Rediscover the golden age of the Western with this collection of four unforgettable novels of honor, adventure, and violence set against the magnificent landscapes of the American frontier The heroic exploits and violent struggles of the Old West come alive once more through this one-of-a-kind collection of four thrilling novels. Edited by Ron Hansen, this deluxe hardcover edition shows that the 1940s and 1950s was a golden age for the Western novel. In the Pulitzer Prize-winning The Ox-Bow Incident, Walter van Tilburg Clark explores the thin line between civilization and barbarism through the story of a lynch mob that targets three innocent men, exposing a dark authoritarian impulse at work the American frontier. Set in Wyoming in 1889, a time when ranchers and cattle companies waged war with each other, Jack Schaefer's iconic Shane deploys many of the genre's most essential elements, brilliantly filtered through a boy's perceptions. Alan Le May's The Searchers, the basis for John Ford's cinematic masterpiece starring John Wayne, follows the dogged quest of two men to rescue a young girl taken prisoner by Comanche warriors. And Oakley Hall's Warlock, a novel that anticipates the later books of Cormac McCarthy and Larry McMurtry, casts the battle for control of a southwestern outpost as a bloody saga pitting a marauding gang of cowboys and rustlers against the town's defenders, led by the legendary gunslinger Clay Blaisedell. All four novels were memorably adapted for the screen, and their gripping stories--told with brisk narrative energy, psychological depth, and laconic humor--have contributed unforgettably to the Western's enduring legacy in American culture.

Oakley Hall's legendary "Warlock" revisits and reworks the traditional conventions of the Western to present a raw, funny, hypnotic, ultimately devastating picture of American unreality. First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.
"Tombstone, Arizona, during the 1880's is, in ways, our national Camelot: a never-never land where American virtues are embodied in the Earps, and the opposite evils in the Clanton gang; where the confrontation at the OK Corral takes on some of the dry purity of the Arthurian joust. Oakley Hall, in his very fine novel Warlock has restored to the myth of Tombstone its full, mortal, blooded humanity. Wyatt Earp is transmogrified into a gunfighter named Blaisdell who . . . is summoned to the embattled town of Warlock by a committee of nervous citizens expressly to be a hero, but finds that he cannot, at last, live up to his image; that there is a flaw not only in him, but also, we feel, in the entire set of assumptions that have allowed the image to exist. . . . Before the agonized epic of Warlock is over with--the rebellion of the proto-Wobblies working in the mines, the struggling for political control of the area, the gunfighting, mob violence, the personal crises of those in power--the collective awareness that is Warlock must face its own inescapable Horror: that what is called society, with its law and order, is as frail, as precarious, as flesh and can be snuffed out and assimilated back into the desert as easily as a corpse can. It is the deep sensitivity to abysses that makes "Warlock" one of ourbest American novels. For we are a nation that can, many of us, toss with all aplomb our candy wrapper into the Grand Canyon itself, snap a color shot and drive away; and we need voices like Oakley Hall's to remind us how far that piece of paper, still fluttering brightly behind us, has to fall." --Thomas Pynchon

A man sits in a cell on death row, sentenced to die for the murder of the beautiful woman called V. But as we learn the story of her death - and of her troubled, torrid life - one question haunts us: why would any man kill the woman he craves more than life itself?

The Morton Street Slasher has been leaving the corpses of his victims around San Francisco's Union Square. On the women's naked bodies are spade playing cards. The city's infamous newspaperman, Ambrose Bierce, blames the rash of murders on his old enemy, the Southern Pacific Railroad. A naive reporter at Bierce's Hornet pursues the case, uncovering conspiracy at every turn. In a fast-paced novel that is a combination of murder mystery, historical fiction, and quirky biography, Oakley Hall draws the reader into 1880s San Francisco and the changing world that was California in the latter part of the nineteenth century. Local and state politics, the exploitation of the Chinese, the power of the mining and railroad barons, and San Francisco's colorful history provide a backdrop for this irresistible thriller. The novel's chapters are introduced by appropriate excerpts from Bierce's The Devil's Dictionary and narrated by the young reporter Tom Redmond. Redmond is interested in the murders because of his attraction to a woman threatened by the Slasher, and Bierce encourages him because of his personal vendetta against the Big Four of the Railroad. Bierce's misogyny is an influence as well, which Hall uses to advantage in portraying the enigmatic journalist. Hall knows his territory and his characters well. The sights and smells of late-nineteenth-century California are cleverly evoked, and the story's key players are refreshingly authentic. Bierce brandishes his famed cynicism with all the aplomb of the sharp-eyed, sharp-witted newspaperman he was. Cameo appearances by such California worthies as Ina Coolbrith and Joaquin Miller add to the novel's historical richness. Intelligent, gripping, and often quite funny, Ambrose Bierce and the Queen of Spades will satisfy any reader who craves adventure, mystery, romance, and fine writing.