Part memoir, part social history, Revolutionary Spirit is the poignant, often hilarious story of a cult Liverpool musician s scenic route to fame and artistic validation, and marks the arrival of an original literary voice. If Morrissey was the Oscar Wilde of the 1980s indie scene, Simpson was its William Blake; a self-destructive genius so lost in mystical visions of a new arcadia that he couldn t meet the rent. Simpson s career begins alongside fellow Liverpool luminaries Ian McCulloch, Bill Drummond, Will Sergeant, Pete Wylie, Pete Burns, and Holly Johnson at the infamous Eric s club, where, in 1976, he finds himself at the birth of the city s second great musical explosion. He co-founds and christens the neo-psychedelic pop group The Teardrop Explodes with Julian Cope but walks out of the band just as they are about to break big and goes to work in a tearoom instead. He then forms The Wild Swans, the indie-band of choice for literary-minded teens in the early 1980s, and Care with Ian Broudie of The Lightning Seeds, sharing a flat with a seventeen-year-old Courtney Love along the way. Marriage, fatherhood, tropical illness, and divorce follow, interspersed with artistic collaborations with Bill Drummond and members of The Brian Jonestown Massacre, among others. Following an onstage reunion with Cope at the Royal Festival Hall, Simpson discovers that seven thousand miles away, in the Philippines, he is considered a musical god. Presidential suites, armed-guards, police escorts you couldn t make it up, and, incredibly, he doesn t need to. Revolutionary Spirit is the story of a musician driven by an unerring belief that artistic integrity will bring its own rewards. It concludes with an exorcism of sorts as Simpson finally rids himself of the debilitating demon of psychological depression that has, from the age of nine, run like malware in the background of his life.

How is The Colour Code different to other books on colour? Well, the short answer is that it is a whole lot more fun - not least because it is extensively illustrated. We don't just get a story about Mummy Brown (the pigment made from Egyptian mummies), we see a painting created with pigments from the remains of French kings. We are reminded of the blue/gold dress that swept Twitter, view paintings by Mondrian (red ones sell for higher prices) and Van Eyck (he invented an enduring green), and inspect the red soles of Louboutin shoes. We see what lumps of Indian yellow look like, while reading what they are made of (strained cow's urine). We get to see the latest most vibrant pigment - YinMn Blue - and have a real estate agent's tour of Frank Sinatra's ranch (he was obsessed by orange). We see William Morris's arsenic-inflected wallpapers and hear about whether wallpaper killed Napoleon. We encounter the pink pussy hats worn on the Women's March and Elvis's pink jackets from Lansky's in Memphis, take in a history of the black dress from Audrey Hepburn to Princess Diana and a rare black chicken (even its eggs are black) from Indonesia. Featuring a cast of actors, artists, chemists, composers, dentists, dictators, fashion designers, film-makers, gods, musicians, mystics, physicists, poets, quacks, tigers and tycoons, The Colour Code will change the way we all perceive the spectrum - and see the world.

Is midlife for gay men the start of a slide towards the rejection, exclusion and misery associated with the spectre of the lonely old queen? Whilst exclusion is possible as gay men age, Middle Aged Gay Men, Ageing and Ageism offers a more nuanced view of gay ageing, using sociological tools to advance understanding beyond stereotypes.

"Language Through Literature" provides a definitive introduction to the English language through the medium of English literature. Through the use of illustrations from poetry, prose and drama, this book offers a lively guide to important concepts and techniques in English language study.
Among the many topics covered in the book are the form and meaning of words, the structure of narrative discourses and the organization of dialogue and conversation. Each chapter explores a specific aspect of the modern English language using a combination of exposition and practical activities. Each chapter also provides points for further discussion and includes project work for use individually, or as part of a group.
Readers will find the author's selection and presentation of topics helpful, as Paul Simpson progressively widens the scope of topics from single words to the structure of whole conversations. "Language Through Literature" is designed for the non-specialist who is new to the study of the English language and will be particularly relevant to anyone interested in the in the relationship between the English language and English literature.

