The fourth instalment of the car chase laden action franchise starring Vin Diesel. When a crime brings them both back to LA , fugitive ex-con Dominic Toretto (Diesel) reignites his feud with agent Brian O'Connor (Paul Walker). But as the two men find themselves facing a common enemy in the form of a major heroin importer, they are forced to give in to an uncertain new trust in order to infiltrate his operation and out-manoeuvre him.

The Fast And The Furious
On the turbo-charged streets of Los Angeles, every night is a championship race. With intense full-throttle action, awesome high-speed stunts, and full-on pedal to the metal intensity, this fast and furious assault puts you in the driver's seat and dares you to exceed all limits.

2 Fast 2 Furious
Former cop Brian O'Conner teams up with his ex-con pal Roman Pearce to transport a shipment of "dirty" money for a shady Miami-based import/export dealer, while actually working with an undercover agent to bring the dealer down.

The Fast And The Furious: Tokyo Drift
Set in the sexy and colorful underground world of Japanese drift racing, the newest and fastest customized rides go head-to head on some of the most perilous courses in the world.

Fast & Furious 4
It’s been eight years since ex-con Dominic Toretto drove across the Mexican border, committing himself to a fugitive existence. Now, holed up in a beach shack in the Dominican Republic, and living on the run with the sole remnant of his past, Lett, he tries to piece together a new life. But Dominic knows the authorities are always just steps behind him. And, when a tragic death of someone he loves brings Brian O’Conner back to L.A., Dom reignites his feud with the agent. As they are forced to confront a shared enemy, a sociopathic drug kingpin who is flooding the U.S. with lethal product, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him and avenge the tragedy that he caused their small "de facto" family to endure.

Fast & Furious 5
Vin Diesel and Paul Walker lead a reunion of all-stars from every chapter of the explosive franchise built on speed. Fugitive Dom Toretto partners with former cop Brian O'Conner on the opposite side of the law in exotic Rio de Janeiro Brazil. There they are hunted by a high-powered U.S. strike force led by its toughest Fed and an army of corrupt cops working for a ruthless drug kingpin. To gain their freedom and win this ultimate high-stakes race they must pull off one last job - an insane heist worth $100 million.

Fast & Furious 6
Since Dom and Brian's Rio heist toppled a kingpin's empire and left their crew with $100 million, our heroes have scattered across the globe. But their inability to return home and living forever on the lam have left their lives incomplete. Meanwhile, agent Hobbs has been tracking an organization of lethally skilled mercenary drivers across 12 countries, whose mastermind is aided by a ruthless second-in-command revealed to be the love Dom thought was dead, Letty. The only way to stop the criminal outfit is to outmatch them at street level, so Hobbs asks Dom to assemble his elite team in London.

Fast & Furious 7
Vin Diesel, Paul Walker and Dwayne Johnson lead the returning cast across the globe in their most gravity-defying and emotional adventure yet. Targeted by a cold-blooded black-ops assassin with a score to settle, their only hope is to get behind the wheel again and secure an ingenious prototype tracking device. Facing their greatest threat yet in places as far away as Abu Dhabi and as familiar as the Los Angeles streets they call home, the crew must come together once again as a team, and as a family, to protect their own.

Fast & Furious 8
Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game—and the rest of the crew has been exonerated—the globetrotting team has found a semblance of a normal life. But when a mysterious woman seduces Dom into the world of crime he can’t seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before. From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the world’s stage… and to bring home the man who made them a family.

The development of judicial review has been one of law's great growth industries for more than a quarter of a century. It is the public bodies whose activities are routinely subjected to judicial scrutiny which have felt the effects of judicial review most keenly. There has also been a trend in recent years towards judicial review of private bodies whose activities include a public aspect. This has meant a growing awareness,in industry and commerce, of the potential for review of regulatory decisions. In light of the growing importance of this branch of public law, the LSE and Brick Court Chambers decided jointly to host a series of seminars out of which this book has developed. In this important new book expert academics and practitioners (some of them lawyers working in regulated industries) analyse the origins and modern growth of judicial review in the commercial context and attempt to analyse the way in which the law may develop in the future.

