Ironic and humorous, witty and self-deprecatory, The Afghan Rumour Bazaar reveals the quotidian absurdities of lives framed against the backdrop of a savage war. Offering daringly new perspectives on a country readers may erroneously assume they know, Nushin Arbabzadah delves into the unacknowledged but real secret sub-cultures and hidden worlds of Afghans, from underground converts to Christianity to mysterious male cross-dressers to tales of bacha-posh girlboys. Among the individuals, fables and dilemmas she confronts are 'Why are Imams Telling Us About Nail Polish?', 'Afghanistan's Rich Jewish Heritage', 'Kabul Street Style', 'The Resurgence of Afghanistan's Spiritual Bazaar', and not forgetting Malalai of Maiwand, who turned her headscarf into a banner and led a successful rebellion against the British. Arbabzadah reveals for the first time Afghans' own vibrant internal deliberations - - on sex and soap operas; conspiracy theories; drugs and diplomacy; terrorism and the Taliban; and how a long-dead soothsayer from Bulgaria accidentally shut down a newspaper. Many different Afghan sensibilities are presented in her book, yet together they offer an unvarnished, at times heartwarming, at times tragic, insight into one of the most complex and fascinating countries on earth.

Afghanistan In Ink uses a wide and largely unknown corpus of twentieth century Afghan Dari and Pashto literature to show not only how Afghans have reflected on their modern history, but also how the state has repeatedly sought to dominate the ideological contours of that history through the patronage or exile of writers. Drawing on an abundance of Afghan language sources, the chapters by leading international experts reveal a disruptive twentieth century dynamic between the importing of multiple conflicting ideologies through literary globalisation and the destabilisation of the state as a consequence of these literary and ideological flows. As the first scholarly survey of modern Afghan literature, Afghanistan In Ink places the twentieth century's itinerant and exiled Afghan writers into their transnational contexts to trace Afghan artistic and ideological interactions with Muslim and Western nations. The volume emphasises the study of literatures in their social and political contexts. With its extensive contextualising introduction, this book provides both specialists and non-specialists with unique 'inside' perspectives on the interweaving of religious, political and cultural debates that have shaped modern Afghan society.