The European discovery of the northwest coast of America is fully and dramatically recorded in this journal, an invaluable historical and scientific source document. It is also a gripping narrative of human conflict, of nature as the overwhelming adversary, of terror and pain and death, and of final deliverance. In the service of the Russian tsarina, the German naturalist Steller accompanied the great Danish explorer Vitus Bering on a voyage that survived shipwreck and unimaginable hardship to mark the beginning of Alaska's recorded history. This book is a new translation and annotation of Steller's journal of that voyage and the first to be based completely upon a surviving copy of Steller's manuscript dated 1743 (previous translation had been based on a 1793 edition). The journal is the best known of Steller's writings, not so much because of events along the way, or its biological and anthropological observations, not even because of the momentous sight of the Alaskan coast and the subsequent landings, but because of the harrowing events of the return voyage. Thirty-two men of the 78 who set sail died, including Bering himself; 46 survived shipwreck in the winter of 1741-42 on a treeless, uninhabited island, and returned finally to home port on Kamchatka in a small vessel built from timbers of the wrecked ship. On the island, Bering and his lieutenant had become too ill to function and Steller found himself taking the lead in organizing work parties, finding antiscorbutic plant and animal food, nursing the six, and cheering the depressed-actions that kept all from perishing.

Cincinnati in the 1870's was the largest inland city in the nation. Much of its prosperity and growth it owed to the commerce which floated along its Ohio River boundary on the way between Pittsburgh and New Orleans. This traffic also sustained a unique African American culture -- saloonkeepers, boardinghouse operators, entertainers, and women who served the steamboat hands between trips. Into this great western metropolis came young Lafcadio Hearn, who after several tentative starts became a newspaper reporter first for the Enquirer and then for the Commercial. Drawn to the Ohio River by his interest in the unusual, Hearn found beneath the rough surface of levee life a kind of cosmopolitan tolerance which emphasized the essential humanity of the community. Hearn's twelve sketches -- here reprinted as a unit for the first time -- are perceptive and sympathetic, yet not highly subjective and romanticized. Collectively they form an important comprehensive picture of African American life in a border city just after the Civil War. Among the earliest of his writings, they also foreshadow the course Hearn's life was to take in New Orleans, the West Indies, and finally Japan.