John Singleton's sequel to 'The Fast and the Furious' - which brought stardom to Vin Diesel. Diesel decided not to reprise his role but Paul Walker did. Former undercover cop Brian O'Conner (Walker) finds himself on the trail of another group of underground car enthusiasts in an attempt to redeem himself after his illegal escapades in the first movie. This time the location is Miami, where O'Connor has been making money out of street racing, and he is asked to bring down the drugs baron Carter Verone (Cole Hauser) in exchange for erasing his criminal record. Enlisting the help of an ex-con (Tyrese), O'Connor once again finds himself raging through the streets in stolen cars.

John Singleton's sequel to 'The Fast and the Furious' - which brought stardom to Vin Diesel. Diesel decided not to reprise his role but Paul Walker did. Former undercover cop Brian O'Conner (Walker) finds himself on the trail of another group of underground car enthusiasts in an attempt to redeem himself after his illegal escapades in the first movie. This time the location is Miami, where O'Connor has been making money out of street racing, and he is asked to bring down the drugs baron Carter Verone (Cole Hauser) in exchange for erasing his criminal record. Enlisting the help of an ex-con (Tyrese), O'Connor once again finds himself raging through the streets in stolen cars.

Foundations of Organisational Economics: Histories and Theories of the Firm and Production delves into a range of key topics to do with the history of the mainstream approach to the theory of production and the theory of the firm. This includes the frameworks used to analyse production, the division of labour and its application to the firm and the development of the neoclassical model of production. The first topic explored is the change from a normative approach to a largely positive approach to the analysis of the theory of production, which occurred around the seventeenth century. The next topic is an examination of the relationship (or the lack of a relationship) between the division of labour and the theory of the firm. In the fourth chapter, the focus is on the development of the proto-neoclassical approach to production. Here, the development of the theories of monopoly, oligopoly and perfect competition are discussed, as well as the theory of input utilisation. Chapter 5 looks at Marshall's idea of the representative firm, which was the main early neoclassical approach to the theory of industry-level production. The penultimate chapter considers the criticisms made of the neoclassical model between 1940 and 1970. This work is an illuminating reference for students and researchers of the history of economic thought, industrial organisation, microeconomic theory and organisational studies.

Foundations of Organisational Economics: Histories and Theories of the Firm and Production delves into a range of key topics to do with the history of the mainstream approach to the theory of production and the theory of the firm. This includes the frameworks used to analyse production, the division of labour and its application to the firm and the development of the neoclassical model of production. The first topic explored is the change from a normative approach to a largely positive approach to the analysis of the theory of production, which occurred around the seventeenth century. The next topic is an examination of the relationship (or the lack of a relationship) between the division of labour and the theory of the firm. In the fourth chapter, the focus is on the development of the proto-neoclassical approach to production. Here, the development of the theories of monopoly, oligopoly and perfect competition are discussed, as well as the theory of input utilisation. Chapter 5 looks at Marshall's idea of the representative firm, which was the main early neoclassical approach to the theory of industry-level production. The penultimate chapter considers the criticisms made of the neoclassical model between 1940 and 1970. This work is an illuminating reference for students and researchers of the history of economic thought, industrial organisation, microeconomic theory and organisational studies.

The Fatimid empire was a highly sophisticated and cosmopolitan regime that flourished from the beginning of the 10th to the end of the 12th century. Under the enlightened rule of the Fatimid Caliphs, Cairo was founded as the nucleus of an imperium that extended from Arabia in the east to present-day Morocco in the west. Dynamic rulers like the the fourth caliph al-Mu'izz (who conquered Egypt and founded his new capital there) were remarkable not only for their extensive conquests but also for combining secular with religious legitimacy. As living imams of the Ismaili branch of Shi'ism, they exercised authority over both spiritual and secular domains. The sacred dimension of their mandate was manifested most powerfully twice a year, when the imam-Caliphs personally delivered sermons, or khutbas, to their subjects, to coincide with the great feasts and festivals of fast-breaking and sacrifice. While few of these sermons have survived, those that have endured vividly evoke both of the atmosphere of the occasion and the words uttered on it. Paul E. Walker here provides unique access to these orations by presenting the Arabic original and a complete English translation of all the khutbas now extant. He also offers a history of the festival sermons and explores their key themes and rhetorical strategies.