This collection shows students of English and applied linguistics ways in which language and literary study can be integrated. By drawing on a wide range of texts by mainly British and American writers, from a variety of different periods, the contributors show how discourse stylistics can provide models for the systematic description of, for example, dialogue in fiction; language of drama and balladic poetry; speech presentation; the interactive properties of metre; the communicative context of author/reader. Among the texts examined are novels, poetry and drama by major twentieth-century writers such as Joyce, Auden, Pinter and Hopkins, as well as examples from Shakespeare, Donne and Milton. Each chapter has a wide range of exercises for practical analysis, an extensive glossary and a comprehensive bibliography with suggestions for further reading. The book will be particularly useful to undergraduate students of English and applied linguistics and advanced students of modern languages or English as a foreign language.

Non-representational Theory explores a range of ideas which have recently engaged geographers and have led to the development of an alternative approach to the conception, practice, and production of geographic knowledge. Non-representational Theory refers to a key body of work that has emerged in geography over the past two and a half decades that emphasizes the importance of practice, embodiment, materiality, and process to the ongoing formation of social life. This title offers the first sole-authored, accessible introduction to this work and its impact on geography. Without being prescriptive the text provides a general explanation of what Non-representational Theory is. This includes discussion of the disciplinary context it emerged from, the key ideas and themes that characterise work associated with Non-representational Theory, and the theoretical points of reference that inspires it. The book then explores a series of conjunctions of 'Non-representational Theory and...', taking an area of geographic enquiry and exploring the impact Non-representational Theory has had on how it is researched and understood. This includes the relationships between Non-representational Theory and Practice, Affect, Materiality, Landscape, Performance, and Methods. Critiques of Non-representational Theory are also broached, including reflections on issues on identity, power, and difference. The text draws together the work of a range of established and emerging scholars working on the development of non-representational theories, allowing scholars from geography and other disciplines to access and assess the animating potential of such work. This volume is essential reading for undergraduates and post-graduate students interested in the social, cultural, and political geographies of everyday living.

eBook available with sample pages: HB:0415149630

`The expression of human experience it embodies ... includes all personal history'.
Saul Bellow's view of the city is far from that of classic geographical descriptions which look at growth or decline, demographic patterns, traffic flows and economic potential: these empirically conceived models of urban geography fail to accommodate the crucial human aspect of city life.
Located at the interface of geography and literature, Writing the City visualizes the city through the hopes, aspirations, disappointments and pains of international novelists and creative writers. From Manchester, Montreal and Sydney to Osaka, Varanasi amd Odessa, cities become more than their built environment, more than a set of class or economic relationships: they are also an experience to be lived, suffered and undergone.
Thus cities are seen in terms of the innocence of an Eden now lost, a threat of sinful Babylon and the promise of a New Jerusalem.

eBook available with sample pages: 020321336X

This systematic introduction to the concept of point of view in language explores the ways in which point of view intersects with and is shaped by ideology. It specifically focuses on the way in which speakers and writers linguistically encode their beliefs, interests and biases in a wide range of media. The book draws on an extensive array of linguistic theories and frameworks and each chapter includes a self-contained introduction to a particular topic in linguistics, allowing easy reference. The author uses examples from a variety of literary and non-literary text types such as, narrative fiction, advertisements and newspaper reports.

This collection shows students of English and applied linguistics ways in which language and literary study can be integrated. By drawing on a wide range of texts by mainly British and American writers, from a variety of different periods, the contributors show how discourse stylistics can provide models for the systematic description of, for example, dialogue in fiction; language of drama and balladic poetry; speech presentation; the interactive properties of metre; the communicative context of author/reader. Among the texts examined are novels, poetry and drama by major twentieth-century writers such as Joyce, Auden, Pinter and Hopkins, as well as examples from Shakespeare, Donne and Milton. Each chapter has a wide range of exercises for practical analysis, an extensive glossary and a comprehensive bibliography with suggestions for further reading. The book will be particularly useful to undergraduate students of English and applied linguistics and advanced students of modern languages or English as a foreign language.

