The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart.

From his acclaimed stage triumphs to his legendary onscreen work, Sir Patrick Stewart has captivated audiences around the world and across multiple generations in a career spanning six decades with his indelible command of stage and screen.

No other British working actor enjoys such career variety, universal respect and unending popularity, as witnessed through his seminal roles – whether as Captain Jean-Luc Picard of Star Trek fame, Professor Charles Xavier of Marvel's X-Men hit film franchise, his more than forty years as part of the Royal Shakespeare Company and in such critically lauded roles for Hamlet and The Tempest on the West End and Broadway, his unforgettable one-man show adapted from Charles Dickens's A Christmas Carol, or his comedic work in American Dad!, Ted, Extras and Blunt Talk, among many others.

Now, he presents his long-awaited memoir, Making It So, a revealing portrait of a driven artist whose astonishing life – from his humble and hardscrabble beginnings in Yorkshire, to the dizzying heights of Hollywood and worldwide acclaim – proves a story as exuberant, definitive and enduring as the author himself.

Five feature-length action adventures based on the Marvel comic.

In 'X-Men' (2000), mutants Professor Charles Xavier (Patrick Stewart) and Magneto (Ian McKellen) are former friends, but look set to become mortal enemies when fascist US senator Robert Frank Kelly calls for the registration of all humans with abnormal powers. While telepath Xavier, who runs an altruistic academy for superhuman 'X-Men', wishes to enlighten non-mutants and break down the prejudices which divide them, Magneto believes that the only solution is for the mutants to take over. Wolverine (Hugh Jackman) - an aggressive loner with an admantium skeleton and the ability to heal his body of any wound - and teenager Rogue (Anna Paquin), who can absorb the life force of others simply by touching them, are selected by Xavier to join his academy, but it isn't long before Magneto's followers are attempting to capture them so that they can assist in his plan for world domination.

In the sequel, 'X-Men 2' (2003), Xavier, Wolverine and the X-Men find themselves in the firing line after a failed assassination attempt on the president points the finger at the school. It was in fact the mysterious teleporter Nightwalker (Alan Cumming) who ordered it, and, in an attempt to clear their names, the X-Men are led into a trap set by the evil William Stryker (Brian Cox), a mysterious scientist apparently working for the government. As it soon becomes evident that Stryker's agenda is to destroy all mutants, the X-Men need to call in the help of many of their old friends and foes, including Magneto, if they are to stop him.

In the third film, 'X-Men: The Last Stand' (2006), the mutants are given the option of giving up their powers and becoming human after a private laboratory supported by the government finds a way to use the DNA of a powerful boy to correct the mutants. However, Magneto opposes and decides to join a force to fight against the government and kill the mutant boy. Meanwhile, Jean Grey (Famke Janssen) resurrects, uncontrolled by Xavier, and with the personality of the powerful Dark Phoenix. She destroys Cyclops (James Marsden) and Xavier and allies herself to the evil forces of Magneto, making them almost invincible.

The fourth film in the franchise, 'X-Men: Origins - Wolverine' (2009) is a prequel to the other three films. Hugh Jackman reprises his role as Wolverine, who, some 20 years before the action of the original movie, is seeking revenge on his half-brother Victor Creed (Liev Schreiber) for the death of his girlfriend, and eventually signs up to the ominous Weapon X programme.

Finally, 'X-Men: First Class' (2011) charts the beginning of the saga, following Professor X (James McAvoy) and Magneto (Michael Fassbender) through their formative years in the 1960s as they come to terms with their newfound superpowers. Initially close friends who work together to fight against evil, the two men are driven apart by a conflict of opinion that ultimately leads to the eternal war between Magneto's Brotherhood and Professor X's X-Men.

The third film in the popular 'X-Men' film franchise. When a private laboratory supported by the government finds the cure for the mutants, using the DNA of a powerful boy, the mutants have the option of giving up their powers and becoming human. However, Magneto (Ian McKellen) opposes and decides to join a force to fight against the government and kill the mutant boy. Meanwhile, Jean Grey (Famke Janssen) resurrects uncontrolled by Xavier (Patrick Stewart) and with the personality of the powerful Dark Phoenix. She destroys Cyclops (James Marsden) and Xavier, and allies to the evil forces of Magneto, making them almost invincible.

