Time after time choosing selfishness over selflessness, human beings invariably destroy themselves and wreck their societies. Only God can help, says Genesis. Yet God refuses to coerce. Instead he works with individual men and women who turn around--who stop trying to make a name for themselves and start trying to be a blessing to others. The transformation is slow and arduous. God waits. Captured in one of the world's best and best-known stories, this dynamic between God and recreated individuals leads from the universal chaos of Babel to blessing for all our world's peoples. Unfortunately, most of us overlook the dramatic story of God's work in early time because we read Scripture in disjointed pieces--and we think we've heard it all before We miss the suspenseful, sweeping narrative of interconnected events. We miss the nuances of emotion and relationship between the characters. Now inGenesis: The Story We Haven't Heard Paul Borgman fits the pieces back together--revealing God's story as if it had never been read before.

The biblical story of King David and his conflict with King Saul (1 and 2 Samuel) is one of the most colorful and perennially popular in the Hebrew Bible. In recent years, this story has attracted a great deal of scholarly attention, much of it devoted to showing that David was a far less heroic character than appears on the surface. Indeed, more than one has painted David as a despicable tyrant. Paul Borgman provides a counter-reading to these studies, through an attentive reading of the narrative patterns of the text. He focuses on one of the key features of ancient Hebrew narrative poetics -- repeated patterns -- taking special note of even the small variations each time a pattern recurs. He argues that such "hearing cues" would have alerted an ancient audience to the answers to such questions as "Who is David?" and "What is so wrong with Saul?" The narrative insists on such questions, says Borgman, slowly disclosing answers through patterns of repeated scenarios and dominant motifs that yield, finally, the supreme work of storytelling in ancient literature. Borgman concludes with a comparison with Homer's storytelling technique, demontrating that the David story is indeed a masterpiece and David (as Baruch Halpern has said) "the first truly modern human."