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A reissue of Pam Munoz Ryan's bestselling backlist with a
distinctive new author treatment.
Esperanza thought she'd always live with her family on their ranch
in Mexico--she'd always have fancy dresses, a beautiful home, and
servants. But a sudden tragedy forces Esperanza and Mama to flee to
California during the Great Depression, and to settle in a camp for
Mexican farm workers. Esperanza isn't ready for the hard labor,
financial struggles, or lack of acceptance she now faces. When
their new life is threatened, Esperanza must find a way to rise
above her difficult circumstances--Mama's life, and her own, depend
on it.
Sweet Potato Processing Technology systematically introduces
processing technologies of sweet potato starch and its series
products including sweet potato protein, dietary fibers, pectin,
granules, anthocyanins and chlorogenic acids. The book provides a
detailed and comprehensive account of physicochemical and
functional properties of sweet potato products, the nutritional
components extracted from sweet potato, as well as their
utilization in food, medicine and cosmetic fields. This book can
provide the scientific basis and technical support for virtuous
circle promotion and structure upgrade of sweet potato processing
industry. This book will be a valuable reference for undergraduate
and graduate students, as well as specialists and enterprise
research staff in the field of food technology.
Chemostratigraphy: Concepts, Techniques, and Applications is the
first collection of contributed articles that introduces young
geoscientists to the discipline while providing seasoned
practitioners with a standard reference that showcases the topic's
most recent research and application developments. This
multi-contributed reference on one of the youngest and most dynamic
branches of the geosciences includes articles from some of the
world's leading researchers. This book is a one-stop source of
chemostratigraphy theory and application, helping geoscientists
navigate through the wealth of new research that has emerged in
recent years.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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