The Russian Revolution in Asia: From Baku to Batavia presents a unique and timely global history intervention into the historiography of the Russian Revolution of 1917, marking the centenary of one of the most significant modern revolutions. It explores the legacies of the Revolution across the Asian continent and maritime Southeast Asia, with a broad geographic sweep including Iran, the Caucasus, Central Asia, China, the Philippines, Vietnam, Indonesia, and India. It analyses how revolutionary communism intersected with a variety of Asian contexts, from the anti-colonial movement and ethnic tensions, to indigenous cultural frameworks and power structures. In so doing, this volume privileges Asian actors and perspectives, examining how Asian communities reinterpreted the Revolution to serve unexpected ends, including national liberation, regional autonomy, conflict with Russian imperial hegemony, Islamic practice and cultural nostalgia. Methodologically, this volume breaks new ground by incorporating research from a wide range of sources across multiple languages, many analysed for the first time in English-language scholarship. This book will be of use to historians of the Russian Revolution, especially those interested in understanding transnational and transregional perspectives of its impact in Central Asia and Southeast Asia, as well as historians of Asia more broadly. It will also appeal to those interested in the history of Islam.

The Russian Revolution in Asia: From Baku to Batavia presents a unique and timely global history intervention into the historiography of the Russian Revolution of 1917, marking the centenary of one of the most significant modern revolutions. It explores the legacies of the Revolution across the Asian continent and maritime Southeast Asia, with a broad geographic sweep including Iran, the Caucasus, Central Asia, China, the Philippines, Vietnam, Indonesia, and India. It analyses how revolutionary communism intersected with a variety of Asian contexts, from the anti-colonial movement and ethnic tensions, to indigenous cultural frameworks and power structures. In so doing, this volume privileges Asian actors and perspectives, examining how Asian communities reinterpreted the Revolution to serve unexpected ends, including national liberation, regional autonomy, conflict with Russian imperial hegemony, Islamic practice and cultural nostalgia. Methodologically, this volume breaks new ground by incorporating research from a wide range of sources across multiple languages, many analysed for the first time in English-language scholarship. This book will be of use to historians of the Russian Revolution, especially those interested in understanding transnational and transregional perspectives of its impact in Central Asia and Southeast Asia, as well as historians of Asia more broadly. It will also appeal to those interested in the history of Islam.

This study explores the Japanese motivations in raising the proposal for racial equality at the 1919 Paris Peace Conference. This is the first comprehensive analysis of an historically significant event which has not been given adequate scholarly attention in the past. The story which unfolds underlines the complexity of politics and diplomacy surrounding the racial equality proposal and analyses the effect of the failure of the proposal on Japan's politics in the 1920s and 1930s.

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In the decades since her defeat in the Second World War, Japan has continued to loom large in the national imagination of many of her East Asian neighbours. While for many, Japan still conjures up images of rampant military brutality, at different times and in different communities, alternative images of the Japanese 'Other' have vied for predominance - in ways that remain poorly understood, not least within Japan itself. Imagining Japan in Postwar East Asia analyses the portrayal of Japan in the societies of East and Southeast Asia, and asks how and why this has changed in recent decades, and what these changing images of Japan reveal about the ways in which these societies construct their own identities. It examines the role played by an imagined 'Japan' in the construction of national selves across the East Asian region, as mediated through a broad range of media ranging from school curricula and textbooks to film, television, literature and comics. Commencing with an extensive thematic and comparative overview chapter, the volume also includes contributions focusing specifically on Chinese societies (the mainland PRC, Hong Kong and Taiwan), Korea, the Philippines, Malaysia and Singapore. These studies show how changes in the representation of Japan have been related to political, social and cultural shifts within the societies of East Asia - and in particular to the ways in which these societies have imagined or constructed their own identities. Bringing together contributors working in the fields of education, anthropology, history, sociology, political science and media studies, this interdisciplinary volume will be of interest to all students and scholars concerned with issues of identity, politics and culture in the societies of East Asia, and to those seeking a deeper understanding of Japan's fraught relations with its regional neighbours.

