He was an emotional wreck. Jack was remembering his vows on his wedding day that Pastor Wayne had said over them,"We ask of you Lord, to look over their union & make it one that will last forever, either here in the mortal or in the spirit-." Jack knew he had a journey ahead of him without Sam, but he would always keep her spirit alive through him. He would be inspired by her memories to go on, especially now having their son to remind him of her warmth each day. Just at that moment his thoughts of Sam had been broken.... Written by Breanna Gibson

He rang the door bell, instantly the door opened, for her to say, "Enzo is that you?" "No, my name is Jack Cash." "What is it I can do for you miss?" "I seek revenge and retribution on what was done to my husband..."He was killed, beaten and mutilated." Jack asked, "What is the precinct doing about this?" "An investigation was done and they came to the conclusion that the name of King Huffa from South Africa, where he has Diplomatic Immunity is behind all of this." Jack knew he needed UN approval to go after this one, so he texted a request, at that moment she told, "Jack, I want retribution from all those involved, for that I give you a million dollars, for your fee, is also a million dollars, for this I know you get. " As she was looking at Jack, she said, "You could be a splitting image of my former husband? You have a lot of resemblances." Jack asked, "Who was that?" "His name was Enzo Bonn."

At the end of the Cold War, Jack Cash finds himself sitting in a prison with no hope of parole. It appears that this super spy and international bounty hunter's days of intelligence gathering are over. Nicknamed Parthian Stranger by his inmates, Jack spends his days trying to figure out how to escape the prison where he has been hidden for the last twenty years. Everything is about to change for Jack when he awakens one morning to discover he is alone in the penitentiary. With no guards in sight, Jack makes his way up the prison walls and out to freedom. Now on the run, Jack is in a fight for his life and will stop at nothing-even if it means murdering anyone who gets in his way. But after he meets Sara Sanders, a victim of a stalker who enlists his help, he has no idea that the CIA is closing in an attempt to help him. Suddenly the life of a Parthian Stranger turns in an unexpected direction that leads him straight into a dangerous situation where he must pull out all the stops to not only save his own life, but also the lives of others.

Jack turned slowly to toss his gun at the sheriff's feet, to hear, "Now you put your hands on top of your head and kneel down." He looked down to see the pearl handed gun, as the sheriff knelt down and said, "In these parts, outside of North Memphis is my territory." "Hold it right there," said a command voice, then added "Don't you dare touch that weapon, you are under arrest. As Jack got up to see, it was Danger, with a smile to and said "like that?' "Yeah like that," as Jack picks up his gun, holsters it, and shows the sheriff his badge, and then puts it away. Jack said "Now you were saying sheriff, it's your way which is?" "I want my attorney." said the sheriff.

The English Jacobin Novel on Rights, Property and the Law is a study of the radical novel's critique of the evolving social contract in the 1790s. Focusing on selected novels by Thomas Holcroft, Charlotte Smith, Elizabeth Inchbald, Robert Bage, William Godwin, Mary Hays, Mary Wollstonecraft, and Maria Edgeworth, this book examines narrative investigations into the intricate relationships between theories of rights, the requirements of proprietorship in civil society, and the construction of the legal subject. MARKET 1: Eighteenth-century Studies; Romantic scholars and students MARKET 2: General readers interested in law and literature, and the development of the novel

Researchers now recognize that above- and belowground communities are indirectly linked to one another, often by plant-mediated mechanisms. To date, however, there has been no single multi-authored edited volume on the subject. This book remedies that gap, and offers state-of-the art insights into basic and applied research on aboveground-belowground interactions and their functional consequences. Drawing on a diverse pool of global expertise, the authors present diverse approaches that span a range of scales and levels of complexity. The respective chapters provide in-depth information on the current state of research, and outline future prospects in the field of aboveground-belowground community ecology. In particular, the book's goal is to expand readers' knowledge of the evolutionary, community and ecosystem consequences of aboveground-belowground interactions, making it essential reading for all biologists, graduate students and advanced undergraduates working in this rapidly expanding field. It touches on multiple research fields including ecology, botany, zoology, entomology, microbiology and the related applied areas of biodiversity management and conservation.

Johnson argues that Aristotle's Politics needs to be understood as a 'two-layered' treatise - the first being Aristotle's political theory, and the second as a set of questions for statesmen and politicians. Employing this model, the book sets about to provide a reconceptualization of Politics as a multi-layered, canonical work.

Reshaping the British Constitution provides a vigorous critique of the deformations of Britain's customary constitution and why it could not effectively stem the growth of a centralized political authority. On this foundation it provides a critical description and assessment of recent constitutional changes including devolution, House of Lords reform, human rights and the encroachment of the European Union. Nevil Johnson suggests that since the reform programme has rested on pragmatic political expediency rather than on coherent thinking about constitutional principles, it is likely to strengthen the familiar deformations of the customary constitution.

Agency in Constrained Academic Contexts examines how social agents construct autonomous spaces in the context of neoliberal education. The contributors to this edited collection consider the ways that educators, students, and families assert agency, claim space, and thereby reshape the constraints imposed by the durability of the academic institutions of which they are a part.

This collection of classic papers in shock compression science makes available not only some of the most important classic papers on shock waves by Poisson, Rankine, Earnshaw, Riemann, and Hugoniot, which remain important references, but also some pathbreaking papers from the 1940s and 1950s on shocks in solids and fluids by such theorists as Bethe, and Weyl. Although their ideas and results remain of current interest, many of these papers have been hard to find, since the journals in which they were published are not available in many libraries. The editors have also translated papers written in French to make them accessible to a wider audience. This collection is thus not only a valuable historical resource but also a vital reference for those working in the field.

