Experience all nine exhilarating seasons of the critically acclaimed, groundbreaking one-hour drama 24!

Emmy winner Kiefer Sutherland stars as Counter Terrorism Unit head Jack Bauer, who sidesteps authority and tries to stop terrorist attacks – his way. Featuring tension-filled storylines that unfold in real time, and a knockout supporting cast including Mary Lynn Rajskub, William Devane, Kim Raver, Dennis Haysbert, Carlos Bernard and Cherry Jones, 24 is one of the most electrifying series ever made!

This extraordinary collection offers all original 8 seasons, as well as the feature-length TV movie 24: Redemption plus the 12-episode event series 24: Live Another Day.

The uncompromising Nick Cohen exposes the reality behind the freedoms we enjoy in the book that won Polemic of the Year at the 2013 Political Book Awards. After the fall of the Berlin Wall, the collapse of Communism, and the advent of the Web which allowed for even the smallest voice to be heard, everywhere you turned you were told that we were living in an age of unparalleled freedom. 'You Can't Read This Book' argues that this view is dangerously naive. From the revolution in Iran that wasn't, to the Great Firewall of China and the imposition of super-injunctions from the filthy rich protecting their privacy, the traditional opponents of freedom of speech - religious fanaticism, plutocratic power and dictatorial states - are thriving and in many respects finding the world a more comfortable place in the early 21st century than they did in the late 20th.

From the much-loved, witty and excoriating voice of journalist Nick Cohen, a powerful and irreverent dissection of the agonies, idiocies and compromises of mainstream liberal thought.

Nick Cohen comes from the Left. While growing up, his mother would search the supermarket shelves for politically reputable citrus fruit and despair. When, at the age of 13, he found out that his kind and thoughtful English teacher voted Conservative, he nearly fell off his chair: 'To be good, you had to be on the Left.'

Today he's no less confused. When he looks around him, in the aftermath of the invasion of Iraq, he sees a community of Left-leaning liberals standing on their heads. Why is it that apologies for a militant Islam that stands for everything the liberal-Left is against come from a section of the Left? After the American and British wars in Bosnia and Kosovo against Slobodan Milosevic's ethnic cleansers, why were men and women of the Left denying the existence of Serb concentration camps? Why is Palestine a cause for the liberal-Left, but not, for instance, China, the Sudan, Zimbabwe or North Korea? Why can't those who say they support the Palestinian cause tell you what type of Palestine they would like to see? After the 9/11 attacks on New York and Washington why were you as likely to read that a sinister conspiracy of Jews controlled American or British foreign policy in a liberal literary journal as in a neo-Nazi rag? It's easy to know what the Left is fighting against the evils of Bush and corporations but what and, more to the point, who are they fighting for?

As he tours the follies of the Left, Nick Cohen asks us to reconsider what it means to be liberal in this confused and topsy-turvy time. With the angry satire of Swift, he reclaims the values of democracy and solidarity that united the movement against fascism, and asks: What's Left?"

Mystery horror following a group of friends who find themselves fighting for their lives on a weekend away. While boating on the Norfolk Broads the friends discover something sinister hidden within the reeds. With their boat grounded to a halt and night setting in, they have no way to escape from the evil forces.

Selected writings from one of the most important commentators of our generation covering the wreckage of Labour s 10 year love affair with the Right

BY THE SUMMER of 2007, Britain was close to crashing. A few onlookers realised the danger, but Britain's political leaders were not among them. Politicians and civil servants boasted that the City's economy was booming because of their 'light-touch regulation' of workers in financial services whose number included potential frauds. Curiously, they never argued that the inner-city economy might boom if there was 'light touch regulation' of workers in the ghettos whose number included potential drug dealers.And artists produced works to match the times. On the same day that Lehman Brothers went bankrupt, the genial Damien Hirst auctioned at Sotheby's pieces he admitted had been mass produced in his studios and buyers still gave him 100 million. Even the critics did not pretend to be interested in what message, if any, Hirst had for his audience, but reported the sale like business reporters covering a soaring stock.For 10 years New Labour stood cross-eyed in admiration as London was turned into the centre of the financial universe. From the sand bags Nick Cohen has watched as they turned their back on the working class, once the object of Utopian hopes on the Left and unreasonable fears on the Right, and lovingly embraced the upper class, once the object of surly contempt on the Left. In Waiting for the Etonians are gathered his selected writings that cover the span of Labour's love affair with the Right and the moral hazard that it has culminated in. It is a romance which has not only broken its traditional bond with the working classes and undermined the very values on which the party was founded, but has now left it with little more to do than warm the seat for the next Conservative Prime Minister."

From the much-loved, witty and excoriating voice of journalist Nick Cohen, a powerful and irreverent dissection of the agonies, idiocies and compromises of mainstream liberal thought. Nick Cohen comes from the Left. While growing up, his mother would search the supermarket shelves for politically reputable citrus fruit and despair. When, at the age of 13, he found out that his kind and thoughtful English teacher voted Conservative, he nearly fell off his chair: 'To be good, you had to be on the Left.' Today he's no less confused. When he looks around him, in the aftermath of the invasion of Iraq, he sees a community of Left-leaning liberals standing on their heads. Why is it that apologies for a militant Islam that stands for everything the liberal-Left is against come from a section of the Left? After the American and British wars in Bosnia and Kosovo against Slobodan Milosevic's ethnic cleansers, why were men and women of the Left denying the existence of Serb concentration camps? Why is Palestine a cause for the liberal-Left, but not, for instance, China, the Sudan, Zimbabwe or North Korea? Why can't those who say they support the Palestinian cause tell you what type of Palestine they would like to see? After the 9/11 attacks on New York and Washington why were you as likely to read that a sinister conspiracy of Jews controlled American or British foreign policy in a liberal literary journal as in a neo-Nazi rag? It's easy to know what the Left is fighting against - the evils of Bush and corporations - but what and, more to the point, who are they fighting for? As he tours the follies of the Left, Nick Cohen asks us to reconsider what it means to be liberal in this confused and topsy-turvy time. With the angry satire of Swift, he reclaims the values of democracy and solidarity that united the movement against fascism, and asks: What's Left?

In Pretty Straight Guys Nick Cohen, one of the most exciting journalists of his generation, explores the feeling of angry impotence which has swept modern Britain during the Labour administration. Shifting focus away from Westminster and into other territories of New Labour influence, from America to India and based on original research and interviews - this book combines contemporary history with satire and polemic. With the hope that a well-written argument and a love of storytelling can make the reader see the world afresh.