`The expression of human experience it embodies ... includes all personal history'. Saul Bellow's view of the city is far from that of classic geographical descriptions which look at growth or decline, demographic patterns, traffic flows and economic potential: these empirically conceived models of urban geography fail to accommodate the crucial human aspect of city life. Located at the interface of geography and literature, Writing the City visualizes the city through the hopes, aspirations, disappointments and pains of international novelists and creative writers. From Manchester, Montreal and Sydney to Osaka, Varanasi amd Odessa, cities become more than their built environment, more than a set of class or economic relationships: they are also an experience to be lived, suffered and undergone. Thus cities are seen in terms of the innocence of an Eden now lost, a threat of sinful Babylon and the promise of a New Jerusalem.

From the end of the Second World War to the present day, the world has changed immeasurably. The art of spying has changed too, as spies have reacted to changing threats. Here you will find the fascinating stories of real-life spies, both famous and obscure, from either side of the Iron Curtain, along with previously secret details of War on Terror operations. Detailed stories of individual spies are set in the context of the development of the major espionage agencies, interspersed with anecdotes of gadgets, trickery, honeytraps and assassinations worthy of any fictional spy. A closing section examines the developing New Cold War, as Russia and the West confront each other once again.

An incredible 30,000 flights - at least - arrive safely at their destinations every day. But a handful don't, while some come terrifyingly close to crashing. When even the smallest thing does go wrong at 35,000 feet, the result is nearly always a fast-unfolding tragedy. This extensive collection of compelling real-life accounts of air disasters and near-disasters provides a sobering, alternative history of the just over 105 years that passengers have been travelling by air, from the very earliest fatality to recent calamities. But there are incredible stories of heroism against the odds, too, such as that of Captain Chesley Sullenberger who successfully landed his aircraft with both engines gone on the Hudson River in New York, saving the lives of everyone aboard, and of the American Airlines crew who prevented terrorist Richard Reid from exploding a bomb hidden in his shoe three months after 9/11. The book also details the often ingenious, always painstaking work done by air-accident investigators, while a glossary helps to clarify the occasional, inevitable bits of jargon.

Routledge English Language Introductions cover core areas of language study and are one-stop resources for students. Assuming no prior knowledge, books in the series offer an accessible overview of the subject, with activities, study questions, sample analyses, commentaries and key readings - all in the same volume. The innovative and flexible 'two-dimensional' structure is built around four sections - introduction, development, exploration and extension - which offer self-contained stages for study. Each topic can also be read across these sections, enabling the reader to build gradually on the knowledge gained. Language and Power, Second Edition has been completely revised and updated and includes: a comprehensive survey of the ways in which language intersects and connects with the social, cultural and political aspects of power; an introduction to the history of the field, covering all the major approaches, theoretical concepts and methods of analysis in this important and developing area of academic study; coverage of all the 'traditional' topics, such as race, gender and institutional power, but also newer topics such as the discourse of post-truth, and the power of social media; readings from works by seminal figures in the field, such as Robin Lakoff, Deborah Cameron and Teun van Dijk; real texts and examples throughout, including advertisements from cosmetics companies; newspaper articles and headlines; websites and internet media; and spoken dialogues such as political and presidential speeches; a supporting companion website that aims to challenge students at a more advanced level and which features extra reading, exercises, follow-up activities, and suggestions for further work. Language and Power will be essential reading for students studying English language or linguistics.