Vin Diesel, Paul Walker and Dwayne Johnson reunite for this seventh instalment in the 'Fast and Furious' action thriller franchise, directed by James Wan. Having received full pardons for their work in taking down terrorist Owen Shaw (Luke Evans) in the last outing, the group, led by Dominic Torreto (Diesel), are now being targeted by Shaw's ex-special forces brother Deckard (Jason Statham). Left with no choice but to defend themselves, it isn't long before Torreto, Hobbs (Johnson), O'Conner (Walker) and the rest of the gang become embroiled in a feud between international terrorists and the US government. The supporting cast also includes Kurt Russell, Ludacris and Tyrese Gibson with Australian female rapper Iggy Azalea making a cameo appearance.

Though he garnered global praise at the peak of his career from 1960 to 1990, Australian architect John Andrews faced waning fame as postmodern cultural transformations challenged modernist design values, and wider social and economic changes led to a withdrawal of government-funded institutional commissions. Yet his body of work is a remarkable achievement that deserves to be better known. Following a path from Australia to the United States and Canada and back again, John Andrews: Architect of Uncommon Sense examines his most important buildings and reveals how the internationalization of architecture during this period was an unexpectedly dispersed geographical phenomenon, following more complex flows and localized progressions than earlier modernist ideas that travelled from center to periphery, metropole to outpost. Andrews negotiated the advent of postmodernism not by ignoring it, but by cultivating approaches that this new era foregrounded—identity, history, place—within the formal vocabularies of modernism. As Andrews assumed wider public roles and took appointments that allowed him to shape architectural education, he influenced design culture beyond his own personal portfolio. This book presents his legacy traversing local and international scenes and exemplifying late-modern developments of architecture while offering both generational continuities and discontinuities with what came after. John Andrews: Architect of Uncommon Sense features essays from Paul Walker, Mary Lou Lobsinger, Peter Scriver and Antony Moulis, Philip Goad, and Paolo Scrivano, along with nearly 100 new photographs from visual artist Noritaka Minami of existing buildings designed by Andrews in North America and Australia.

The theory of the firm did not exist, in any serious manner, until around 1970. Only then did the current theory of the firm literature begin to emerge, based largely upon the work of Ronald Coase and to a lesser degree Frank Knight. It was work by Armen Alchian, Robert Crawford, Harold Demsetz, Michael Jensen, Benjamin Klein, William Meckling and Oliver Williamson, among others, that drove the upswing in interest in the firm among mainstream economists. This accessible book provides a valuable overview of the 'prehistory' of the firm. Spanning an impressive timeline, it delves into Antiquity, the Medieval era, the pre-classical economics period and the 19th and 20th centuries. Next, the book traces the theoretical contributions from pre-classical, classical and neoclassical economics. It will be illuminating reading for students and researchers of the history of economic thought, industrial organization, microeconomic theory and business history.

Vin Diesel and Dwayne Johnson reunite for this sixth instalment in the 'Fast and Furious' action thriller franchise, directed by Justin Lin. After their lucrative Rio heist, and unable to return home, Dom (Diesel) and the rest of his compatriots are forced to kill time lying low in different locations around the world. When DSS agent Hobbs offers Dom and his crew full pardons in return for taking down Owen Shaw (Luke Evans)'s gang of mercenary drivers, the offer seems too good to pass. But as the rivals head for a showdown on the streets of London, Dom learns that Shaw's second-in-command is none other than his presumed dead former lover, Letty (Michelle Rodriguez).

