sociology of literature, his libertarian socialist politics. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In The Wager of Lucien Goldmann, Mitchell Cohen provides the first full-length study of this major figure of postwar French intellectual life and champion of socialist humanism. While many Parisian leftists staunchly upheld Marxism's "scientificity" in the 1950s and 1960s, Lucien Goldmann insisted that Marxism was by then in severe crisis and had to reinvent itself radically if it were to survive. He rejected the traditional Marxist view of the proletariat and contested the structuralist and antihumanist theorizing that infected French left-wing circles in the tumultuous 1960s. Highly regarded by thinkers as diverse as Jean Piaget and Alasdair MacIntyre, Goldmann is shown here as a socialist who, unlike many others of his time, refused to portray his aspirations for humanity's future as an inexorable unfolding of history's laws. He saw these aspirations instead as a wager akin to Pascal's in the existence of God. "Risk," Goldmann wrote in his classic study of Pascal and Racine, The Hidden God, "possibility of failure, hope of success, and the synthesis of the three in a faith which is a wager are the essential constituent elements of the human condition." In The Wager of Lucien Goldmann, Cohen retrieves Goldmann's achievement--his "genetic structuralist" method, his sociology of literature, his libertarian socialist politics. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics--through story lines, symbols, harmonies, and musical motifs--has played an operatic role both robust and sotto voce. Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance--where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, da Ponte, and many more. An engrossing book that will interest all who love opera and are intrigued by politics, The Politics of Opera offers a compelling investigation into the intersections of music and the state.

"The most potent weapon in the hands of the oppressor is the mind of the oppressed." (Steve Biko) Mitchel Cohen's poems -- loaded with insight as well as incite -- seek to deny the oppressor that weapon. Mitchel Cohen lives in "The People's Republic of Brooklyn." He is a member of the Brooklyn Greens/Green Party, and for many years made his living (such as it is) selling his poems in the subways. He was a founding member of the Red Balloon Collective and its "poetry conspiracy" at SUNY Stony Brook in 1969 and edited its journal through the decades. Cohen was one of the "Lib-er-ty Bell 7," arrested for demanding free-dom for political pri-son-ers Mumia Abu-Jamal and Leonard Peltier. He co-founded and coordinates the No Spray Coalition against toxic pesticides, works with NY State Against Genetic Engineering, Chairs the WBAI Local Station Board (99.5 FM), and broadcasts a weekly internet radio show, "Steal This Radio" at www.nytalkradio.net.

This study explores the struggle between left-and right-wing factions within the Zionist movement, tracing the emergence of modern Jewish nationalism from its origins in the mid-19th century, through the vision of Theodor Herzl, and up to the first 15 years of Israeli statehood. Concentrating on the 1920s and 1930s, Mitchell Cohen discusses the victory of the Zionist Labour movement over the right-wing revisionists, and shows how the growing dominance of Labour in the 1930s made the birth of the Jewish state possible. He shows how Labour's long-term policies were self-defeating, helping to foster a political culture that was more open to individuals on the right, such as Menachem Begin, and made it vulnerable to the more strident nationalism of the 1970s. When the Israel Workers' Party could not win a plurality in the World Jewish Congress after 1933, it formed coalitions with religious and bourgeois parties, which transformed it into a party that considered class, nation and state as separate entities.