This Handbook provides a robust collection of vibrant discourses on African social ethics and ethical practices. It focuses on how the ethical thoughts of Africans are forged within the context of everyday life, and how in turn ethical and philosophical thoughts inform day-to-day living. The essays frame ethics as a historical phenomenon best examined as a historical movement, the dynamic ethos of a people, rather than as a theoretical construct. It thereby offers a bold, incisive, and fresh interpretation of Africa's ethical life and thought.

Ethics and Time attempts to locate ethical thinking within the response to the questions raised by temporal orientation. Time is the matrix and Moloch of social life and, for the purpose of this book, the starting point for ethical reflection. Nimi Wariboko boldly attempts to reconceptualize temporal orientation and begin a new discussion of time and ethics, using the creative synthesis of ethology, political philosophy, sociological, and intercultural perspectives. Most academic discourse contextualizes temporal orientation in terms of either times of origin and time preference. Wariboko identifies a third option, developing the theory and methodology that render it an object of ethical analysis and liberatory thought. He suggests that temporal orientation is the production of new temporalities that allow humans to manifest their potentialities and creatively resist obstacles that impede their thriving. Wariboko liberates the notion and habit of temporal orientation from excessive concern with conservatism and utilitarianism, showing how ethicists can use the theory of temporal orientation to question all present temporal conditions in the name of freedom.

Paul Tillich (1886-1965) is widely regarded as one of the most influential theologians of the 20th century. By bringing his thought together with the theology and practices of an important contemporary Christian movement, Pentecostalism, this volume provokes active, productive, critical, and creative dialogue with a broad range of theological topics. These essays stimulate robust conversation, engage on common ground regarding the work of the Holy Spirit, and offer significant insights into the universal concerns of Christian theology and Paul Tillich and his legacy.

Presents a multidisciplinary study of how Nigerian pentecostals conceive of and engage with a spirit-filled world, arguing that the character of the movement is defined through an underlying "spell of the invisible." This book presents a multidisciplinary study of how Nigerian Pentecostals conceive of and engage with a spirit-filled world. It seeks to discern the spirituality of the charismatic religious movement in Nigeria in relation to issues of politics, national sovereignty, economic development, culture, racial identity, gender, social ethics, and epistemology. Nimi Wariboko describes the faith's core beliefs and practices, revealing a "spell of the invisible" that defines not only the character of the movement but also believers' ways of seeing, being, and doing. Written by an insider to the tradition, Nigerian Pentecostalism will also engage outsiders with an interest in criticalsocial theory, political theory, and philosophy. Nimi Wariboko is the Katherine B. Stuart Professor of Christian Ethics at Andover Newton Theological School, Newton, Massachusetts.

Making a case for a denationalized global currency as an alternative to the dollar, euro, and yen as the world vehicular and reserve currencies, God and Money explores the significance and theological-ethical implications of money as a social relation in the light of the dynamic relations of the triune God. Wariboko deftly analyzes the dynamics at work in the global monetary system and argues that the monarchical-currency structure of the dollar, euro, and yen may be moving toward a trinitarian structure of a democratic world currency.

This book disturbs the "normal" and depoliticized meaning of virtue through a genealogical reading of the debates, conceptual struggles, and ambiguities that were cleansed by virtue ethicists to produce today's conception of excellence. This approach provides the narrative raw material to craft a new meaning of excellence as a creative actualization of the potentials for human prosperity. The fundamental question asked and addressed about excellence is how communities can use excellence as the organizing principle for political and economic development. The author explores how large-scale modern societies can be better administered in environments characterized by contingency and possibilities. At the very least, excellence in societal governance practice should involve the creation of possibilities for community and participation by all its members so that their potentialities can be drawn out for the common good. The book also explores the connection between excellence and creativity. If excellence is the drive toward actualization of potentialities for all human beings, it follows that human creativity is an adequate form for that movement. The author not only attempts to trace and clarify the mystique of the creative functions of persons and social groups, but also shows how the creative functions of human life can express the unconditional eros of divine creativity. In the process of doing all this, the author offers a fresh and provocative perspective of philosophy and theology's oldest concerns: the good, truth, beauty, justice, love, hope, and the eschatological New Creation.

Making a case for a denationalized global currency as an alternative to the dollar, euro, and yen as the world vehicular and reserve currencies, God and Money explores the significance and theological-ethical implications of money as a social relation in the light of the dynamic relations of the triune God. Wariboko deftly analyzes the dynamics at work in the global monetary system and argues that the monarchical-currency structure of the dollar, euro, and yen may be moving toward a trinitarian structure of a democratic world currency.

Social Ethics and Governance in Contemporary African Writing is the first book to bring rigorous literary, philosophical, and artistic discourse together to interrogate the ethics of governance and development in postcolonial Africa. It takes literature seriously as a context for philosophical reflection, vividly engaging the human agency, creativity, and resourcefulness of local Nigerians as political and social actors and shedding new light on the dynamics of human flourishing. Drawing on important secondary scholarship across several humanities disciplines, especially literature, philosophy, and the performing arts, Nimi Wariboko provides compelling and innovative analysis of the challenges and opportunities on governance and development in postcolonial Nigerian state and society. With a detailed introductory chapter and an authoritative analysis contained in six cohesive chapters, all anchored in political and social ethics and close readings of fascinating literary and artistic works-such as A. Igoni Barrett's Blackass and the comedy skits of MC Edo Pikin-this is a landmark contribution to Nigerian cultural studies. Wariboko's practical engagement between literature and philosophy also opens up new ways of seeing literary analysis as ethical methodology, beyond the specific contexts of Nigeria or Africa.

