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This volume brings together a number of experts who explore conceptual and policy challenges, as well as empirical realities, associated with gender and migration in highly mediated societies. The need to more systematically address the gendered experience of migration, especially in relation to political and cultural representation, is in the core of the discussions that unfold in this book. The book's chapters address a number of critical questions in relation to the representation of women as members of communities and as outsiders in culturally diverse societies. In doing so, the collection pays particular attention to the sphere of media and communications. Mediated communication has become crucially important in the construction of meanings of identity and citizenship, while the media have taken centre stage in framing debates on migration, border control and gender representations in culturally diverse societies. Gender, Migration and the Media presents a cross-cultural and interdisciplinary understanding of the practices and the consequences of mediated communication for identity and citizenship. This book was originally published as a special issue of Ethnic and Racial Studies.
How do digital technologies shape the experiences and meanings of migration? As the numbers of people fleeing war, poverty, and environmental disaster reach unprecedented levels worldwide, states also step up their mechanisms of border control. In this, they rely on digital technologies, big data, artificial intelligence, social media platforms, and institutional journalism to manage not only the flow of people at crossing-points, but also the flow of stories and images of human mobility that circulate among their publics. What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility? Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities. This is a story of exclusion, marginalization, and violence, but also of care, conviviality, and solidarity. Through it, the border emerges neither as strictly digital nor as totally controlling. Rather, the authors argue, the digital border is both digital and pre-digital; datafied and embodied; automated and self-reflexive; undercut by competing emotions, desires, and judgments; and traversed by fluid and fragile social relationships—relationships that entail both the despair of inhumanity and the promise of a better future.
How do digital technologies shape the experiences and meanings of migration? As the numbers of people fleeing war, poverty, and environmental disaster reach unprecedented levels worldwide, states also step up their mechanisms of border control. In this, they rely on digital technologies, big data, artificial intelligence, social media platforms, and institutional journalism to manage not only the flow of people at crossing-points, but also the flow of stories and images of human mobility that circulate among their publics. What is the role of digital technologies is shaping migration today? How do digital infrastructures, platforms, and institutions control the flow of people at the border? And how do they also control the public narratives of migration as a “crisis”? Finally, how do migrants themselves use these same platforms to speak back and make themselves heard in the face of hardship and hostility? Taking their case studies from the biggest migration event of the twenty-first century in the West, the 2015 European migration “crisis” and its aftermath up to 2020, Lilie Chouliaraki and Myria Georgiou offer a holistic account of the digital border as an expansive assemblage of technological infrastructures (from surveillance cameras to smartphones) and media imaginaries (stories, images, social media posts) to tell the story of migration as it unfolds in Europe’s outer islands as much as its most vibrant cities. This is a story of exclusion, marginalization, and violence, but also of care, conviviality, and solidarity. Through it, the border emerges neither as strictly digital nor as totally controlling. Rather, the authors argue, the digital border is both digital and pre-digital; datafied and embodied; automated and self-reflexive; undercut by competing emotions, desires, and judgments; and traversed by fluid and fragile social relationships—relationships that entail both the despair of inhumanity and the promise of a better future.
How is life in digital cities changing what it means to be human? Cities are the preeminent site of technological development – from extractive datafication to increasing AI control – as well as centres of enhanced connectivity through which people experience, decode and adapt such technologies. In this perceptive book, Myria Georgiou reveals a new configuration of social order taking shape in today’s cities. The digital order, as any hierarchy, serves to privilege some while dehumanizing others. Yet, fundamental humanist values of dignity, autonomy and freedom are alive and well in the city of tech. This drives corporate, media and state actors to downplay market-driven, technocratic imperatives as they seek to reassure distrustful citizens. Mobilizing positive sociotechnical imaginaries of diversity, sustainability and openness, they promise digitally mediated human progress. At the same time, urban citizens and municipalist movements propose alternative pathways to humane cities as they navigate new opportunities afforded by digital environments. Investigating the dynamic workings of technology and power from a transnational and comparative perspective, this book reveals the contradictory claims and struggles for the future of digital cities and their humanity. In doing so, it will enrich understandings of digital urbanism, critical data studies and critical humanist studies.
This volume brings together a number of experts who explore conceptual and policy challenges, as well as empirical realities, associated with gender and migration in highly mediated societies. The need to more systematically address the gendered experience of migration, especially in relation to political and cultural representation, is in the core of the discussions that unfold in this book. The book's chapters address a number of critical questions in relation to the representation of women as members of communities and as outsiders in culturally diverse societies. In doing so, the collection pays particular attention to the sphere of media and communications. Mediated communication has become crucially important in the construction of meanings of identity and citizenship, while the media have taken centre stage in framing debates on migration, border control and gender representations in culturally diverse societies. Gender, Migration and the Media presents a cross-cultural and interdisciplinary understanding of the practices and the consequences of mediated communication for identity and citizenship. This book was originally published as a special issue of Ethnic and Racial Studies.
Migration moves people, ideas and things. Migration shakes up political scenes and instigates new social movements. It redraws emotional landscapes and reshapes social networks, with traditional and digital media enabling, representing, and shaping the processes, relationships and people on the move. The deep entanglement of media and migration expands across the fields of political, cultural and social life. For example, migration is increasingly digitally tracked and surveilled, and national and international policy-making draws on data on migrant movement, anticipated movement, and biometrics to maintain a sense of control over the mobilities of humans and things. Also, social imaginaries are constituted in highly mediated environments where information and emotions on migration are constantly shared on social and traditional media. Both, those migrating and those receiving them, turn to media and communicative practices to learn how to make sense of migration and to manage fears and desires associated with cross-border mobility in an increasingly porous but also controlled and divided world. The SAGE Handbook of Media and Migration offers a comprehensive overview of media and migration through new research, as well as a review of present scholarship in this expanding and promising field. It explores key interdisciplinary concepts and methodologies, and how these are challenged by new realities and the links between contemporary migration patterns and its use of mediated processes. Although primarily grounded in media and communication studies, the Handbook builds on research in the fields of sociology, anthropology, political science, urban studies, science and technology studies, human rights, development studies, and gender and sexuality studies, to bring to the forefront key theories, concepts and methodological approaches to the study of the movement of people. In seven parts, the Handbook dissects important areas of cross-disciplinary and generational discourse for graduate students, early career researcher, migration management practitioners, and academics in the fields of media and migration studies, international development, communication studies, and the wider social science discipline. Part One: Keywords and Legacies Part Two: Methodologies Part Three: Communities Part Four: Representations Part Five: Borders and Rights Part Six: Spatialities Part Seven: Conflicts
How is life in digital cities changing what it means to be human? Cities are the preeminent site of technological development – from extractive datafication to increasing AI control – as well as centres of enhanced connectivity through which people experience, decode and adapt such technologies. In this perceptive book, Myria Georgiou reveals a new configuration of social order taking shape in today’s cities. The digital order, as any hierarchy, serves to privilege some while dehumanizing others. Yet, fundamental humanist values of dignity, autonomy and freedom are alive and well in the city of tech. This drives corporate, media and state actors to downplay market-driven, technocratic imperatives as they seek to reassure distrustful citizens. Mobilizing positive sociotechnical imaginaries of diversity, sustainability and openness, they promise digitally mediated human progress. At the same time, urban citizens and municipalist movements propose alternative pathways to humane cities as they navigate new opportunities afforded by digital environments. Investigating the dynamic workings of technology and power from a transnational and comparative perspective, this book reveals the contradictory claims and struggles for the future of digital cities and their humanity. In doing so, it will enrich understandings of digital urbanism, critical data studies and critical humanist studies.
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