Interpretation, Relativism, and Identity: Essays on the Philosophy of Michael Krausz addresses three major philosophical themes: interpretation, relativism, and identity. It does so by focusing on Krausz's distinctive exploration of the relationship between interpretation and ontology, the varieties of relativism, and the interpretive dimension of identity construction. Throughout the years, Krausz has participated in exchanges between people who embrace opposing views about reality, human selves, and the attachments or detachments between them. In these exchanges, life orientations are at stake as much as conceptual distinctions. These exchanges are reflected in a discussion among renowned scholars in philosophy and literary studies not only on Krausz's work but also on the significant philosophical implications of key issues for how we understand the human condition, our commitments and values, the meaning of religious and artistic texts, and the way we make sense of our lives and ourselves. The contributors to this volume engage with all of these concerns in their dialogue with Krausz and with one another. The range and versatility of Krausz's conceptual apparatus can benefit students and scholars with interests in interpretative endeavors, different ontological commitments, and various conceptual priorities and preferences.

Let us take you around a village where time has stood still for over 500 years seen through the eyes of artist Paul Snowdon as he leads you around the village with words on the history and sketches of what you can see. Famous the world over Castle Combe has been voted "the prettiest village in England". This South Cotswold village has retained its heritage from the 15th century, giving an insight into village life from that time. Built during the Cotswold Cloth Boom this village has changed very little since it's medieval hayday. Read on and come with us on an illustrated walk of Castle combe another great book from the Cotswold Publishers Reardon Publishing.

Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise. The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.