The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart! From his acclaimed stage triumphs to his legendary onscreen work in the Star Trek and X-Men franchises, Sir Patrick Stewart has captivated audiences around the world and across multiple generations with his indelible command of stage and screen. Now, he presents his long-awaited memoir, Making It So, a revealing portrait of an artist whose astonishing life--from his humble beginnings in Yorkshire, England, to the heights of Hollywood and worldwide acclaim--proves a story as exuberant, definitive, and enduring as the author himself.

Bryan Singer directs and co-writes this big screen adaptation of the long-running Marvel comic strip. Mutants Charles Xavier (Patrick Stewart) and Magneto (Ian McKellen) are former friends, but look set to become mortal enemies when fascistic US senator Robert Frank Kelly calls for the registration of all humans with abnormal powers. While telepath Xavier, who runs an altruistic academy for superhuman 'X-Men', wishes to enlighten non-mutants and break down the prejudices which divide them, Magneto believes that the only solution is for the mutants to take over. Wolverine (Hugh Jackman) - an aggressive loner with an admantium skeleton and the ability to heal his body of any wound - and teenager Rogue (Anna Paquin), who can absorb the life force of others simply by touching them, are selected by Xavier to join his academy, but it isn't long before Magneto's followers are attempting to capture them so that they can assist in his plan for world domination.

The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in X-Men: Days of Future Past.

The beloved characters from the original X-Men film trilogy join forces with their younger selves from X-Men: First Class, in an epic battle that must change the past – to save our future.

Box set containing all three films from the hugely popular 'X-Men' film franchise based on the long-running Marvel comic strip. In 'X-Men' (2000), mutants Charles Xavier (Patrick Stewart) and Magneto (Ian McKellen) are former friends, but look set to become mortal enemies when fascistic US senator Robert Frank Kelly (Bruce Davison) calls for the registration of all humans with abnormal powers. While telepath Xavier, who runs an altruistic academy for superhuman 'X-Men', wishes to enlighten non-mutants and break down the prejudices which divide them, Magneto believes that the only solution is for the mutants to take over. Wolverine (Hugh Jackman) - an aggressive loner with an admantium skeleton and the ability to heal his body of any wound - and teenager Rogue (Anna Paquin), who can absorb the life force of others simply by touching them, are selected by Xavier to join his academy, but it isn't long before Magneto's followers are attempting to capture them so that they can assist in his plan for world domination. In 'X-Men 2' (2003), Professor Charles Xavier, Wolverine, and the Academy for Gifted Youngsters, aka the X-Men, find themselves in the firing line after a failed assasination attempt on the President points the finger at the school. It was in fact the mysterious teleporter Nightwalker (Alan Cumming) who ordered it, and, in an attempt to clear their names, the X-Men are led into a trap set by the evil William Stryker (Brian Cox) - a mysterious scientist apparently working for the government. As it soon becomes evident that Stryker's agenda is to destroy all mutants, the X-Men need to call in the help of many of their old friends and foe, including Magneto (McKellen), if they are to stop him. In 'X-Men 3: The Last Stand' (2006), when a private laboratory supported by the government finds the cure for the mutants, using the DNA of a powerful boy, the mutants have the option of giving up their powers and becoming human. However, Magneto (McKellen) opposes and decides to join a force to fight against the government and kill the mutant boy. Meanwhile, Jean Grey (Famke Janssen) resurrects uncontrolled by Xavier and with the personality of the powerful Dark Phoenix. She destroys Cyclops (James Marsden) and Xavier, and allies to the evil forces of Magneto, making them almost invincible.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

Learn some amazing truths about sports, science, history, and more with this interactive trivia book asking you to spot the lie—perfect for a personal challenge or group game night! Was Cleopatra the last Egyptian pharaoh? Can you really make diamonds out of tequila? Is the platypus actually poisonous? Think you can spot the fake? Get your bullsh*t radar warmed up, because each entry in Spot the Bullsh*t hides one well-crafted fib among a pair of unbelievable truths. And it’s up to you to figure out what’s fascinating and what’s full of sh*t in science, history, pop culture and more. A flip of the page reveals whether you’re right or wrong as well as more information on the true trivia—and why you might have fallen for the fake fact. Whether you’re in the mood to learn some fun facts or challenge your friends in a game of trivia, this book has you covered.