Viruses that are pathogenic to beneficial insects and other arthropods cause millions of dollars of damage every year to industries, such as sericulture, apiculture, and aquaculture (e.g. infecting honeybees and silk worms). On the other hand, viruses that are pathogenic to insect pests can be exploited as attractive biological control agents. Another fascinating feature of these viruses is that some, e.g. baculoviruses, have been commercially exploited for use as gene expression and delivery vectors in both insect and mammalian cells. All of these factors have led to an explosion in the amount of research into insect viruses in recent years, generating impressive quantities of information on the molecular and cellular biology of these viruses. This timely book reviews the exciting new developments in the field of insect virology. Written by internationally renowned insect virologists, the chapters review the current molecular biology of all the major groups of insect pathogenic viruse

This is the second book in the Counterpoints series and focuses on alternative models of visual-spatial processing in human cognition. Over the last twenty years, theories and research relating to visual-spatial cognition have been of central interest to a broad range of psychologists - in areas of perception, memory, neuropsychology, and problem solving. This book offers extended chapters from three of the most respected and recognized investigators in the field: Michel Denis, Margaret Intons-Peterson, and Philip Johnson-Laird. The arguments are integrated, and ideas for new directions and new research are offered.

The concept of deviance is complex, given that norms vary considerably across groups, times, and places. Society tends to primarily recognize traditional portraits of deviants such as street-offenders and drug addicts. The label "deviant" is commonly cast upon society's undesirables, but this socially constructed image often overlooks subtler-and arguably more dangerous-deviance. Physician malfeasance is an especially problematic form, given that medical professionals garner trust, autonomy, and prestige from society, which allows them to operate outside of the public eye. This book responds to a growing number of concerns regarding deviant physician actions such as physically and sexually abusive behaviors, fabricating medical findings and records, and taking advantage of patients (e.g., filing fraudulent Medicaid claims). It explores theoretical explanations for physician deviance, and goes on to consider potential responses such as Medicaid Fraud Control Units, the Questionable Doctors database, and the ability of doctors to police themselves. The unique perspective offered in this book informs discussions of white-collar crime and deviance and has important implications for researchers, policymakers, and students involved in criminal justice and public policy.

Socrates' life, as revealed in Plato's dialogues, is defined by a twofold ambition. On one hand, he scrutinizes people's beliefs, including his own, with the aim of exposing inconsistencies and learning about the human excellences. On the other hand, Socrates attempts to persuade particular individuals that the life of virtue and justice is far superior to the life of injustice. Curtis A. Johnson, by focusing specifically on the dialogues with the "immoralists" Polus, Callicles, and Thrasymachus, illuminates the complexities of Socrates' thought, showing the complicated interplay of the seemingly contradictory parts of Socrates' ambition, ultimately vindicating the overall coherence of the views. Socrates and the Immoralists assembles an in-depth exploration of Socrates' argument for the just life, important for scholars of Socrates, Plato, and Greek philosophy in general.

Molecular Biology of Assemblies and Machines presents a comprehensive narrative describing the structures of macromolecular complexes and how they assemble and interact. Richly illustrated, it is written for advanced undergraduates, graduate students, and researchers in biochemistry, structural biology, molecular biology, biophysics, cell biology, and microbiology, and will also appeal to those in chemistry, immunology, and medicine. Essentially all major biological activities are performed by assemblies of macromolecules (proteins, RNA, and DNA) acting in concert. These assemblies are dynamic and many are endowed with machine-like properties. This unique book explores the molecular mechanisms employed at the critical level between individual macromolecules and cells and organelles.

The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic text—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism—theater artists of color have used O’Neill’s dramatic texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater. In spite of their dichotomous (and at times problematic) representation of Blackness, O’Neill’s plays such as The Emperor Jones and All God’s Chillun Got Wings make ideal case studies because his work stimulated extraordinary, and underappreciated, traffic between Broadway and Harlem—between white and Black America. While it focuses on investigating Broadway productions of O’Neill, the book also attends to the vibrant transnational exchange in early to mid-20th century artistic production. Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.

This book aims to reach an understanding of how the mind carries out three sorts of thinking -- deduction, induction, and creation -- to consider what goes right and what goes wrong, and to explore computational models of these sorts of thinking. Written for students of the mind -- psychologists, computer scientists, philosophers, linguists, and other cognitive scientists -- it also provides general readers with a self-contained account of human and machine thinking. The author presents his point of view, rather than a review, as simply as possible so that no technical background is required. Like the field of research itself, it calls for hard thinking about thinking.

The early drama of Eugene O’Neill, with its emphasis on racial themes and conflicts, opened up extraordinary opportunities for Black performers to challenge racist structures in modern theater and cinema. By adapting O’Neill’s dramatic text—changing scripts to omit offensive epithets, inserting African American music and dance, or including citations of Black internationalism—theater artists of color have used O’Neill’s dramatic texts to raze barriers in American and transatlantic theater. Challenging the widely accepted idea that Broadway was the white-hot creative engine of U.S. theater during the early 20th century, author Katie Johnson reveals a far more complex system of exchanges between the Broadway establishment and a vibrant Black theater scene in New York and beyond to chart a new history of American and transnational theater.  In spite of their dichotomous (and at times problematic) representation of Blackness, O’Neill’s plays such as The Emperor Jones and All God’s Chillun Got Wings make ideal case studies because his work stimulated extraordinary, and underappreciated, traffic between Broadway and Harlem—between white and Black America. While it focuses on investigating Broadway productions of O’Neill, the book also attends to the vibrant transnational exchange in early to mid-20th century artistic production.  Anchored in archival research, Racing the Great White Way recovers not only vital lost performance histories, but also the layered contexts for performing bodies across the Black Atlantic and the Circum-Atlantic.