Since its original publication in 1936, "Gone With the Wind"--winner of the Pulitzer Prize and one of the bestselling novels of all time--has been heralded by readers everywhere as The Great American Novel.
Widely considered The Great American Novel, and often remembered for its epic film version, "Gone With the Wind" explores the depth of human passions with an intensity as bold as its setting in the red hills of Georgia. A superb piece of storytelling, it vividly depicts the drama of the Civil War and Reconstruction.
This is the tale of Scarlett O'Hara, the spoiled, manipulative daughter of a wealthy plantation owner, who arrives at young womanhood just in time to see the Civil War forever change her way of life. A sweeping story of tangled passion and courage, in the pages of "Gone With the Wind," Margaret Mitchell brings to life the unforgettable characters that have captured readers for over seventy years.

A chorus of essays from a variety of voices, backgrounds, and experiences, exploring what it means to be human and true to yourself. What does it mean to be yourself? To be born here or somewhere else? To be from one family instead of another? What does it mean to be human? Collected by Lori Carlson-Hijuelos, A Path to the World showcases essays by a vast variety of luminaries--from Gary Soto to Nawal Nasrallah to Ying Ying Yu, from chefs to artists to teens to philosophers to politicians (keep your eyes peeled for a surprise appearance by George Washington)--all of which speak to the common thread of humanity, the desire to be your truest self, and to belong. Contributors include: Lori Marie Carlson-Hijuelos, Joseph Bruchac, Jacinto Jesús Cardona, William Sloane Coffin, Pat Conroy, Mario Cuomo, Timothy Egan, Alan Ehrenhalt, Shadi Feddin, Ralph Fletcher, Valerie Gribben, Alexandre Hollan, Molly Ivins, Geeta Kothari, Jeremy Lee, Yuyi Li, Emily Lisker, Kamaal Majeed, Madge McKeithen, Nawal Nasrallah, Scott Pitoniak, Anna Quindlen, Michael J. Sandel, Raquel Sentíes, David E. Skaggs, Gary Soto, Alexandra Stoddard, KellyNoel Waldorf, George Washington, and Ying Ying Yu.

#1 New York Times bestselling author Pat Conroy's classic semi-autographical novel of a harsh Marine father and his son's struggle to come into his own. "Robust and vivid...full of feeling." --Newsday This is the story of Bull Meecham, the epitome of the Marine officer. Demanding, authoritarian, as tough a disciplinarian at home as at the base, Bull is a difficult man to please, and even harder to love. This is also the story of Ben Meecham, Bull's oldest son. A gifted athlete whose best never satisfies his father, Ben must balance his own ambition with his father's expectations--and decide what course he will chart for himself and what kind of man he will become. Piercing, bittersweet, and unforgettable, The Great Santini is Pat Conroy's semi-autobiographical lens into fathers and sons, and the powerful legacy one man can leave behind.

The island is nearly deserted, haunting, beautiful. Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence–unless, somehow, they can learn a new life. But they will learn nothing without someone to teach them, and their school has no teacher.

Here is PAT CONROY’S extraordinary drama based on his own experience–the true story of a man who gave a year of his life to an island and the new life its people gave him.

PAT CONROY–AMERICA’S MOST BELOVED STORYTELLER -- IS BACK!

“I was born to be a point guard, but not a very good one. . . .There was a time in my life when I walked through the world known to myself and others as an athlete. It was part of my own definition of who I was and certainly the part I most respected. When I was a young man, I was well-built and agile and ready for the rough and tumble of games, and athletics provided the single outlet for a repressed and preternaturally shy boy to express himself in public....I lost myself in the beauty of sport and made my family proud while passing through the silent eye of the storm that was my childhood.”

So begins Pat Conroy’s journey back to 1967 and his startling realization “that this season had been seminal and easily the most consequential of my life.” The place is the Citadel in Charleston, South Carolina, that now famous military college, and in memory Conroy gathers around him his team to relive their few triumphs and humiliating defeats. In a narrative that moves seamlessly between the action of the season and flashbacks into his childhood, we see the author’s love of basketball and how crucial the role of athlete is to all these young men who are struggling to find their own identity and their place in the world.

In fast-paced exhilarating games, readers will laugh in delight and cry in disappointment. But as the story continues, we gradually see the self-professed “mediocre” athlete merge into the point guard whose spirit drives the team. He rallies them to play their best while closing off the shouts of “Don’t shoot, Conroy” that come from the coach on the sidelines. For Coach Mel Thompson is to Conroy the undermining presence that his father had been throughout his childhood. And in these pages finally, heartbreakingly, we learn the truth about the Great Santini.

In My Losing Season Pat Conroy has written an American classic about young men and the bonds they form, about losing and the lessons it imparts, about finding one’s voice and one’s self in the midst of defeat. And in his trademark language, we see the young Conroy walk from his life as an athlete to the writer the world knows him to be.


From the Hardcover edition.

The publishing event of the season: The one and only Pat Conroy returns, with a big, sprawling novel that is at once a love letter to Charleston and to lifelong friendship.
Against the sumptuous backdrop of Charleston, South Carolina, "South of Broad" gathers a unique cast of sinners and saints. Leopold Bloom King, our narrator, is the son of an amiable, loving father who teaches science at the local high school. His mother, an ex-nun, is the high school principal and a well-known Joyce scholar. After Leo's older brother commits suicide at the age of thirteen, the family struggles with the shattering effects of his death, and Leo, lonely and isolated, searches for something to sustain him. Eventually, he finds his answer when he becomes part of a tightly knit group of high school seniors that includes friends Sheba and Trevor Poe, glamorous twins with an alcoholic mother and a prison-escapee father; hardscrabble mountain runaways Niles and Starla Whitehead; socialite Molly Huger and her boyfriend, Chadworth Rutledge X; and an ever-widening circle whose liaisons will ripple across two decades-from 1960s counterculture through the dawn of the AIDS crisis in the 1980s.
The ties among them endure for years, surviving marriages happy and troubled, unrequited loves and unspoken longings, hard-won successes and devastating breakdowns, and Charleston's dark legacy of racism and class divisions. But the final test of friendship that brings them to San Francisco is something no one is prepared for." South of Broad" is Pat Conroy at his finest; a long-awaited work from a great American writer whose passion for life and language knows no bounds.

"From the Hardcover edition."

Step into the powerhouse life of Bull Meecham. He’s all Marine-fighter pilot, king of the clouds, and absolute ruler of his family. Lillian is his wife—beautiful, southern-bred, with a core of velvet steel. Without her cool head, her kids would be in real trouble.

Ben is the oldest, a born athlete whose best never satisfies the big man. Ben’s got to stand up, even fight back, against a father who doesn’t give in—not to his men, not to his wife, and certainly not to his son.

Bull Meecham is undoubtedly PAT CONROY’S most explosive character—
a man you should hate, but a man you will love.

PAT CONROY, America’s preeminent storyteller, delivers a sweeping novel of lyric intensity and searing truth–the story of Jack McCall, an American expatriate in Rome, scarred by tragedy and betrayal. His desperate desire to find peace after his wife’s suicide draws him into a painful, intimate search for the one haunting secret in his family’s past that can heal his anguished heart.

Spanning three generations and two continents, from the contemporary ruins of the American South to the ancient ruins of Rome, from the unutterable horrors of the Holocaust to the lingering trauma of Vietnam, Beach Music sings with life’s pain and glory. It is another masterpiece in PAT CONROY’S legendary list of beloved novels.

Pat Conroy's inspired masterpiece relates the dark and violent chronicle of an astounding family: the Wingos of Colleton, South Carolina. No reader will forget them. And no reader can remain untouched by their story. All Wingos share one heritage ... shrimp fishing, poverty and the searing memory of a single terrifying event - the source of Tom Wingo's self-hatred and of his sister Savannah's suicidal despair. To save himself and Savannah, Tom confronts the past with the help of New York psychologist Susan Lowenstein. As Tom and Susan unravel the bitter history of his troubled childhood, in episodes of grotesque humour, poignant lyricism and shattering violence, the door opens vividly onto a world peopled by a cast of colourful, eccentric and unforgettable characters.

In this powerful, mesmerizing, and highly acclaimed bestseller, PAT CONROY sweeps us into the turbulent world of four young men–friends, cadets, and blood brothers–and their days of hazing, heartbreak, pride, betrayal, and, ultimately, humanity.

We go deeply into the heart of the novel’s hero, Will McLean, a rebellious outsider with his own personal code of honor, who is battling into manhood the hard way. Immersed in a poignant love affair with a haunting beauty, Will must boldly confront the terrifying injustice of a corrupt institution as he struggles to expose a mysterious group known as “The Ten.”

For years the legendary John Seigenthaler hosted A Word on Words on Nashville's public television station, WNPT. During the show's four-decade run (1972 to 2013), he interviewed some of the most interesting and most impor tant writers of our time. These in-depth exchanges revealed much about the writers who appeared on his show and gave a glimpse into their creative pro cesses. Seigenthaler was a deeply engaged reader and a generous interviewer, a true craftsman. Frye Gaillard and Pat Toomay have collected and transcribed some of the iconic interactions from the show. Featuring interviews with: Arna Bontemps * Marshall Chapman * Pat Conroy * Rodney Crowell * John Egerton * Jesse Hill Ford * Charles Fountain * William Price Fox * Kinky Friedman * Frye Gaillard * Nikki Giovanni * Doris Kearns Goodwin * David Halberstam * Waylon Jennings * John Lewis * David Maraniss * William Marshall * Jon Meacham * Ann Patchett * Alice Randall * Dori Sanders * John Seigenthaler Sr. * Marty Stuart * Pat Toomay

"Though our roots are in the Colonial South, we Crackers are essentially just another American fusion culture, and our table and our stories are constantly expanding -- nearly as fast as our waistlines. We aren't ashamed of either, and we're always delighted with the prospect of company: someone to feed and make laugh, to listen to our hundred thousand stories of food and family and our long American past."

Crackers, rednecks, hillbillies, and country boys have long been the brunt of many jokes, yet this old Southern culture is a rich and vibrant part of Amer-ican history. In "The Cracker Kitchen," Janis Owens traces the root of the word "Cracker" back to its origins in Shakespeare's Elizabethan England -- when it meant braggart or big shot -- through its proliferation in America, where it became a derogatory term to describe poor and working-class Southerners. This compelling anthropological exploration peels back the historic misconceptions connected with the word to reveal a breed of proud, fiercely independent Americans with a deep love of their families, their country, their stories, and, most important, their food.

With 150 recipes from over twenty different seasonal menus, "The Cracker Kitchen" offers a full year's worth of eating and rejoicing: from spring's Easter Dinner -- which includes recipes for Easter Ham, Green Bean Bundles, and, of course, Cracklin' Cornbread -- to summer's Fish Frys, fall's Tailgate Parties, and winter's In Celebration of Soul, honoring Martin Luther King, Jr.

Recounted in Owens's delightful and hilarious voice, the family legends accompanying each of these menus leap off the page. We meet Uncle Kelly, the Prince of the Funny Funeral Story, who has family and friends howling with laughter at otherwise solemn occasions. We spend a morning with Janis and her friends at a Christmas Cookie Brunch as they bake delectable gifts for everyone on their holiday lists. And Janis's own father donates his famous fundamentalist biscuit recipe; truly a foretaste of glory divine.

"The Cracker Kitchen" is a charming, irresistible celebration of family, storytelling, and good old-fashioned eating sure to appeal to anyone with an appreciation of Americana.