Historical drama starring Patrick Stewart and Glenn Close. In 1183, after the death of his eldest son, King Henry II (Stewart) must decide which of his three remaining sons will succeed him. As the time for him to announce his successor approaches, Henry frees his imprisoned wife, Eleanor of Aquitaine (Close), who he held captive after she plotted to overthrow him. It soon becomes clear, however, that Eleanor favours first child Richard (Andrew Howard), while Henry sees his youngest, John (Rafe Spall), as the next in line but, in the weeks ahead, the King begins to have serious doubts if any of his sons are capable of becoming the new ruler.

Entire first series of the popular TV show. In 'Encounter at Farpoint', a double length story, the Enterprise encounters a planet that is being threatened by an alien creature - and to make matters worse, Picard is called before the super-being Q to answer questions on behalf of humanity. 'The Naked Now' has the cew infected by a deadly virus which manifests itself in such symptoms as intoxication and promiscuity. 'Code of Honour' sees Tasha kidnapped by an alien who wants her as his mate. 'The Last Outpost' finds the Enterprise coming face-to-face with the Ferengi for the first time. In 'Where No One Has Gone Before', a warp experiment goes wrong and flings the Enterprise into a strange galaxy billions of light-years from its starting point. 'Lonely Among Us' has Picard's body becomes the host for an alien entity. 'Justice' sees the unfortunate Wes Crusher sentenced to death for violating a local custom on an alien world. 'The Battle' finds Picard taking on DaiMan Bok, who wants revenge for the death of his son. 'Hide and Q' has the crew of the Enterprise D plagued once more by the cosmic trickster Q. 'Haven' sees Riker's heart set to break when Deanna is forced into an arranged marriage. In 'The Big Goodbye', Picard indulges his love of film noir detective stories on the holodeck, only to end up trapped when the system malfunctions. 'Datalore' has the crew of the Enterprise discover the component parts of Lore, Data's twin brother, on a devastated planet. 'Angel One' sees Riker caught up in the politics of a planet ruled entirely by women. '11001001' finds the Enterprise hijacked by an alien race called the Bynars, who upgrade the ship's computer to their own ends. 'Too Short a Season' has the Enterprise accompany the ageing Admiral Mark Jameson to Mordan IV, where his mission is to secure the release of Federation hostages. 'When the Bough Breaks' sees Wesley and various other children from the Enterprise kidnapped by the technologically advanced but sterile civilisation on the planet Aldea. In 'Home Soil', it transpires that the Enterprise is under attack from Microbain, a microscopic life-form, after Data is attacked by a laser drill. 'Coming of Age' finds Wesley preparing to sit an Academy exam, while Picard is investigated by the unpopular Lt Commander Dexter. 'Heart of Glory' has the Enterprise play host to two Klingons who claim to have been attacked by Ferengi. 'The Arsenal of Freedom' sees Picard lead a team to the lifeless planet Minos to search for the USS Drake. 'Symbiosis' finds Picard caught in the middle of a war between the narcotics-addicted Ornarans and their enemies the Brekkans, who possess a possible cure. In 'Skin of Evil', an Enterprise shuttlecraft crash lands on Vagra II and is captured by the evil Armus. 'We'll Always Have Paris' sees the man married to Picard's first love create a hole in the universe. 'Conspiracy' has Picard's best friend suffer from an acute paranoia which leads to the destruction of his starship being destroyed. Finally, in 'The Neutral Zone', the crew encounter an enemy stronger than any they have come across before.

German computer-animated movie featuring the voice of Patrick Stewart. When Gaya's power stone is stolen by Professor N. Icely (Stephan Lander), local hero Zino (Glenn Wrage), his companion Boo (Alan Mariot), the mayor's daughter Alanta (Emily Watson) and the local trouble makers The Snurks are pulled into the vortex as well. When they wake up, they find themselves in a world filled with giants, monster rats and buildings that reach into the sky.