Everyone has heard the songs from The Sound of Music by Rodgers and Hammerstein. The stage show was a roaring success in New York and London, and the much-loved feature film, directed by Hollywood veteran Robert Wise, continues to be a staple of television schedules 50 years after its release in 1965. In this fascinating and wide-ranging book, Paul Simpson explores the incredible story of the Von Trapp family and their escape from the Third Reich in all its incarnations, from real-life adventure, to book, to stage, to award-winning film to cultural phenomenon. He discusses the stage show, the many differences that were incorporated into the fictionalisation of the tale, and how that story was brought to the screen. He also looks at the numerous other ways in which the Von Trapp's story has been told, including the two West German movies from the 1950s and the extensive forty-part Japanese anime series from the 1990s, to explain why the story of the Von Trapp family has appealed to so many generations. Praise for A Brief Guide to Stephen King: 'The best book about King and his work I have ever read' Books Monthly

This work features true stories of prison breaks including those of Frank Abagnale, whose story is told in 'Catch Me If You Can'; Henri Charrire who claimed to have escaped from the supposedly inescapable Devil's Island - the true story as opposed to his questionable memoir, Papillon; Bud Day, said to be the only US serviceman ever to have escaped to South Vietnam; the six prisoners who escaped from Death Row in Mecklenburg Correctional Center; and Pascal Payeret, the French armed robber who escaped not once, but twice from French prisons with the help of a helicopter.

Routledge English Language Introductions cover core areas of language study and are one-stop resources for students. Assuming no prior knowledge, books in the series offer an accessible overview of the subject, with activities, study questions, sample analyses, commentaries and key readings - all in the same volume. The innovative and flexible 'two-dimensional' structure is built around four sections - introduction, development, exploration and extension - which offer self-contained stages for study. Each topic can also be read across these sections, enabling the reader to build gradually on the knowledge gained. Language and Power, Second Edition has been completely revised and updated and includes: a comprehensive survey of the ways in which language intersects and connects with the social, cultural and political aspects of power; an introduction to the history of the field, covering all the major approaches, theoretical concepts and methods of analysis in this important and developing area of academic study; coverage of all the 'traditional' topics, such as race, gender and institutional power, but also newer topics such as the discourse of post-truth, and the power of social media; readings from works by seminal figures in the field, such as Robin Lakoff, Deborah Cameron and Teun van Dijk; real texts and examples throughout, including advertisements from cosmetics companies; newspaper articles and headlines; websites and internet media; and spoken dialogues such as political and presidential speeches; a supporting companion website that aims to challenge students at a more advanced level and which features extra reading, exercises, follow-up activities, and suggestions for further work. Language and Power will be essential reading for students studying English language or linguistics.

Despite evidence of a more sexually active 'third age', ageing and later life (50+) are still commonly represented as a process of desexualisation. Challenging this assumption and ageist stereotypes, this interdisciplinary volume investigates the experiential and theoretical landscapes of older people's sexual intimacies, practices and pleasures. Contributors explore the impact of desexualisation in various contexts and across different identities, orientations, relationships and practices. This enlightening text, reflecting international scholarship, considers how we can distinguish the real challenges faced by older people from the prejudices imposed on them.

Despite increased awareness of sexual diversity, older people's accounts of sex and intimacy remain marginalised. This edited volume addresses diversity in sexual and intimate experience later in life (50+) and captures international research and analysis relating to intersectional identities. Contributors explore how being older intersects with differences of ethnicity, gender, sexuality and class. Offering a critical focus and original contribution to an emerging, although still relatively neglected field, this collection extends knowledge concerning intimacies, practices and pleasures for those thought to represent normative, non-normative and 'new normative' forms of sexual identification and expression.

Despite evidence of a more sexually active 'third age', ageing and later life (50+) are still commonly represented as a process of desexualisation. Challenging this assumption and ageist stereotypes, this interdisciplinary volume investigates the experiential and theoretical landscapes of older people's sexual intimacies, practices and pleasures. Contributors explore the impact of desexualisation in various contexts and across different identities, orientations, relationships and practices. This enlightening text, reflecting international scholarship, considers how we can distinguish the real challenges faced by older people from the prejudices imposed on them.

Despite increased awareness of sexual diversity, older people's accounts of sex and intimacy remain marginalised. This edited volume addresses diversity in sexual and intimate experience later in life (50+) and captures international research and analysis relating to intersectional identities. Contributors explore how being older intersects with differences of ethnicity, gender, sexuality and class. Offering a critical focus and original contribution to an emerging, although still relatively neglected field, this collection extends knowledge concerning intimacies, practices and pleasures for those thought to represent normative, non-normative and 'new normative' forms of sexual identification and expression.

