The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart.

From his acclaimed stage triumphs to his legendary onscreen work, Sir Patrick Stewart has captivated audiences around the world and across multiple generations in a career spanning six decades with his indelible command of stage and screen.

No other British working actor enjoys such career variety, universal respect and unending popularity, as witnessed through his seminal roles – whether as Captain Jean-Luc Picard of Star Trek fame, Professor Charles Xavier of Marvel's X-Men hit film franchise, his more than forty years as part of the Royal Shakespeare Company and in such critically lauded roles for Hamlet and The Tempest on the West End and Broadway, his unforgettable one-man show adapted from Charles Dickens's A Christmas Carol, or his comedic work in American Dad!, Ted, Extras and Blunt Talk, among many others.

Now, he presents his long-awaited memoir, Making It So, a revealing portrait of a driven artist whose astonishing life – from his humble and hardscrabble beginnings in Yorkshire, to the dizzying heights of Hollywood and worldwide acclaim – proves a story as exuberant, definitive and enduring as the author himself.

The long-awaited memoir from iconic, beloved actor and living legend Sir Patrick Stewart! From his acclaimed stage triumphs to his legendary onscreen work in the Star Trek and X-Men franchises, Sir Patrick Stewart has captivated audiences around the world and across multiple generations with his indelible command of stage and screen. Now, he presents his long-awaited memoir, Making It So, a revealing portrait of an artist whose astonishing life--from his humble beginnings in Yorkshire, England, to the heights of Hollywood and worldwide acclaim--proves a story as exuberant, definitive, and enduring as the author himself.

This book examines the development of biopolitics as an academic perspective within political science. It reviews the work of the leading proponents of this perspective and presents a comprehensive view of biopolitics as a framework to structure political inquiry. The book's chapters present a range of analysis, critique and recommendations for the current study of biopolitics. Coverage includes; the implications of biopolitics for political theory and the need to re-evaluate basic assumptions of the prevailing political science paradigm; an analysis of the methodological concerns of adopting a more biology-based approach to political science; the current state of knowledge of the genetic and neurological bases of mass and elite behavior; and biopolicy issues and the proper role of the life sciences in informing our understanding of them. The concluding chapter restates the case for a paradigm shift toward an interactive model, arguing that, rather than lead to biological determinism as denounced by some, this inclusive paradigm allows us to counteract deterministic protestations more effectively than by continuing to ignore or minimize biological influences.

Bryan Singer directs this blockbuster superhero sequel based on the characters from the Marvel comic strip. With a storyline that alternates between the past and present, the film acts as a direct sequel to three separate films, 'X-Men: The Last Stand' (2006), 'X-Men: First Class' (2011) and 'The Wolverine' (2013). When the survivors of the battle in 'X-Men: The Last Stand', led by Magneto (Ian McKellen), Professor X (Patrick Stewart) and Storm (Halle Berry), discover that total annihilation now awaits humans and mutants alike, they send the ageless Wolverine (Hugh Jackman) back in time to try and change the course of events. In the past, Wolverine must team up with the younger incarnations of the X-Men seen in 'X-Men: First Class', Charles Xavier (James McAvoy), Magneto (Michael Fassbender) and Mystique (Jennifer Lawrence), to avert disaster. Will he succeed?

Our Voices II: The DE-colonial Project will showcase decolonising projects which work to de-stable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo-liberal systems work to continuously subjugate Indigenous involvement in decision-making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.

Our Voices: Indigeneity and Architecture is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.

Tiny Tim, Bob Cratchit and Ebenezer Scrooge come to marvelous life in Patrick Stewart's critically-acclaimed solo interpretation of A Christmas Carol. The star of "X-Men" and The Royal Shakespeare Company, Stewart has performed his one-man stage production of this holiday classic to sell-out audiences. Now, in this Grammy nominated studio recording of the dazzling achievement that has thrilled audiences in New York and Los Angeles, Stewart invites listeners to rediscover the timeless story at its source: Dickens' own words, presented in a soaring, virtuoso solo performance in which Stewart plays all parts.

God versus the numerous colossuses that confront the main character Mr. Seeker Barrington in ways that bring the reader into the epicenter of amazing spiritual and physical battles is what this story is all about. Seeker Barrington who finds God after some poignant and traumatizingly disruptive losses in his life takes the advice of a former girlfriend and surrenders his life over to Jesus Christ. Seeker then is propelled into situations that utterly and completely rock his world from top to bottom and the worlds of those people who are closest to him.

At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: "It's a television show." In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star Trek's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative "storyworld" of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.

At the heart of one of the most successful transmedia franchises of all time, Star Trek, lies an initially unsuccessful 1960s television production, Star Trek: The Original Series. In Star Trek and American Television, Pearson and Messenger Davies, take their cue from the words of the program's first captain, William Shatner, in an interview with the authors: "It's a television show." In focusing on Star Trek as a television show, the authors argue that the program has to be seen in the context of the changing economic conditions of American television throughout the more than four decades of Star Trek's existence as a transmedia phenomenon that includes several films as well as the various television series. The book is organized into three sections, dealing with firstly, the context of production, the history and economics of Star Trek from the original series (1966-1969) to its final television incarnation in Enterprise (2002-2005). Secondly, it focuses on the interrelationships between different levels of production and production workers, drawing on uniquely original material, including interviews with star captains William Shatner and Sir Patrick Stewart, and with production workers ranging from set-builders to executive producers, to examine the tensions between commercial constraints and creative autonomy. These interviews were primarily carried out in Hollywood during the making of the film Nemesis (2002) and the first series of Star Trek: Enterprise. Thirdly, the authors employ textual analysis to study the narrative "storyworld" of the Star Trek television corpus and also to discuss the concept and importance of character in television drama. The book is a deft historical and critical study that is bound to appeal to television and media studies scholars, students, and Star Trek fans the world over. With a foreword by Sir Patrick Stewart, Captain Jean-Luc Picard in Star Trek: The Next Generation.