This book examines the development of biopolitics as an academic perspective within political science. It reviews the work of the leading proponents of this perspective and presents a comprehensive view of biopolitics as a framework to structure political inquiry. The book's chapters present a range of analysis, critique and recommendations for the current study of biopolitics. Coverage includes; the implications of biopolitics for political theory and the need to re-evaluate basic assumptions of the prevailing political science paradigm; an analysis of the methodological concerns of adopting a more biology-based approach to political science; the current state of knowledge of the genetic and neurological bases of mass and elite behavior; and biopolicy issues and the proper role of the life sciences in informing our understanding of them. The concluding chapter restates the case for a paradigm shift toward an interactive model, arguing that, rather than lead to biological determinism as denounced by some, this inclusive paradigm allows us to counteract deterministic protestations more effectively than by continuing to ignore or minimize biological influences.

Patrick Stewart narrates this semi-dramatised Disney wildlife documentary following the lives of two cat families living on opposite sides of a river in the Kenyan savannah. On one side a mother lioness is protecting her cub from a pride of lions from the north. On the other side, a single mother of five cheetah cubs is teaching her cubs how to survive in the wild, while protecting them from the dangers presented by hyenas and other wild animals. The US version is narrated by Samuel L. Jackson.

Our Voices II: The DE-colonial Project will showcase decolonising projects which work to de-stable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo-liberal systems work to continuously subjugate Indigenous involvement in decision-making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.

X-Men
Born into a world filled with prejudice are children who possess extraordinary and dangerous powers the result of unique genetic mutations. But under the tutelage of Professor Xavier, these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto, who believes humans and mutants can never co-exist, unveils his sinister plan for the future!

X-Men 2
Hatred and distrust brew between human and mutantkind. An unprovoked mutant attack on the President gives General William Stryker his long-awaited opportunity to wage all-out war against the mutants. A war that would leave only one race victorious. The X-Men must unite with their old adversary Magneto to prevent a devastating confrontation that could destroy everyone on the planet.

X-Men 3: The Last Stand
Experience the awesome power of the X-Men's epic, final battle as it is time to take a stand. After a controversial "cure" is discovered, mutants can choose to retain their superhuman abilities or give up their unique gifts and become "normal". When peaceful mutant leader Charles Xavier clashes with his militant counterpart, Magneto, the battle lines are drawn for the war to end all wars.

X-Men Origins: Wolverine
Leading up to the events of the first X-Men movie, X-Men Origins: Wolverine tells the story of Wolverine's epically violent and romantic past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe whose appearances in the film series have long been anticipated.

X-Men: First Class
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-Men.

The Wolverine
In modern day Japan, Wolverine is out of his depth in an unknown world as he faces his ultimate nemesis in a life-or-death battle that will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits, he confronts not only lethal samurai steel but also his inner struggle against his own immortality, emerging more powerful than we have ever seen him before.

Our Voices: Indigeneity and Architecture is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.

Tiny Tim, Bob Cratchit and Ebenezer Scrooge come to marvelous life in Patrick Stewart's critically-acclaimed solo interpretation of A Christmas Carol. The star of "X-Men" and The Royal Shakespeare Company, Stewart has performed his one-man stage production of this holiday classic to sell-out audiences. Now, in this Grammy nominated studio recording of the dazzling achievement that has thrilled audiences in New York and Los Angeles, Stewart invites listeners to rediscover the timeless story at its source: Dickens' own words, presented in a soaring, virtuoso solo performance in which Stewart plays all parts.

Miserly money lender Ebeneezer Scrooge (Patrick Stewart) does not believe in the spirit of Christmas; he is bad-tempered and unpleasant to everyone he meets, including his loyal but badly underpaid clerk, Bob Cratchit (Richard E. Grant). Then one Christmas Eve Scrooge is visited by the ghost of his former partner, Jacob Marley, who warns him that three ghosts will arrive that very night and attempt to show him the error of his ways. Scrooge is shown visions of Christmases past, present and future which force him to reconsider his selfish lifestyle, but is it too late for him to change his nature?

God versus the numerous colossuses that confront the main character Mr. Seeker Barrington in ways that bring the reader into the epicenter of amazing spiritual and physical battles is what this story is all about. Seeker Barrington who finds God after some poignant and traumatizingly disruptive losses in his life takes the advice of a former girlfriend and surrenders his life over to Jesus Christ. Seeker then is propelled into situations that utterly and completely rock his world from top to bottom and the worlds of those people who are closest to him.

At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: "It's a television show." In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star Trek's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative "storyworld" of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.

At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: "It's a television show." In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star Trek's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative "storyworld" of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.