This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an unforgettable recreation of life in wartime, and of the tragic fate of Poland in the twentieth century: a novel about sabotage, betrayal and the terrible sadness of exile.

In 1940, during the Phoney War, a French destroyer blows up in the Firth of Clyde. The disaster is witnessed by Jackie, a young girl who, for a time, thinks she caused the explosion by running away that day from school; by her mother Helen, a spirited woman married to a dreary young officer; and by a Polish officer, whose country has just been erased from the map by Hitler and Stalin. Their lives, and the lives of many others, are changed by the death of the Fronsac.

This is a story about divided loyalties, treachery and exile; about people in flight from the destinies that seemed to be theirs before the war disrupted the world they knew.

The Penguin Modern Classics edition of Ryszard Kapuscinski's The Emperor is translated by William R. Brand and Katarzyna Mroczkowska-Brand, with an introduction by Neal Ascherton. After the deposition of Haile Selassie in 1974, which ended the ancient rule of the Abyssinian monarchy, Ryszard Kapuscinski travelled to Ethiopia and sought out surviving courtiers to tell their stories. Here, their eloquent and ironic voices depict the lavish, corrupt world they had known - from the rituals, hierarchies and intrigues at court to the vagaries of a ruler who maintained absolute power over his impoverished people. They describe his inexorable downfall as the Ethiopian military approach, strange omens appear in the sky and courtiers vanish, until only the Emperor and his valet remain in the deserted palace, awaiting their fate. Dramatic and mesmerising, The Emperor is one of the great works of reportage and a haunting epitaph on the last moments of a dying regime. Ryszard Kapuscinski (1932-2007) was born in Pinsk, now in Belarus. Kapuscinski was the pre-eminent writer among Polish reporters. His best-known book is a reportage-novel of the decline of Haile Selassie's anachronistic regime in Ethiopia - The Emperor, which has been translated into many languages. Shah of Shahs, about the last Shah of Iran, and Imperium, about the last days of the Soviet Union, have enjoyed similar success. If you enjoyed The Emperor, you might like Norman Mailer's The Fight, also available in Penguin Modern Classics. 'Stunning ... a magical eloquence' John Updike, New Yorker '[The Emperor] transcends reportage, becoming a nightmare of power ... An unforgettable, fiercely comic, and finally compassionate book' Salman Rushdie 'Kapuscinski trascends the limitations of journalism and writes with the narrative power of a Conrad or Kipling or Orwell' Blake Morrison

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The rediscovery of Scotland' s past and a wake-up call about its future, from a leading scholar-journalist
Scotland has a new Parliament and it has North Sea oil, but is it yet an independent, self-sustaining democracy? Is it a true nation? In Stone Voices, Neal Ascherson launches what he calls an imaginative invasion of his native land, searching for the relationships, themes, and fantasies that make up " Scotland."
Beginning with a breathtaking portrait of the country' s landscape, and of the way humanity has indelibly marked even its rockiest contours, Ascherson takes us on a journey through Scotland' s past, interweaving his historical accounts with a rollicking report on a back-country bus expedition he joined during the 1997 referendum campaign that led to Scotland' s first modern Parliament. He asked voters then what kind of country they hoped for, what they feared, and what they expected-- questions that animate his book as well.
In his search for a nation, Acherson explores many themes: the slow, hybrid formation of the Scottish people over centuries of successive immigrations; the way their most renowned intellectuals and writers came to hate the national church; the peculiar nature of their diaspora; the coexistence of their search for an " authentic" Scotland with the myths others create; and the Scots' proud sense of true independence. Stone Voices enlightens us about Scotland, about Europe, and about the conditions for freedom that we must all seek today.

Winner of the Los Angeles Times Book Prize for History

In this study of the fateful encounters between Europe and Asia on the shores of a legendary sea, Neal Ascherson explores the disputed meaning of community, nationhood, history, and culture in a region famous for its dramatic conflicts. What makes the Back Sea cultures distinctive, Ascherson agrues, is the way their comonent parts came together over the millennia to shape unique communities, languages, religions, and trade. As he shows with skill and persuasiveness, Black Sea patterns in the Caucasus, Russia, Ukraine, Romania, Turkey, and Greece have linked the peoples of Europe and Asia together for centuries.

Black Sea is a homage to an ocean and its shores, from the earliest times to the present. It explores the culture, history and politics of the volatile region which surrounds the Black Sea. Ascherson recalls the world of Herodotus and Aeschylus; Ovid's place of exile on what is now the coast of Romania; the decline and fall of Byzantium; the mysterious Christian Goths; the Tatar Khanates; the growth of Russian power across the grasslands, and the centuries of war between Ottoman and Russian Empires around the Black Sea. He examines the terrors of Stalinism and its fascist enemy, both striving for mastery of these endlessly colourful and complex shores, and investigates the turbulent history of modern Ukraine. WITH A FOREWORD BY THE AUTHOR 'A brilliant biography of place' Guardian 'Every page is freighted with rich and fascinating detail' Independent

Neal Ascherson is one of Britain's finest writers in an undefinable genre that fuses history, memoir, politics and meditations on places. His books on Poland and his collected essays on the strange Britain to which he returned from Europe in the mid-1980s were deeply influential. In 1995, Black Sea won critical praise in many languages and several literary prizes. Stone Voices is Ascherson's return to his native Scotland. It is an exploration of Scottish identity, but this is no journalistic rumination on the future of that small nation. Ascherson instead weaves together a story of the deep past - the time of geology and archaeology, of myth and legend - with the story of modern Scotland and its rebirth. Few writers in these islands have his ability to write so well about the natural context of history.

What has happened in Poland? Poland has erupted four times in the last twenty five years, but only the events of 1980 have had comprehensive media coverage. As a result, many questions have been raised in the minds of Western observers. How were such changes possible? What forces lay behind them? In what way did the workers' strike relate to the demands for political democracy? Although a colourful and vivid eye-witness account of the 1980 upheavals, it is to these questions that Neal Ascherson's brilliant and thoughtful analysis mainly addresses itself. Viewing the situation in perspective, he argues that the Polish working class has brought about a controlled revolution, but is not intent on taking power for itself: the real heirs to the gains of 1980 and 1981 are likely to be the intelligentsia, in or out of the Communist Party. It is this social and political ferment that poses fundamental questions about the future of the whole Soviet system in Eastern Europe.

The drawing-room was entirely English. The Office of Works had provided deep armchairs, a sofa you could have slept on, though of course nobody had ever done so, and a low glass-topped table. A young English woman arrives in the Polish People's Republic to visit her older sister, who married a Polish soldier after the war, disappearing into a life behind the Iron Curtain. This award-winning novel of the harsh cruelties and deprivations of life in Communist Poland is told with truth, wit and understanding.

Beautifully written, intelligent and provocative reflections on the world scene as Ascherson looks first at the painful business of being English in a period of decline marked by public nastiness and private confusion. He goes on to attack - in an important and original series of arguments -the politics of 'Stonehenge': the UK's archaic and undemocratic constitution, and finally examines the temptations of state power in Mrs Thatcher's decade. Next, Ascherson takes us on a personal tour of Europe, 'the barbaric continent', exposing some ugly hatred and memories lurking beneath the cultured surface; he writes movingly about the courage and sacrifice that nations at their best can draw out. His meditations on Eastern Europe, 'Waltzing With Molotov', are exemplary for their critical sympathy. In the book's final section, a vivid and memorable collection of sectarians, spies, traitors, heroes, monsters and victims reveals a lot about fear and hope in the closing years of this dangerous century.