In the decades since her defeat in the Second World War, Japan has continued to loom large in the national imagination of many of her East Asian neighbours. While for many, Japan still conjures up images of rampant military brutality, at different times and in different communities, alternative images of the Japanese 'Other' have vied for predominance - in ways that remain poorly understood, not least within Japan itself. Imagining Japan in Postwar East Asia analyses the portrayal of Japan in the societies of East and Southeast Asia, and asks how and why this has changed in recent decades, and what these changing images of Japan reveal about the ways in which these societies construct their own identities. It examines the role played by an imagined 'Japan' in the construction of national selves across the East Asian region, as mediated through a broad range of media ranging from school curricula and textbooks to film, television, literature and comics. Commencing with an extensive thematic and comparative overview chapter, the volume also includes contributions focusing specifically on Chinese societies (the mainland PRC, Hong Kong and Taiwan), Korea, the Philippines, Malaysia and Singapore. These studies show how changes in the representation of Japan have been related to political, social and cultural shifts within the societies of East Asia - and in particular to the ways in which these societies have imagined or constructed their own identities. Bringing together contributors working in the fields of education, anthropology, history, sociology, political science and media studies, this interdisciplinary volume will be of interest to all students and scholars concerned with issues of identity, politics and culture in the societies of East Asia, and to those seeking a deeper understanding of Japan's fraught relations with its regional neighbours.

This study explores the Japanese motivations in raising the proposal for racial equality at the 1919 Paris Peace Conference. This is the first comprehensive analysis of an historically significant event which has not been given adequate scholarly attention in the past. The story which unfolds underlines the complexity of politics and diplomacy surrounding the racial equality proposal and analyses the effect of the failure of the proposal on Japan's politics in the 1920s and 1930s.

Nationalisms in Japan brings together leading specialists in the field to discuss how notions of 'nationalism' in modern Japan impinges on all aspects of social, political and cultural understanding of the Japanese nation or the Japanese state. This book is clearly presented and jargon-free, and encompasses a chronological period of roughly two hundred years, beginning with a discussion of some of the early Japanese national thinkers of the Mito School, and ending with a contemporary discussion of the official visits made by Prime Minister Koizumi Jun'ichiro to the highly controversial Yasukuni Shrine. This wide chronological period allows for important observations about the evolution of nationalism, suggesting that Japan actually houses multiple 'nationalisms'.

Presenting new insights and understanding, this is a valuable addition to those working on modern Japan and nationalism.

Nationalisms in Japan brings together leading specialists in the field to discuss how notions of 'nationalism' in modern Japan impinges on all aspects of social, political and cultural understanding of the Japanese nation or the Japanese state. This book is clearly presented and jargon-free, and encompasses a chronological period of roughly two hundred years, beginning with a discussion of some of the early Japanese national thinkers of the Mito School, and ending with a contemporary discussion of the official visits made by Prime Minister Koizumi Jun'ichiro to the highly controversial Yasukuni Shrine. This wide chronological period allows for important observations about the evolution of nationalism, suggesting that Japan actually houses multiple 'nationalisms'.

Presenting new insights and understanding, this is a valuable addition to those working on modern Japan and nationalism.

This evocative collection of more than 150 picture postcards offers a fascinating insight into Japanese society in Singapore in the late 19th and early 20th centuries. Used as souvenirs and a vehicle for advertisements and personal correspondence, and even propaganda, postcards have taken on many roles throughout Singapore's history, making them unique and valuable sources of documentation. Based on the Lim Shao Bin Collection of Japanese historical materials at the National Library Singapore, this important study illuminates new historical perspectives on the Japanese community as well as related subjects like tourism, war and empire in pre-World War II Singapore.

As the first international conflict of the twentieth century, the Russo-Japanese War attracted much contemporary global interest. This 2009 text was the first full-length study to examine the war from the perspective of its impact on Japanese society, and sheds light on its implications for modern Japan. What did the war mean to the Japanese people and how did they respond to it? Naoko Shimazu presents a fascinating and highly innovative account of the attitudes of ordinary Japanese people towards the war through a wide range of sources including personal diaries, letters, and contemporary images. She deals with themes such as conscripts and battlefield death, war commemoration, heroic myths, and war in popular culture. Challenging the orthodox view of Meiji Japan as monolithic, she shows that there existed a complex and ambivalent relationship between the Japanese state and society.

As the first international conflict of the twentieth century, the Russo-Japanese War attracted much contemporary global interest. This text was the first full-length study to examine the war from the perspective of its impact on Japanese society, and sheds light on its implications for modern Japan. What did the war mean to the Japanese people and how did they respond to it? Naoko Shimazu presents a fascinating and highly innovative account of the attitudes of ordinary Japanese people towards the war through a wide range of sources including personal diaries, letters, and contemporary images. She deals with themes such as conscripts and battlefield death, war commemoration, heroic myths, and war in popular culture. Challenging the orthodox view of Meiji Japan as monolithic, she shows that there existed a complex and ambivalent relationship between the Japanese state and society.

Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895-1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the ""discovery"" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of ""local color,"" which was imposed by Japanese, and its relation to the ""nativism"" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized.