In Border Citizens, historian Eric V. Meeks explores how the racial classification and identities of the diverse indigenous, mestizo, and Euro-American residents of Arizona’s borderlands evolved as the region was politically and economically incorporated into the United States. First published in 2007, the book examines the complex relationship between racial subordination and resistance over the course of a century. On the one hand, Meeks links the construction of multiple racial categories to the process of nation-state building and capitalist integration. On the other, he explores how the region’s diverse communities altered the blueprint drawn up by government officials and members of the Anglo majority for their assimilation or exclusion while redefining citizenship and national belonging. The revised edition of this highly praised and influential study features dozens of new images, an introductory essay by historian Patricia Nelson Limerick, and a chapter-length afterword by the author. In his afterword, Meeks details and contextualizes Arizona’s aggressive response to undocumented immigration and ethnic studies in the decade after Border Citizens was first published, demonstrating that the broad-based movement against these measures had ramifications well beyond Arizona. He also revisits the Yaqui and Tohono O’odham nations on both sides of the Sonora-Arizona border, focusing on their efforts to retain, extend, and enrich their connections to one another in the face of increasingly stringent border enforcement.

"The history of water development . . . offers a particularly fine post for observing the astonishing and implausible workings of historical change and, in response, for cultivating an appropriate level of humility and modesty in our anticipations of our own unknowable future."
Tracing the origins and growth of the Denver Water Department, this study of water and its unique role and history in the West, as well as in the nation, raises questions about the complex relationship among cities, suburbs, and rural areas, allowing us to consider this precious resource and its past, present, and future with both optimism and realism.
Patricia Nelson Limerick is the faculty director and board chair of the Center of the American West at the University of Colorado, where she is also a professor of history and environmental studies. She currently serves as the vice president for the teaching division of the American Historical Association. Her most widely read book, "The Legacy of Conquest," is in its twenty-fifth year of publication.
Jason L. Hanson is a member of the research faculty at the Center of the American West at the University of Colorado at Boulder, where his work focuses on natural resource use and the environment. He lives in Denver.

"With a grace, clarity, and vision all her own, Patricia Nelson Limerick places the myths and realities of the American West and its history in freshperspective." —C. Vann Woodward

The "settling" of the American West has been powerfully perceived throughout the world as a series of quaint, violent, and romantic adventures—most withhappy endings— and a process that came to an end with the "closing" of thefrontier in the 1890s. But in fact, Patricia Nelson Limerick argues, the AmericanWest has a history grounded in primary economic reality—in hardheaded questionsof profit, loss, competition, and consolidation. In The Legacy of Conquest,she interprets the sotries and the characters in a new way: the trappers, traders,Indians, farmers, oilmen, cowboys, and sheriffs of the Old West "meant business"in more ways than one, and their descendents mean business today.

"Written with extraordinary grace and understanding, Patricia Nelson Limerick'sThe Legacy of Conquest returns the Western American past to the mainstreamof national history. . . . Most important of all is her eloquent plea for Westerners,whether Anglo, Hispanic, Indian, Asian, o black, to see the West as a shared place,a splended whole which each has helped create." —Howard R. Lamar

"The Legacy of Conquest is going to be the most talked about and influentialbook in Western history in years. The pleasure of Patricia Limerick's prose willlead readers painlessly into a subtle and careful reconsideration of the AmericanWest. [She] is one of the most engaging historians writing today." —RichardWhite

Even as Americans keep moving "all over the map" in the late twentieth century, they cherish memories of the places they come from. But where do these places--these regions--come from? What makes them so real? In this groundbreaking book a distinguished group of historians explores the concept of region in America, traces changes the idea has undergone in our national experience, and examines its meaning for Americans today.

Far from diminishing in importance, the authors conclude, regional differences continue to play a significant role in Americans' self-image. Regional identity, in fact, has always been fed by the very forces that many people think threaten its existence today: a central government, an aggressive economy, and connections with places beyond regional boundaries. Calling into question widely held notions about how Americans came to differ from one another and explaining why those differences continue to flourish, this iconoclastic study--by scholars with differing regional ties--will refresh and redirect the centuries-old discussion over Americans' conceptions of themselves.

In Border Citizens, historian Eric V. Meeks explores how the racial classification and identities of the diverse indigenous, mestizo, and Euro-American residents of Arizona’s borderlands evolved as the region was politically and economically incorporated into the United States. First published in 2007, the book examines the complex relationship between racial subordination and resistance over the course of a century. On the one hand, Meeks links the construction of multiple racial categories to the process of nation-state building and capitalist integration. On the other, he explores how the region’s diverse communities altered the blueprint drawn up by government officials and members of the Anglo majority for their assimilation or exclusion while redefining citizenship and national belonging. The revised edition of this highly praised and influential study features dozens of new images, an introductory essay by historian Patricia Nelson Limerick, and a chapter-length afterword by the author. In his afterword, Meeks details and contextualizes Arizona’s aggressive response to undocumented immigration and ethnic studies in the decade after Border Citizens was first published, demonstrating that the broad-based movement against these measures had ramifications well beyond Arizona. He also revisits the Yaqui and Tohono O’odham nations on both sides of the Sonora-Arizona border, focusing on their efforts to retain, extend, and enrich their connections to one another in the face of increasingly stringent border enforcement.

