Join Paul "Cavs" Cavalieri on a journey through graffiti history and the evolution of a major cultural landmark. In this account, Cavs shares his experiences under the Bronx's East 238th Street bridge, which over the years has become a Bronx "Graffiti Hall of Fame," through an astonishing, lifelong photographic diary. From the late 1950s to the 1990s, graffiti artists would congregate here to express themselves by unleashing their creative energy. In this adopted home away from home, generations of graffiti artists formed bonds as well as rivalries. Take in four decades' worth of work from prolific artists including Boots119, Sent, and Sien5. Also represented are graffiti writers from the Woodlawn and Wakefield neighborhoods, connected by the famous concrete viaduct built between 1929 and 1931, as well as unique and personal insights into successive generations of crews, such as a recent, major contributor from Matilda Avenue.

This is a nostalgic, visual account of the best time and place to be a graffiti writer. In the 1980s, brothers Kenny, a.k.a. KEY, and Paul, a.k.a. CAVS, immersed themselves in the graffiti scene in the Boogie Down Bronx, dutifully photographing hundreds of pieces on now-discontinued MTA subway cars and capturing their proud comrades before, during, and after the act. Bombing White Elephants with their pilot markers and documenting them with their cameras, which they always carried, they were on the ride of their livesuntil 1989, when the last painted train was removed from service. Tags by names like QUIK, IZTHEWIZ, and many others appear here in color exposures, and dozens of artists share stories and drop knowledge with no filter. A foreword by graffiti historian Henry Chalfant, coproducer of Style Warsthe seminal documentary on New York graffiti and hip-hop culturekicks things off.

CAVS (Paul Cavalieri), a prolific and influential Bronx graffiti writer for nearly 40 years, shares hundreds of photos of his work, his progression as an artist, and stories of the New York City graffiti scene through the decades in one colorful volume. From the Wakefield neighborhood in the northern borough of the Bronx, CAVS tells his own story in his own singular voice. With a chapter examining each, he reminisces and documents his family and background, his beginnings in the Bronx, and his work on walls, subways, freight trains, and trucks. He covers dodging cops, working with other writers, and being one of the East Coast pioneers of freight train writing in the mid- to late '80s, bringing the reader into that specific time and place now so changed. While CAVS has changed, too, now painting only with permission, hes still a vandal at heart.