With its depictions of the downtrodden prostitutes, bootleggers, and hustlers of Perdido Street in the old French Quarter of 1930s New Orleans, "A Walk in the Wild Side" has found a place in the imaginations of all generations since it first appeared. As Algren admitted, the book "wasn't written until long after it had been walked . . . I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called 'Walking the Wild Side of Life.' I've stayed pretty much on that side of the curb ever since."
Perhaps the author's own words describe this classic work best: "The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind."

Critical essays accompany the story of gambler Frankie Machine as he struggles to stay alive amid the corruption and drug addiction of Chicago's slums and underworld.

A twentieth-century classic. The book that inspired Lou Reed's most famous song. Foreword by Russell Banks. Dove Findhom is a naive country boy who busts out of Hicksville, Texas in pursuit of a better life in New Orleans. Amongst the downtrodden prostitutes, bootleggers and hustlers of the old French Quarter, Dove finds only hopelessness, crime and despair. His quest uncovers a harrowing grotesque of the American Dream. "A Walk in the Wild Side" is an angry, lonely, large-hearted and often funny masterpiece that has captured the imaginations of every generation since its first publication in 1956, and that rendered a world later immortalised in Lou Reed's classic song.

The Man with the Golden Arm tells the story of Frankie Machine, the golden arm dealer at a back street Chicago gambling den. Frankie reckons he's a tough guy in the Chicago underworld but finds that he's not tough enough to kick his heroin addiction. With consummate skill and a finely-tuned ear for the authentic dialogue of the backstreets, Algren lays bare the tragedy and humour of Frankie's world.

"Once you've become a part of this particular patch, you'll never love another. Like loving a woman with a broken nose, you may well find lovelier lovelies. But never a lovely so real."
Ernest Hemingway once said of Nelson Algren's writing that "you should not read it if you cannot take a punch." The prose poem, "Chicago: City on the Make," filled with language that swings and jabs and stuns, lives up to those words. In this sixtieth anniversary edition, Algren presents 120 years of Chicago history through the lens of its "nobodies nobody knows" the tramps, hustlers, aging bar fighters, freed death-row inmates, and anonymous working stiffs who prowl its streets.
Upon its original publication in 1951, Algren's "Chicago: City on the Make" was scorned by the Chicago Chamber of Commerce and local journalists for its gritty portrayal of the city and its people, one that boldly defied City Hall's business and tourism initiatives. Yet the book captures the essential dilemma of Chicago: the dynamic tension between the city's breathtaking beauty and its utter brutality, its boundless human energy and its stifling greed and violence.
The sixtieth anniversary edition features historic Chicago photos and annotations on everything from defunct slang to Chicagoans, famous and obscure, to what the Black Sox scandal was and why it mattered. More accessible than ever, this is, as Studs Terkel says, "the best book about Chicago."