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Ways of Remembering: Volume 1 - Law, Cinema and Collective Memory in the New India (Hardcover): Oishik Sircar Ways of Remembering: Volume 1 - Law, Cinema and Collective Memory in the New India (Hardcover)
Oishik Sircar
R3,127 Discovery Miles 31 270 Ships in 12 - 19 working days

Ways of Remembering tells a story about the relationship between secular law and religious violence by studying the memorialisation of the 2002 Gujarat pogrom—postcolonial India's most litigated and mediatized event of anti-Muslim mass violence. By reading judgments and films on the pogrom through a novel interpretive framework, the book argues that the shared narrative of law and cinema engenders ways of remembering the pogrom in which the rationality of secular law offers a resolution to the irrationality of religious violence. In the public's collective memory, the force of this rationality simultaneously condemns and normalises violence against Muslims while exonerating secular law from its role in enabling the pogrom, thus keeping the violent (legal) order against India's Muslim citizens intact. The book contends that in foregrounding law's aesthetic dimensions we see the discursive ways in which secular law organizes violence and presents itself as the panacea for that very violence.

Violent Modernities - Cultural Lives of Law in the New India (Hardcover): Oishik Sircar Violent Modernities - Cultural Lives of Law in the New India (Hardcover)
Oishik Sircar
R1,347 Discovery Miles 13 470 Ships in 12 - 19 working days

Law and violence are thought to share an antithetical relationship in postcolonial modernity. Violence is considered the other of law, lawlessness is understood to produce violence, and law is invoked and deployed to undo the violence of lawlessness. Violent Modernities uses a critical legal perspective to show that law and violence in the New India share a deep intimacy, where one symbiotically feeds the other. Researched and written between 2008 and 2018, the chapters study the cultural sites of literature, cinema, people's movements, popular media and the university to illustrate how law's promises of emancipation and performances of violence live a life of entangled contradictions. The book foregrounds reparative and ethical accounts where law does not only inhabit courtrooms, legislations and judgments, but also lives in the quotidian and minor practices of disobediences, uncertainties, vulnerabilities, double binds and failures. When the cultural lives of law are reimagined as such, the book argues, the violence at the foundations of modern law in the postcolony begins to unravel.

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