There's "western", and then there's "Western" - and where history becomes myth is an evocative question, one of several questions posed by Josh Garrett-Davis in What Is a Western? Region, Genre, Imagination. Part cultural criticism, part history, and wholly entertaining, this series of essays on specific films, books, music, and other cultural texts brings a fresh perspective to long-studied topics. Under Garrett-Davis's careful observation, cultural objects such as films and literature, art and artifacts, and icons and oddities occupy the terrain of where the West as region meets the Western genre. One crucial through line in the collection is the relationship of regional "western" works to genre "Western" works, and the ways those two categories cannot be cleanly distinguished - most work about the West is tinted by the Western genre, and Westerns depend on the region for their status and power. Garrett-Davis also seeks to answer the question "What is a Western now?" To do so, he brings the Western into dialogue with other frameworks of the "imagined West" such as Indigenous perspectives, the borderlands, and environmental thinking. The book's mosaic of subject matter includes new perspectives on the classic musical film Oklahoma!, a consideration of Native activism at Standing Rock, and surprises like Pee-wee's Big Adventure and Dr. Seuss's The Lorax. The book is influenced by the borderlands theory of Gloria Anzaldua and the work of the indie rock band Calexico, as well as the author's own discipline of western cultural history. Richly illustrated, primarily from the collection of the Autry Museum of the American West, Josh Garrett-Davis's work is as visually interesting as it is enlightening, asking readers to consider the American West in new ways.

"This book is the fascinating record of DeVoto's crusade to save the West from itself. . . . His arguments, insights, and passion are as relevant and urgent today as they were when he first put them on paper."-Arthur M. Schlesinger, Jr., from the Foreword Bernard DeVoto (1897-1955) was, according to the novelist Wallace Stegner, "a fighter for public causes, for conservation of our natural resources, for freedom of the press and freedom of thought." A Pulitzer Prize-winning historian, DeVoto is best remembered for his trilogy, The Year of Decision: 1846, Across the Wide Missouri, and The Course of Empire. He also wrote a column for Harper's Magazine, in which he fulminated about his many concerns, particularly the exploitation and destruction of the American West. This volume brings together ten of DeVoto's acerbic and still timely essays on Western conservation issues, along with his unfinished conservationist manifesto, Western Paradox, which has never before been published. The book also includes a foreword by Arthur M. Schlesinger, Jr., who was a student of DeVoto's at Harvard University, and a substantial introduction by Douglas Brinkley and Patricia Limerick, both of which shed light on DeVoto's work and legacy.

Over the past decade a rich chorus of women's voices has emerged from the West. The Stories That Shape Us is an extraordinary anthology of twenty-six personal essays by contemporary women writers, many being published here for the first time. Ranging widely across the cultures and the regions of the West, these women relate stories of family and community, of race and gender, of commitment and displacement, of grief and repair, of spirituality and connection to the earth. Against the story of the Winning of the West, of men in (and against) the natural world, these writers propose a revised narrative, one more appropriate to a world facing stark limits and ecological disaster. Their stories are not new, but until recently we have been unable to hear them. The voices in The Stories That Shape Us have been shaped by their particular regions and cultures, but they speak to the nation, and they demand attention because they tell us what we need in order to survive. The contributors to The Stories That Shape Us are as diverse as the regions they speak from. Some of them are well-established, even best-selling authors; others are new voices soon to be heard on the national scene. All are united by their passion to tell the truth about their land and their lives - to tell the stories that have shaped them and that can help shape us all.

Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William 'Buffalo Bill' Cody's flamboyant extravaganza, "The Wild West". Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians - and bloody battles - at center stage, and culminated with the Battle of the Little Bighorn, popularly known as 'Custer's Last Stand'. Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices - those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, "The Frontier in American Culture" reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.

"There is no better introduction to the New Western History". -- Western American Literature. "Among the most stimulating, thought provoking, and, at the same time, most controversial publications dealing with western American history in the last decade". -- Western Historical Quarterly.

This lively book traces the development of American attitudes toward the desert using case studies from the writings of John C Fr+(c)mont, William Lewis Manly, Mark Twain, William Ellsworth Smythe, John Van Dyke, George Wharton James, Joseph Wood Krutch, and Edward Abbey.

In Something in the Soil, Patricia Nelson Limerick travels far outside the usual academic circles to bring Western past and Western present into a spirited union. Whether her topic is the rapid growth in the West today, the patent awfulness of most academic writing, or struggles over the standing of the "Great White Men" of the region s past, Limerick operates on the principle that history is an active presence in the West, layers of collective memory that are, quite literally, "something in the soil." Enlightening and always witty, this wide-ranging collection of essays and arguments from the New West s landmark historian offers an artful journey into its dramatic past and contentious present."