‘A tour de force of scholarship and storytelling. There have been plenty of good books on Sri Lankan cricket, but few as comprehensive or as entertaining as An Island’s Eleven. Ambitious in scope and lovingly compiled, it’s packed with anecdotes, insights and surprises. An enthralling read.’ - 2022 Booker Prize Winner, Shehan Karunatilaka From Sathasivam to Sangakkara, Murali to Malinga, Sri Lanka can lay claim to some of the world’s most remarkable cricketers – larger-than-life characters who thumbed convention and played the game their own way. This is the land of pint-sized, swashbuckling batsmen, on-the-fly innovators and contorted, cryptic spinners. More so than anywhere else in the world, Sri Lankan cricket has an identity: cricket is Sri Lanka, and Sri Lanka is cricket. We all know the story of the 1996 World Cup: how a team of unfancied amateurs rose from obscurity and changed the way the game was played. Yet the lore of Sri Lankan cricket stretches back much further, from early matches between colonists andlocals, and Ashes-bound ships bringing in cricket’s biggest stars, to the more recent triumphs and tragedies that stem from cash flowing freely into the game. An Island’s Eleven tells this story in full for the first time, focusing on the characters and moments that have shaped the game forever.

In this collection of essays Nicholas Brooks explores some of the earliest and most problematical sources, both written and archaeological, for early English history. In his hands, the structure and functions of Anglo-Saxon origin stories and charters (whether authentic or forged) illuminate English political and social structures, as well as ecclesiastical, urban and rural landscapes. As well as previously published essays, "Anglo-Saxon Myths: State and Church, 400-1066" includes a new account of the English origin myth and a review of the developments in the study of Anglo-Saxon charters over the last twenty years.

'A tour de force of scholarship and storytelling. There have been plenty of good books on Sri Lankan cricket, but few as comprehensive or as entertaining as An Island's Eleven. Ambitious in scope and lovingly compiled, it's packed with anecdotes, insights and surprises. An enthralling read.' - 2022 Booker Prize Winner, Shehan Karunatilaka From Sathasivam to Sangakkara, Murali to Malinga, Sri Lanka can lay claim to some of the world's most remarkable cricketers - larger-than-life characters who thumbed convention and played the game their own way. This is the land of pint-sized, swashbuckling batsmen, on-the-fly innovators and contorted, cryptic spinners. More so than anywhere else in the world, Sri Lankan cricket has an identity: cricket is Sri Lanka, and Sri Lanka is cricket. We all know the story of the 1996 World Cup: how a team of unfancied amateurs rose from obscurity and changed the way the game was played. Yet the lore of Sri Lankan cricket stretches back much further, from early matches between colonists andlocals, and Ashes-bound ships bringing in cricket's biggest stars, to the more recent triumphs and tragedies that stem from cash flowing freely into the game. An Island's Eleven tells this story in full for the first time, focusing on the characters and moments that have shaped the game forever.

First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry.

St Oswald was the youngest of the three great monastic reformers of tenth-century England, whose work transformed English religious, intellectual and political life. Certainly a more attractive and perhaps a more effective figure than either St Dunstan or St Ethelwold, Oswald's impact upon his cathedrals at Worcester and York and upon his West Midland and East Anglian monasteries was radical and lasting. In this volume, researchers throw light on St Oswald's background, career, influence and cult and on the society that he helped to shape. His cathedral at Worcester and his monastery at Ramsey were among the richest and best documented Anglo-Saxon churches. The volume provides a window onto the realities of tenth-century English politics, religion and economics in the light of contemporary continental developments.

Recent research on the Anglo-Saxon, Anglo-Norman, Viking and Angevin worlds of the eleventh and twelfth centuries. The latest volume of the Haskins Society Journal presents recent research on the Anglo-Saxon, Anglo-Norman, Viking and Angevin worlds of the eleventh and twelfth centuries, and includes topics ranging from emotional communities in the middle ages, English identity, and the artistic construction of sacred space to the organization of royal estates, Jewish credit operations, the English colonization of Wales, and more. This volume of the Haskins Society Journal includes papers read at the 21st Annual Conference of the Charles Homer Haskins Society at Cornell University in October 2002 as well as other submissions. Contributors include Barbara Rosenwein, Kate Rambridge,Nicholas Brooks, Ryan Lavelle, Robin Mundill, Diane Korngiebel, Ryan Crisp, Philadelphia Ricketts, Louis Hamilton, and Brigitte Bedos-Rezak.

First published in 1968. Shakespeare's Early Tragedies contains studies of six plays: Titus Andronicus, Richard III, Romeo and Juliet, Richard II, Julius Caesar and Hamlet. The emphasis is on the variety of the plays, and the themes, a variety which has been too often obscured by the belief in a single 'tragic experience'. The kind of experience the plays create and their quality as dramatic works for the stage are also examined. These essays develop an understanding of Shakespeare's use of the stage picture in relation to the emblematic imagery of Elizabethan poetry.

Dark and violent, Macbeth is also the most theatrically spectacular of Shakespeare's tragedies. Indeed, for 250 years - until early this century - it was performed with grand operatic additions set to baroque music. In his introduction Nicholas Brooke relates the play's changing fortunes to changes within society and the theatre and investigates the sources of its enduring appeal. He examines its many layers of illusion and interprets its linguistic turns and echoes, arguing that the earliest surviving text is an adaptation, perhaps carried out by Shakespeare himself in collaboration with Thomas Middleton. This fully annotated edition reconsiders textual and staging problems, appraises past and present critical views, and represents a major contribution to our understanding of Macbeth. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.