Nicholas Hagger's Collected Poems contained 30 volumes of his poems that reflect his quest for the One. Life Cycle and Other New Poems contains volumes 31-34 and presents the vision of unity to which his quest has led. 'Life Cycle' is a reflection on the path and pattern in our lives, and on twelve seven-year ages from infancy to advanced old age. 'In Harmony with the Universe' presents poems on the soul's harmony and oneness with Nature. 'An Unsung Laureate' focuses on public events and the conflicts within Western society. 'Adventures in Paradise' recounts journeys to remote places that have echoes of Paradise, including the Galapagos Islands and Antarctica - and reflections on evolution and global warming. Hagger derives his inspiration from the 17th-century Metaphysical poets and seeks to unite the later Augustan and Romantic traditions. These poems reconcile the soul's harmony with the universe and the conflicts in public life, and are within the poetic tradition of Wordsworth and Tennyson. They add significantly to Collected Poems, Classical Odes and Hagger's two poetic epics, Overlord and Armageddon, also published by O-Books (the manuscripts and papers for which are held in the Albert Sloman Library at the University of Essex). They carry forward his Universalist approach to poetry which unveils an ordered universe behind the apparent chaos of world events.

Nicholas Hagger's Collected Stories covered five volumes containing 1,001 very short stories detailing five decades (from the 1960s to the 2000s) in the life of Philip Rawley, whose demise was misleadingly announced at the end of the fifth volume. This sixth volume contains 201 stories and deals with the chill of winter, impending old age. These mini-stores present a wide range of characters, and their follies and flaws. They offer a complete literary experience in a page or two, and their combination of opposites derives its inspiration from the 17th century: Dr Johnson's description in his 'Life of Cowley' of the wit of the Metaphysical poets as "a combination of dissimilar images" in which "the most heterogeneous ideas are yoked by violence together". They are verbal paintings that present an image in action and reveal a poet's eye for significant detail. Hagger's stories are innovatory in their brevity. They are imagistic, economical and vivid, and cumulatively reflect the Age. They are ideal for short concentration spans: reading on journeys or in bed. Individual stories drop into the consciousness like a stone into a well, leaving the mind to reflect on the ripples. These imaginative stories in clean prose make excellent reading and contain memorable images and studies of character.

These stories serve as an introduction to Nicholas Hagger's five volumes totalling 1,001 stories (an echo of The Thousand and One Nights, or Arabian Nights). They are grouped in two parts which reflect the two aspects of the fundamental theme of world literature outlined in his A New Philosophy of Literature: 'Follies and Vices' and 'Quest for the One'. These stories condemn follies and vices in relation to an implied virtue - more than 150 vices are listed in a Preface - and present moments of heightened consciousness in which the universe is perceived as a unity.

In King Charles the Wise, Nicholas Hagger celebrated Prince Charles's humanitarian vision and foresaw the birth of a united world. In The Coronation of King Charles he celebrates the coming Carolingian Age. The hope is that all the divisions within the UK and problems of humankind will be resolved under a new democratic World State working to abolish war, enforce disarmament, combat famine, disease and poverty, and solve the world's environmental and ecological problems of climate change and global warming; and that King Charles, Head of a Commonwealth of 53 nation-states, will work to bring his humanitarian vision to all the world's nations. Following the tradition of Ben Jonson's 17th-century court masques in verse and of his own masques The Dream of Europa and King Charles the Wise, which incorporate the blend of mythology and history and five sections (prologue, antimasque, masque, revels and epilogue) found in all masques. Hagger sets the third masque in his trilogy in London's Banqueting House, where masques were performed before James I. This coronation masque contains three pageant entertainments that are viewed by King Charles before his coronation and contrast the disorder and political chaos before his reign with the order and harmony of his new Carolingian Age. His philosopher-King's concern to benefit the lot of all humankind is applauded by the Universalist God of the One who assumes protean forms - the gods of all faiths including Biblical Israel's Yahweh and Olympian Zeus - and cares for all creation, and watches over him. King Charles, co-author of Harmony, is shown as presiding over what promises to be an Age of Universal Harmony.

Since 1945 the UN has failed to prevent 162 wars and the proliferation of nuclear weapons, and there is talk of a Third World War involving the Middle East, the Baltic states and North Korea. Competing nation-states seem powerless to achieve world peace under the UN. Continuing a tradition that began with the 1945 atomic bombs, Nicholas Hagger follows Truman, Einstein, Churchill, Eisenhower, Gandhi, Russell, J.F. Kennedy and Gorbachev in calling for a democratic, partly-federal World State with sufficient authority to abolish war, enforce disarmament, combat famine, disease and poverty, and solve the world's financial and environmental problems. In World State Hagger sets out the historical background and the failure of the current political order of nation-states. He presents the ideal World State - its seven federal goals, its structure and the benefits it would bring - and sets out a manifesto that would turn the UN General Assembly into an elected lower house of a democratic World State.

In The Fall of the West Nicholas Hagger examined the evidence for the origin of Covid and whether it has been used as a bio-weapon between West and East. He saw the US, worried by China’s Belt-and-Road Initiative in 140 countries, as collaborating with the Western Syndicate’s New World Order based on the Great Reset advocated by Schwab’s World Economic Forum and the UN’s Agenda 2030. He saw an authoritarian New World Order that could accommodate Russia and China as being established before a democratic World State. In The Golden Phoenix (which completes a quartet that includes The Syndicate, The Secret History of the West and The Fall of the West and is also a sequel to Peace for our Time), Hagger carries the story forward from Ukraine’s being a corridor between the Black Sea and Europe for Russian natural gas to Russia’s invasion of Ukraine. In 2019 Hagger was invited to Russia to give a lecture in Moscow on a supranational World State to an audience which included men in military uniform, and he received several awards, including the Russian Ecological Foundation’s Golden Phoenix lapel badge. He was asked to write two letters to Putin and was in contact with Putin’s advisers. The phoenix rises from ashes, and Hagger considers whether the West is rising from the ashes of its withdrawal from Afghanistan to advance its technocratic New World Order by supplying arms to Ukraine and blocking Russian gas; or whether a Russian authoritarian New World Order is rising from the ashes of the defunct Soviet Union to dominate southern Ukraine, and eventually some former Soviet territories, in alliance with China’s Belt-and-Road New World Order in 140 countries; or whether the supranational democratic global New World Order he outlined in World State and World Constitution is rising from the ashes of the Second World War like a golden phoenix. The Russian Foreign Minister has said that NATO is in effect in a war with Russia, and that there is a real danger of a Third World War, and Hagger assesses the likely outcome of the current conflict.

"The Rise and Fall of Civilizations" is a sequel to "The Light of Civilization", the most monumental study of the history of civilizations for several generations, where Nicholas Hagger describes religion as the basis for civilization rather than one element in its cultural expression. Saints, mystics, gurus, prophets, religious founders - it is these that drive history rather than kings and politicians. Here, he outlines the patterns of the civilizations themselves, providing a unique interpretation of the dynamics of their origin, rise and collapse, and how one civilization leads into the next. Essential reading for students of history, it will interest all seeking to understand historical patterns and where our civilization is headed today.