A startling, groundbreaking exploration, Military Brats is the first book to identify a cultural group--children of the military--that had been completely below the societal radar. Based on five years of research, including in-depth interviews with eighty military brats from all the armed services as well as physicians, teachers, psychologists, social workers, and others, this book finds the patterns that link all military children to a common cultural identity. Wertsch employs extensive research to probe the consequences-both positive and negative-of being raised in a family characterized by rigid discipline, nomadic rootlessness, dedication to military mission, and the threat of war and personal loss. With its clear-eyed, sometimes shocking depictions of alcoholism and domestic violence, and its empathy for military parents caught up in an extremely demanding way of life, Military Brats provides catharsis, insight, and a path toward healing. Mary Wertsch not only defines America's most invisible minority for the very first time, she also passionately exhorts the children of warriors to come to terms with their native Fortress legacies so that they might take full advantage of the positive endowment that is also their birthright. Civilians will find this book eye-opening. Military parents will find it at once challenging and sympathetic. And military brats will know in their hearts that this is the book they've been waiting for. This new edition retains the same content as the original, with only minor changes. This edition is now labelled Volume 1; a Volume 2 is in the works.

"NEW YORK TIMES "BESTSELLER - Look for special features inside. Join the Random House Reader's Circle for author chats and more.
Pat Conroy's great success as a writer has always been intimately linked with the exploration of his family history. As the oldest of seven children who were dragged from military base to military base across the South, Pat bore witness to the often cruel and violent behavior of his father, Marine Corps fighter pilot Donald Patrick Conroy. While the publication of "The Great Santini "brought Pat much acclaim, the rift it caused brought even more attention, fracturing an already battered family. But as Pat tenderly chronicles here, even the oldest of wounds can heal. In the final years of Don Conroy's life, the Santini unexpectedly refocused his ire to defend his son's honor.
"The Death of Santini "is a heart-wrenching act of reckoning whose ultimate conclusion is that love can soften even the meanest of men, lending significance to the oft-quoted line from Pat's novel "The Prince of Tides" "In families there are no crimes beyond forgiveness."
Praise for "The Death of Santini"
"A brilliant storyteller, a master of sarcasm, and a hallucinatory stylist whose obsession with the impress of the past on the present binds him to Southern literary tradition."--"The Boston Globe "
"A painful, lyrical, addictive read that Pat Conroy's] fans won't want to miss."--"People"
"Conroy's conviction pulls you fleetly through the book, as does the potency of his bond with his family, no matter their sins."--"The New York Times Book Review"
"Vital, large-hearted and often raucously funny."--"The Washington Post"
" "
"Conroy writes athletically and beautifully, slicing through painful memories like a point guard splitting the defense."--Minneapolis" Star Tribune"

The Headmaster's Darlings is a satirical comedy of manners featuring the morbidly obese Norman Laney, an unorthodox, inspirational English teacher and college counsellor for an elite private school in Mountain Brook, a privileged community outside of Birmingham. A natural wonder from blue-collar Alabama, Laney has barged into the exclusive world of Mountain Brook on the strength of his sensational figure and its several-hundred-pound commitment to art and culture. His mission is to defeat ""the barbarians,"" introduce true civilization in place of its thin veneer, and change his southern world for the better. Although Laney is adored by his students (his ""darlings"") and by the society ladies (also his ""darlings"") who rely on him to be the life of their parties and the leader of their book clubs, there are others who think he is a larger-than-life menace to the comfortable status quo of Mountain Brook society and must be banished. When Laney is summoned to the principal's office one day in November 1983, he expects to be congratulated for a recent public-relations triumph he engineered on behalf of the school. Instead his letter of resignation is demanded with no explanation given. Faced with an ultimatum and his imminent dismissal, Laney must outflank the principal at his own underhanded game, find out who said what about him and why, and launch his current crop of Alabama students into the wider world--or at least into Ivy League colleges. In her debut novel, Clark, Katherine casts a comical eye on southern society and celebrates the power of great teachers and schools to transform the lives of young people and lift up their communities. Surrounded by a colourful cast of his colleagues, his young protegees and Mountain Brook's upper echelon, Laney emerges as a heroically idiosyncratic character with Falstaffian appetites, an inimitable wit and intellect, and a boundless generosity toward his students that reshapes their lives in profound, unexpected ways.

