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Showing 1 - 3 of 3 matches in All Departments
The success of One-Act Plays for Acting Students prompted this follow-up book of twenty-eight contemporary short dramas by nationally known playwrights. Each play has a production time of ten to fifteen minutes, yet each script is a complete work -- no cuttings. Most plays are for two actors -- one woman and one man. Also included are plays for two women, two men, three actors and monologs. No other play anthology offers as wide a selection of characterizations. Twenty-three contemporary American playwrights are represented, including William Borden, Julianne Bernsteln and Bryan Harnetiaux. Also featured are sections on Securing Rights for Your Production and Rehearsing the Play, a booklist of rehearsal helps and a list of additional scripts by the anthology playwrights. Plays are excellent for forensic competitions and classroom use. Some of the plays include: I Wanna Be a Cowboy by John Tuttle, Marla, You're On by Julianne Bernsteln, Hangman by William Border, The Lemonade Stand by Bryan Harnetiaux, Help Me, I'm Becoming My Mother! by Deanna Riley.
In the tradition of the medieval cycle plays performed for education, enrichment, and entertainment, A New Corpus Christi: Plays for Churches presents 25 short plays and skits with one or two scripts for each of 21 events in the church year. The scripts range from celebratory pieces to problem plays to liturgical dramas to plays that call for no worship setting accouterments. The scripts will also provide discussion starters for Sunday school classes or small groups. And some of the plays might be grouped together as programs on particular topics such as poverty and homelessness or death and dying. This book also provides a resource for university and seminary courses in liturgics and worship.
In the tradition of the medieval cycle plays performed for education, enrichment, and entertainment, A New Corpus Christi: Plays for Churches presents 25 short plays and skits with one or two scripts for each of 21 events in the church year. The scripts range from celebratory pieces to problem plays to liturgical dramas to plays that call for no worship setting accouterments. The scripts will also provide discussion starters for Sunday school classes or small groups. And some of the plays might be grouped together as programs on particular topics such as poverty and homelessness or death and dying. This book also provides a resource for university and seminary courses in liturgics and worship.
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