The most enduring testament to the Mamluk Sultanate is its architecture. Not only do Mamluk buildings embody one of the most outstanding medieval architectural traditions, Mamluk architecture is actually a key to the social history of the period. Analyzing Mamluk constructions as a form of communication and documentation as well as a cultural index, "Mamluk History Through Architecture" shows how the buildings mirror the complex -- and historically unique -- military, political, social and financial structures of Mamluk society.

With this original and authoritative study Nasser Rabbat offers an innovative approach to the history of the Mamluks -- through readings of the spectacular architecture of the period. Drawing on examples from throughout both Egypt and Syria, from the Citadel and Al-Azhar Mosque of Cairo to the Mausoleum of al-Zahir Baybars in Damascus, Rabbat demonstrates how Mamluk architecture served to reinforce visually the spirit of the counter-Crusade, when the Muslim world rebounded from the setbacks of the First Crusade. Both holistically and in case studies, Rabbat demonstrates how history is inscribed into and reflected by a culture's artifacts. This is a groundbreaking work in the study of architecture and social history in the Middle East and beyond.

During the nineteenth century, Cairo witnessed one of its most dramatic periods of transformation. Well on its way to becoming a modern and cosmopolitan city, by the end of the century, a 'medieval' Cairo had somehow come into being. While many Europeans in the nineteenth century viewed Cairo as a fundamentally dual city--physically and psychically split between East/West and modern/medieval--the contributors to the provocative collection demonstrate that, in fact, this process of inscription was the result of restoration practices, museology, and tourism initiated by colonial occupiers. The first edited volume to address nineteenth-century Cairo both in terms of its history and the perception of its achievements, this book will be an essential text for courses in architectural and art history dealing with the Islamic world.

Although al-Maqrizi is recognised as the most influential historian of pre-modern Egypt, he has never received the probing historical treatment warranted by his standing and scholarly output. This book fills that gap. Arranged in three sections, it tells al-Maqrizi's life story in the first, weaves it with historiographical, textual and methodological analysis of his oeuvre in the second, and reconstructs the afterlife of the author and his work down to the present in the third part. al-Maqrizi is presented both as a man of his age who forged a distinct and unique scholarly persona and a historian with a structured and principled project aiming to reconstruct the history of Islamic Egypt in all its facets. His, however, was a critical stance with moral overtones, conceived from within the epistemological framework of a medieval Muslim thinker, which ensured not only his reputation in his own historiographical tradition, but also his reclamation in the modern Egyptian consciousness as one of the most original voices of Egypt.

Although al-Maqrizi is recognised as the most influential historian of pre-modern Egypt, he has never received the probing historical treatment warranted by his standing and scholarly output. This book fills that gap. Arranged in three sections, it tells al-Maqrizi's life story in the first, weaves it with historiographical, textual and methodological analysis of his oeuvre in the second, and reconstructs the afterlife of the author and his work down to the present in the third part. al-Maqrizi is presented both as a man of his age who forged a distinct and unique scholarly persona and a historian with a structured and principled project aiming to reconstruct the history of Islamic Egypt in all its facets. His, however, was a critical stance with moral overtones, conceived from within the epistemological framework of a medieval Muslim thinker, which ensured not only his reputation in his own historiographical tradition, but also his reclamation in the modern Egyptian consciousness as one of the most original voices of Egypt.