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See the New York City transit system at a time the Metropolitan
Transit Authority (MTA) has tried hard to forget. In the early
'80s, graffiti writer Paul Cavalieri, who writes "CAVS," was drawn
to the colorful tags on trains. He started learning train schedules
so he could snap works by many writers of the time. This is a
compilation of subway graffiti from 1983 to 1989, when the MTA
announced that its fleet was entirely graffiti-free. More than 325
color photos capture everything from motion-bombed train interiors
riddled with pilot marker tags to epic works covering whole
exteriors, top to bottom. Artists tell their tales of adventure
throughout and reminisce about working on live third rails,
navigating the complex subway system to find their works, and
witnessing graffiti's gradual disappearance from the trains. This
book presents a nostalgic look at 1980s New York City and the
street artists that gave it soul.
Join Paul "Cavs" Cavalieri on a journey through graffiti history
and the evolution of a major cultural landmark. In this account,
Cavs shares his experiences under the Bronx's East 238th Street
bridge, which over the years has become a Bronx "Graffiti Hall of
Fame," through an astonishing, lifelong photographic diary. From
the late 1950s to the 1990s, graffiti artists would congregate here
to express themselves by unleashing their creative energy. In this
adopted home away from home, generations of graffiti artists formed
bonds as well as rivalries. Take in four decades' worth of work
from prolific artists including Boots119, Sent, and Sien5. Also
represented are graffiti writers from the Woodlawn and Wakefield
neighborhoods, connected by the famous concrete viaduct built
between 1929 and 1931, as well as unique and personal insights into
successive generations of crews, such as a recent, major
contributor from Matilda Avenue.
This is a nostalgic, visual account of the best time and place to
be a graffiti writer. In the 1980s, brothers Kenny, a.k.a. KEY, and
Paul, a.k.a. CAVS, immersed themselves in the graffiti scene in the
Boogie Down Bronx, dutifully photographing hundreds of pieces on
now-discontinued MTA subway cars and capturing their proud comrades
before, during, and after the act. Bombing White Elephants with
their pilot markers and documenting them with their cameras, which
they always carried, they were on the ride of their livesuntil
1989, when the last painted train was removed from service. Tags by
names like QUIK, IZTHEWIZ, and many others appear here in color
exposures, and dozens of artists share stories and drop knowledge
with no filter. A foreword by graffiti historian Henry Chalfant,
coproducer of Style Warsthe seminal documentary on New York
graffiti and hip-hop culturekicks things off.
CAVS (Paul Cavalieri), a prolific and influential Bronx graffiti
writer for nearly 40 years, shares hundreds of photos of his work,
his progression as an artist, and stories of the New York City
graffiti scene through the decades in one colorful volume. From the
Wakefield neighborhood in the northern borough of the Bronx, CAVS
tells his own story in his own singular voice. With a chapter
examining each, he reminisces and documents his family and
background, his beginnings in the Bronx, and his work on walls,
subways, freight trains, and trucks. He covers dodging cops,
working with other writers, and being one of the East Coast
pioneers of freight train writing in the mid- to late '80s,
bringing the reader into that specific time and place now so
changed. While CAVS has changed, too, now painting only with
permission, hes still a vandal at heart.
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