Paintings, magisterial and universal, that capture the essence of a vibrant African American community In his art Jonathan Green paints the world of his childhood and an ode to a people imbued with a profound respect for the dignity and value of others--the Gullah people of the South Carolina barrier islands. His canvases, beloved for their sense of jubilation and rediscovery, evoke the meaning of community in Gullah society and display a reverence for the rich visual, oral, and spiritual traditions of its culture. His art also reveals a keen awareness of the interpersonal, social, and natural environments in which we live. The 180 images assembled in this collection showcase the meaning, purpose, and beauty that Green finds in the small but critical tasks of life. His work elevates the everyday--preparing morning meals, doing the wash, accomplishing farming chores, finishing a day's work, relaxing in the evening--and celebrates the social and religious--community dances, baptisms, weddings, funerals. Green allows his audience the space and silence to observe people unobtrusively as they pursue life's mission of labor, love, and belonging and as they work in harmony with nature's mysterious, ever changing fabric. While Green's paintings speak specifically to his own upbringing, they transcend racial, cultural, and ethnic boundaries, thus allowing individuals of all backgrounds to recall fond memories and to reflect on the place that purpose and dignity hold in their lives. In addition to a foreword by Pat Conroy, essays by Bettye J. (Mbitha) Parker Smith, Lynn Robertson, and Ronne Hartfield complement Green's images. They tell of the vitality of the Gullah community, the progression of Green's career, and the authenticity of his work.

Bailey Martin is in perpetual motion--a child of the South Carolina lowcountry tides, being pulled to and from a reckoning with destiny. A marine biologist by training and an artist by dedication and talent, Bailey is a woman of contradictions, at once a free-spirited adventurer giving deeply of herself to environmental causes and familial loyalties but also consumed by primal, isolating appetites and dangerous attractions. Restless and troubled, Bailey chafes at her existence, becoming uneasy in her success, her life, and her own skin. Untying the Moon, the debut novel from southern storyteller Ellen Malphrus, is a vibrant tale of self-discovery, approaching the realms of myth and lore as readers ride shotgun with Bailey in Blue Ruby, her '67 Skylark convertible, from Manhattan down the eastern seaboard, from coastal Carolina to the Alaskan wilderness and back again, all in search of the embrace of love and--finally--of home. When Bailey trades the freedom of the road for a relationship with Padgett Turner, a Vietnam veteran haunted by his past, she finds the compelling possibility of settling into one place and one relationship. But the weight of Padgett's emotional scars is too much for either to bear, even together. As Padgett's darkness escalates, a moment of horrific violence pulls Bailey homeward to the Jericho River of Kirk's Bluff, South Carolina--a river of dolphins, dreams, and portents. In her lifelong friendship with neighbour Ben Simmons and under the sheltering gaze of her fisherman father, Cecil, and Ben's parents, George and Retta, Bailey uncovers the healing connections she had been seeking elsewhere and earns her chance at the truest prize of all--a balance between her dedication to her inner life and responsibilities to the outer world. Recalling the writings of James Dickey, Jack Kerouac, Jack London, Pat Conroy, Mary Alice Monroe, and Lee Smith, Untying the Moon explores the redemptive powers of home, nature, creation, and storytelling itself. With prose that ebbs and flows from the lyrical and lush to the staccato and sparse, Malphrus's novel is rich with classical allusions and regional folklore, the enrapturing beauty of its settings, a racially and geographically diverse charismatic cast, and all the mystery and magic of fate. New York Times best-selling writer and Story River Books editor at large Pat Conroy provides a foreword to the novel.

