Eleven essays representing a fresh engagement, from a variety of critical positions, with the tales and nouvelles of Henry James. The collection contains new studies of well-known stories, such as 'Daisy Miller' and 'The Aspern Papers', and explorations of neglected areas, for example James's earliest signed stories from the 1860s, and such strikingly individual works as 'Glasses' and 'The Great Good Place'. The contributors include several of today's most prominent Jamesians, among them Tony Tanner, Barbara Hardy, Millicent Bell and Adrian Poole.

This critical introduction to Warner's writings aims to rehabilitate them from neglect by discussing the development of his ideas and their problematic relationship with the fictional forms through which he articulated them--a relationship which deepens his ostensibly straightforward narratives, and which raises questions of continuing literary interest.

This critical introduction to Warner's writings aims to rehabilitate them from neglect by discussing the development of his ideas and their problematic relationship with the fictional forms through which he articulated them - a relationship which deepens his ostensibly straightforward narratives, and which raises questions of continuing literary interest.

This volume is a new annotated edition of J.H. Prynne's 1983 poem The Oval Window, making use of photographs taken by the poet at the time and place of composition, together with a substantial portfolio supplied by him of source and reference material. This source material includes political and economic news published during the period in early autumn 1983 when the poem was written, together with extracts from literature, Eastern and Western philosophy, optics, anatomy, computer programming language, and a considerable quantity of ancient Chinese poetry. The edition has two commentary essays: the first primarily concerned with approaches to reading, including the use of search engines, and with the relations between different elements in the work, and the second with the topography and the critical antecedents of the poem. For ease of reading, a clean reading text is included as well as the annotated text. The expanded third edition of Prynne's Poems (2015) was published by Bloodaxe in 2015.

Quetzalcoatl was written during Lawrence's first stay in Mexico, in May and June 1923, and registers his initial responses to those aspects of Mexican landscape, religion, politics and culture which would fascinate him over the following two years. On leaving Mexico in July 1923, he described Quetzalcoatl as 'nearly finished', intending to revise it later, but in the event actually rewrote it almost completely, and it was published as The Plumed Serpent in 1926. This is the first scholarly edition of the original manuscripts and typescripts of Quetzalcoatl, and includes a record of all revisions Lawrence made in the course of writing it, detailed explanatory notes and an introduction outlining its compositional history. With the publication of this volume, all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition.

Quetzalcoatl was written during Lawrence's first stay in Mexico, in May and June 1923, and registers his initial responses to those aspects of Mexican landscape, religion, politics and culture which would fascinate him over the following two years. On leaving Mexico in July 1923, he described Quetzalcoatl as 'nearly finished', intending to revise it later, but in the event actually rewrote it almost completely, and it was published as The Plumed Serpent in 1926. This is the first scholarly edition of the original manuscripts and typescripts of Quetzalcoatl, and includes a record of all revisions Lawrence made in the course of writing it, detailed explanatory notes and an introduction outlining its compositional history. With the publication of this volume, all Lawrence's novels, in their first, intermediate and final versions, are now available in the Cambridge edition.

This 2004 volume collects together the introductions and reviews for which Lawrence was responsible over the whole duration of his writing career, from 1911 to 1930: it includes the book review which was the last thing he ever wrote, in the Ad Astra Sanatorium in Vence. The forty-nine separate items include some of his most compelling literary productions: for example, the fascinating Memoir of Maurice Magnus of 1921 2, his only extended piece of biographical writing. The volume's Introduction not only outlines the literary contacts of Lawrence's career which led him to doing such work, but gives a fresh account of the life of a literary professional who regularly wrote in support of work in which he personally believed, and who also (rather surprisingly) wrote reviews of nearly thirty books. All the texts, including a number previously unpublished in Britain, have been edited and are supplied with extensive explanatory notes."

This volume collects together manuscript and other early versions of thirteen of D. H. Lawrence's short stories, including some of the best-known ('Odour of Chrysanthemums', 'The Blind Man'), as well as many which have never been published before. It includes the earliest stories Lawrence wrote, dating from the autumn of 1907, and stories written between 1911 and 1919. With this volume, all Lawrence's extant short fiction is now published in the Cambridge edition of his works. All the texts are newly edited, with detailed explanatory notes and a full textual apparatus showing the variants between the manuscripts and later versions, and the Introduction gives an account of their compositional history. This edition thus enables readers, scholars and students to trace Lawrence's extraordinary and rapid development as a writer and to compare the original forms of these stories with what he subsequently went on to make of them.

The novels and stories of Elizabeth Taylor (1912-75) have always had an enthusiastic following among the general reading public, and have been greatly admired by fellow-writers. This study aims to introduce her work, to trace some of its recurrent preoccupations - with memory, dispossession and bereavement, and with her generation's experience of wartime as both disruption and opportunity - and to highlight the ruthless wit with which she assaulted all forms of egotism and self-satisfaction.

This volume collects together the introductions and reviews for which Lawrence was responsible over the whole duration of his writing career, from 1911 to 1930: it includes the book review which was the last thing he ever wrote, in the Ad Astra Sanatorium in Vence. The forty-nine separate items include some of his most compelling literary productions: for example, the fascinating Memoir of Maurice Magnus of 1921-22, his only extended piece of biographical writing. The volume's Introduction not only outlines the literary contacts of Lawrence's career which led him to doing such work, but gives a fresh account of the life of a literary professional who regularly wrote in support of work in which he personally believed, and who also (rather surprisingly) wrote reviews of nearly thirty books. All the texts, including a number previously unpublished in Britain, have been freshly edited and are supplied with extensive Explanatory notes.

This volume collects together manuscript and other early versions of thirteen of D. H. Lawrence's short stories, including some of the best-known ('Odour of Chrysanthemums', 'The Blind Man'), as well as many which have never been published before. It includes the earliest stories Lawrence wrote, dating from the autumn of 1907, and stories written between 1911 and 1919. With this volume, all Lawrence's extant short fiction is now published in the Cambridge edition of his works. All the texts are newly edited, with detailed explanatory notes and a full textual apparatus showing the variants between the manuscripts and later versions, and the Introduction gives an account of their compositional history. This edition thus enables readers, scholars and students to trace Lawrence's extraordinary and rapid development as a writer and to compare the original forms of these stories with what he subsequently went on to make of them.