Imagining Death in Spenser and Milton assembles a collection of essays on the compelling topic of death in two monumental representatives of the early modern canon, Edmund Spenser and John Milton. The volume draws its impetus from the conviction that death is a central, yet curiously understudied, preoccupation for Spenser and Milton, contending that death--in all its early modern reformations and deformations--is an indispensable backdrop for any attempt to articulate the relationship between Spenser and Milton.

This book argues broadly that any historical narrative about republicanism needs to place Marlowe at the front of its genealogy, and that his interest in republican ideals is sustained from the beginning to the end of his meteoric career. More specifically, this study will nonetheless argue that it is difficult to discern a clear republican form of government in Marlowe's works. What we can discern is 'republican representation', the author's representational foregrounding of his own republican frame of art. This study is the first to situate the complex Marlowe corpus within the context of the advent of English Republicanism.

Imagining Death in Spenser and Milton assembles a collection of essays on the compelling topic of death in two monumental representatives of the early modern canon, Edmund Spenser and John Milton. The volume draws its impetus from the conviction that death is a central, yet curiously understudied, preoccupation for Spenser and Milton, contending that death - in all its early modern reformations and deformations - is an indispensable backdrop for any attempt to articulate the relationship between Spenser and Milton.

Reading Sixteenth-Century Poetry combines close readings of individual poems with a critical consideration of the historical context in which they were written. Informative and original, this book has been carefully designed to enable readers to understand, enjoy, and be inspired by sixteenth-century poetry. * Close reading of a wide variety of sixteenth-century poems, canonical and non-canonical, by men and by women, from print and manuscript culture, across the major literary modes and genres * Poems read within their historical context, with reference to five major cultural revolutions: Renaissance humanism, the Reformation, the modern nation-state, companionate marriage, and the scientific revolution * Offers in-depth discussion of Skelton, Wyatt, Surrey, Isabella Whitney, Gascoigne, Philip Sidney, Spenser, Marlowe, Mary Sidney Herbert, Donne, and Shakespeare * Presents a separate study of all five of Shakespeare s major poems - Venus and Adonis, The Rape of Lucrece, 'The Phoenix and Turtle,' the Sonnets, and A Lover's Complaint- in the context of his dramatic career * Discusses major works of literary criticism by Plato, Aristotle, Horace, Longinus, Philip Sidney, George Puttenham, Percy Bysshe Shelley, Seamus Heaney, Adrienne Rich, and Helen Vendler

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