This is a collection of Wolfe's earliest publications from his college years.The ""Magical Campus"" collects for the first time Thomas Wolfe's earliest published works - including poems, plays, short fiction, news articles, speeches, and essays - both signed and unsigned, assembled in chronological order. The collegiate career of Wolfe began at UNC Chapel Hill in 1916, at the age of fifteen, with a freshman year marked by obscurity and loneliness. By his junior year, he had emerged as a recognized and popular figure in campus life, a central participant in numerous organizations and fraternities, and the editor of several student publications. Wolfe began in these apprenticeship years his ascendancy to iconic literary status.Included in ""The Magical Campus"" is Wolfe's first published work, the poem ""A Field in Flanders"" from the November 1917 issue of the University of North Carolina Magazine. Here too is the poem ""The Challenge,"" Wolfe's first piece to be subsequently reprinted off campus in his hometown newspaper. ""A Cullenden of Virginia"" marked his inaugural foray into the realm of published fiction and his folk plays, such as ""The Return of Buck Gavin"" and ""Deferred Payment,"" are illustrative of his unrealized ambitions to be a playwright. Though they lack the sophistication and scale of the grand fictions that now define Wolfe's place in literature, his student publications speak to the potential he had tapped into.

Widely known as the winner of the 1966 National Book Award and author of the best-selling novel ""Deliverance"", James Dickey devoted himself as much to the critique of the modern literary tradition as to his participation in it. A writer enthralled by teaching, he lectured at several major universities before settling at the University of South Carolina for nearly three decades as poet-in-residence. After his death in 1997, a transcript of his lectures was found among his papers. Collected here and published for the first time, these lectures reveal judgments and appraisals Dickey would use to great effect in his teaching. They also contribute to the unraveling of Dickey's art from the larger-than-life myth that surrounded him. In a comprehensive introduction to Dickey's remarks, Donald J. Greiner evaluates the relevance of the writer's often sharply worded opinions. The volume brings to life class sessions planned and delivered soon after Dickey took up full-time residence at the University of South Carolina, in the triumphal years following his rapid succession of honours. Full of asides, witticisms and afterthoughts, the sessions suggest not the pontification of a scholar at an academic conference but the confident learning of a practicing poet who happens to enjoy being in the classroom. Clearly setting forth his sense of literary criticism, Dickey repeatedly emphasizes the preeminence of the poet over the critic, the original use of language as a primary criterion for effective poetry, and the centrality of personal reaction to poetry as a measure of its value. Dickey's comments are valuable for their insight into both his own thought processes and those of the poets he reviewed, among them William Butler Yeats, Ezra Pound, Dylan Thomas, A.E. Housman, Gerald Manley Hopkins, Robert Frost, Walter de la Mare and Robert Bridges.

This book offers original inroads to understanding the life and works of the celebrated novelist and poet. In ""The Way We Read James Dickey"" editors William B. Thesing and Theda Wrede have assembled an outstanding collection of current critical responses to the works of the acclaimed novelist, poet, and teacher, including essays by Dickey's former colleagues at the University of South Carolina and a piece by his most famous student, novelist Pat Conroy. The volume breaks new ground in the application of innovative critical approaches and restores Dickey to his rightful place in the literary canon as a remarkable writer who crafted some of the best poetry and fiction of the twentieth century. A decade after Dickey's death and thirty-five years after the release of the film version of his famous novel Deliverance, Dickey remains a controversial figure in the American literary landscape. He was an intellectual maverick who was often ahead of his time, and yet he responded intensely, almost obsessively, to his own changing times. Thesing and Wrede argue that, although he appeared to conform to poetic conventions, his writing was a visionary reinterpretation and extension of preexisting traditions. This tension between a poet's intellectual precursors and the radical innovation of his work is the inspiration behind the fresh approaches taken by the contributors in this volume, just as it energized Dickey's own endeavors. The essays offer original insights through emerging scholarly perspectives as well as through established methods of critique. The contributors address a range of themes in Dickey's works, including gender, religion, humanity's relationship to nature, and the writer's cultural context. This landmark reappraisal of Dickey's legacy offers readers a coherent forum that addresses why his writings remain relevant today, thus restoring and revaluing the rising significance of Dickey's literary achievement for twenty-first-century audiences.