There are many myths about serial killers: that they are all dysfunctional loners; all white males; only motivated by sex; that they all travel and operate across a wide area; cannot stop killing; are all insane, or evil geniuses; and that they all want to get caught. Of course, there are some serial killers who fit into these categories, but the married Green River Killer was not a dysfunctional loner; there are plenty of female and non-Caucasian serial killers; Dr Harold Shipman was certainly not motivated by sex; many serial killings (such as the Ipswich prostitute murders carried out by Steve Wright) happen within a confined area; the 'BTK Killer', Dennis Rader, stopped killing in 1991, but wasn't caught until fourteen years later. Many serial killers may have a low animal cunning, or be 'street smart', but few of them are Mensa-level geniuses. Each of the thirty cases covered here is unusual in some respect, perhaps in the way in which the killer carried out their crimes, the choice of victims, the way in which they were apprehended, or the method of their execution. The cases are presented alphabetically by country - from Australia via Colombia, Great Britain, Indonesia, Iran, South Africa and elsewhere to the United States - and then chronologically. They come from across history and from all over the world. The author has gone back as far as possible to contemporary source material - newspaper accounts, trial evidence, interviews with perpetrators or survivors - rather than rely on the increasingly blurred truth to be found online and in far too many collections.

Series Information:
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Non-representational Theory explores a range of ideas which have recently engaged geographers and have led to the development of an alternative approach to the conception, practice, and production of geographic knowledge. Non-representational Theory refers to a key body of work that has emerged in geography over the past two and a half decades that emphasizes the importance of practice, embodiment, materiality, and process to the ongoing formation of social life. This title offers the first sole-authored, accessible introduction to this work and its impact on geography. Without being prescriptive the text provides a general explanation of what Non-representational Theory is. This includes discussion of the disciplinary context it emerged from, the key ideas and themes that characterise work associated with Non-representational Theory, and the theoretical points of reference that inspires it. The book then explores a series of conjunctions of 'Non-representational Theory and...', taking an area of geographic enquiry and exploring the impact Non-representational Theory has had on how it is researched and understood. This includes the relationships between Non-representational Theory and Practice, Affect, Materiality, Landscape, Performance, and Methods. Critiques of Non-representational Theory are also broached, including reflections on issues on identity, power, and difference. The text draws together the work of a range of established and emerging scholars working on the development of non-representational theories, allowing scholars from geography and other disciplines to access and assess the animating potential of such work. This volume is essential reading for undergraduates and post-graduate students interested in the social, cultural, and political geographies of everyday living.

The ultimate collection of soccer's greatest lore and legends, by two of the world's most knowledgeable soccer journalists

Who Invented the Bicycle Kick? is a rollicking run through 100 years of global soccer history that will surprise and delight fans old and new. Veteran soccer journalists Paul Simpson and Uli Hesse bring together the sublime feats, legendary personalities, neglected heroes, bizarre twists of fate, and fascinating mysteries that have shaped the world's most popular game, including: Who invented the bicycle kick? Why does a football match last 90 minutes? Who scored the fastest goal ever? Which match produced the largest number of red cards? Why are seven dead cats buried under a stadium in Argentina? Which team was banned from the World Cup after refusing to play in shoes? Who had the most powerful leg in soccer history?

Providing answers to more than 100 mysteries, Simpson and Hesse explore the beautiful game as never before, shedding new light on legends such as Pele, Maradona, Messi, Beckham, Ronaldo, and Rooney, and uncovering lost histories of international clubs like Manchester United, Chelsea, Barcelona, Liverpool, Arsenal, Real Madrid, Bayern Munich, and more. Challenging conventional wisdom and destroying many urban myths, Who Invented the Bicycle Kick? is a must-read for every soccer lover.

Illustrated with 100 archival photos