This Handbook provides a robust collection of vibrant discourses on African social ethics and ethical practices. It focuses on how the ethical thoughts of Africans are forged within the context of everyday life, and how in turn ethical and philosophical thoughts inform day-to-day living. The essays frame ethics as a historical phenomenon best examined as a historical movement, the dynamic ethos of a people, rather than as a theoretical construct. It thereby offers a bold, incisive, and fresh interpretation of Africa's ethical life and thought.

Transcripts of the Sacred in Nigeria explores how the sacred plays itself out in contemporary Africa. It offers a creative analysis of the logics and dynamics of the sacred (understood as the constellation of im/possibility available to a given community) in religion, politics, epistemology, economic development, and reactionary violence. Using the tools of philosophy, postcolonial criticism, political theory, African studies, religious studies, and cultural studies, Wariboko reveals the intricate connections between the sacred and the existential conditions that characterize disorder, terror, trauma, despair, and hope in the postcolonial Africa. The sacred, Wariboko argues, is not about religion or divinity but the set of possibilities opened to a people or denied them, the sum total of possibilities conceivable given their level of social, technological, and economic development. These possibilities profoundly speak to the present political moment in sub-Saharan Africa.

Transcripts of the Sacred in Nigeria explores how the sacred plays itself out in contemporary Africa. It offers a creative analysis of the logics and dynamics of the sacred (understood as the constellation of im/possibility available to a given community) in religion, politics, epistemology, economic development, and reactionary violence. Using the tools of philosophy, postcolonial criticism, political theory, African studies, religious studies, and cultural studies, Wariboko reveals the intricate connections between the sacred and the existential conditions that characterize disorder, terror, trauma, despair, and hope in the postcolonial Africa. The sacred, Wariboko argues, is not about religion or divinity but the set of possibilities opened to a people or denied them, the sum total of possibilities conceivable given their level of social, technological, and economic development. These possibilities profoundly speak to the present political moment in sub-Saharan Africa.

Paul Tillich (1886-1965) is widely regarded as one of the most influential theologians of the 20th century. By bringing his thought together with the theology and practices of an important contemporary Christian movement, Pentecostalism, this volume provokes active, productive, critical, and creative dialogue with a broad range of theological topics. These essays stimulate robust conversation, engage on common ground regarding the work of the Holy Spirit, and offer significant insights into the universal concerns of Christian theology and Paul Tillich and his legacy.

Offers a radical political interpretation of history that generates fresh insights into the emancipatory potential of ordinary Nigerians and their precolonial cultural institutions This pathbreaking book constructs a socio-ethical identity of Nigeria that can advance its political development. Its method is based on the rediscovery of the practices and principles of emancipatory politics and a retrieval of fundamental virtues and capabilities that go to the core of the functioning of pluralistic communities. Ethics and Society in Nigeria: Identity, History, Political Theory critically engages history, myth, political philosophy, and religion to demonstrate that Nigeria has an unfolding historic identity that can serve as a resource for sustaining increasing levels of human flourishing and democratic republicanism. Located at the intersectionof history and political theory, this work identifies the nature of Nigeria's moral problem, forges the political-theoretic discursive framework for a robust analysis of the problem, and shows a pathway out of the nation's predicament. This three-pronged approach is founded on the retrieval of moral exemplars from the past and critical engagement with history as a social practice, philosophical concept, discipline of study, form of social imaginary, and witness of the flows of contemporary events. Using this methodology, author Nimi Wariboko analyzes various forms of political, religious, and revolutionary identities that have been put forth by different groups in the country and then examines their usefulness for the transformation of Nigeria's problematic socio-ethical identity. NIMI WARIBOKO is the Walter G. Muelder Professor of Social Ethics at Boston University. He is the author of NigerianPentecostalism, available from University of Rochester Press.

Social Ethics and Governance in Contemporary African Writing is the first book to bring rigorous literary, philosophical, and artistic discourse together to interrogate the ethics of governance and development in postcolonial Africa. It takes literature seriously as a context for philosophical reflection, vividly engaging the human agency, creativity, and resourcefulness of local Nigerians as political and social actors and shedding new light on the dynamics of human flourishing. Drawing on important secondary scholarship across several humanities disciplines, especially literature, philosophy, and the performing arts, Nimi Wariboko provides compelling and innovative analysis of the challenges and opportunities on governance and development in postcolonial Nigerian state and society. With a detailed introductory chapter and an authoritative analysis contained in six cohesive chapters, all anchored in political and social ethics and close readings of fascinating literary and artistic works-such as A. Igoni Barrett's Blackass and the comedy skits of MC Edo Pikin-this is a landmark contribution to Nigerian cultural studies. Wariboko's practical engagement between literature and philosophy also opens up new ways of seeing literary analysis as ethical methodology, beyond the specific contexts of Nigeria or Africa.