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Lucrecia Martel has made only four feature films to date, but has
nonetheless become one of the world's most admired directors. Her
work is extraordinarily sensitive to the limits of sensory
perception, the limits imposed by gender roles, and the limits of
empathy and affect across social divisions. This edited collection
broadens the critical conversation around Martel's work by
integrating analyses of her features with the less frequently
studied short films and her other artistic projects. This volume's
fresh, holistic approach to Martel's career includes contributions
from scholars in Latin America, Europe and the United States, and
ends with a new interview with Martel herself.
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