Firms are a ubiquitous feature of the economic landscape, with much of the activity undertaken within an economy taking place within their boundaries. Given the size of the contribution made by firms to economic activity, employment and growth, having a theoretical understanding of the nature and structure of firms is crucial for understanding how an economy functions. The Theory of the Firm firstly offers a brief overview of the past, consisting of a concise discussion of the classical view of production, followed by an outline of the development of the neoclassical - or 'textbook' - approach to firm level production. Secondly, the 'present' of the theory of the firm is discussed in three sections. The first section considers the post-1970 theory of the firm literature per se, while the second section scrutinises the relationship between the three most prominent of the modern sets of theories: the reference point, property rights and transaction cost approaches. The third section looks at the theory of privatisation. The unique aspects of this book includes its discussions of the post-1970 contributions to the theory of the firm; the integration of the theory of the entrepreneur with the theory of the firm; and the theory of privatisation. This volume offers an intuitive introduction to the theories of the firm as well as simple formal models of the most important contributions to the literature. It also outlines the historical evolution of the traditional and modern theories of the firm. This book is of great interest to those who study history of economic thought, industrial economics and organizational studies.

This book moves away from the frameworks that have traditionally guided ethical decision-making in the Western clinical setting, towards an inclusive, non-coercive and, reflective dialogic approach to moral decision-making. Inspired in part by Jurgen Habermas's discourse theory of morality and principles of communicative action, the book offers a proportionist approach as a way of balancing out the wisdom in traditional frameworks, set in the actual reality of the clinical situation at hand. Putting this approach into practice requires having a conversation, a dialogue or a discourse, with collaboration amongst all the stakeholders. The aim of the dialogue is to reach consensus in the decision, via mutual understanding of the values held by the patient and others whom they see as significant. This book aims to underscore the moral philosophical foundations for having a meaningful conversation. Life and Death Decision in the Clinical Setting is especially relevant in our contemporary era, characterised medically by an ever-increasing armamentarium of life-sustaining technology, but also by increasing multiculturalism, a multiplicity of faiths, and increasing value pluralism.

Firms are a ubiquitous feature of the economic landscape, with much of the activity undertaken within an economy taking place within their boundaries. Given the size of the contribution made by firms to economic activity, employment and growth, having a theoretical understanding of the nature and structure of firms is crucial for understanding how an economy functions. The Theory of the Firm firstly offers a brief overview of the past, consisting of a concise discussion of the classical view of production, followed by an outline of the development of the neoclassical - or 'textbook' - approach to firm level production. Secondly, the 'present' of the theory of the firm is discussed in three sections. The first section considers the post-1970 theory of the firm literature per se, while the second section scrutinises the relationship between the three most prominent of the modern sets of theories: the reference point, property rights and transaction cost approaches. The third section looks at the theory of privatisation. The unique aspects of this book includes its discussions of the post-1970 contributions to the theory of the firm; the integration of the theory of the entrepreneur with the theory of the firm; and the theory of privatisation. This volume offers an intuitive introduction to the theories of the firm as well as simple formal models of the most important contributions to the literature. It also outlines the historical evolution of the traditional and modern theories of the firm. This book is of great interest to those who study history of economic thought, industrial economics and organizational studies.

Born into slavery in Hampton County, Virginia, orphaned soon thereafter, and raised for almost two years among Native Americans, the charismatic Rev. Peter Thomas Stanford (c. 1860-May 20, 1909) rose from humble and challenging beginnings to emerge as an inventive and passionate activist and educator who championed social justice. During the post- Reconstruction era and early twentieth century, Stanford traversed the United States, Canada, and England advocating for the rights of African Americans, including access to educational opportunities; attainment of the full rights and privileges of citizenship; protections from racial violence, social stereotyping, and a predatory legal system; and recognition of the artistic contributions that have shaped national culture and earned global renown. His imprint on working-class urban residents, Afro-Canadian settlements, and African American communities survives in the institutions he led and the works that presented his imaginative, literate, ardent, and often comic voice. With a reflection by Highgate Baptist Church's former pastor, Rev. Dr. Paul Walker, this collection highlights Stanford's writings: sermons, lectures, newspaper columns, entertainments, and memoirs. Editors Barbara McCaskill and Sidonia Serafini annotate his life and work throughout the volume, placing him within the context of his peers as a writer and editor. As an American expatriate, Stanford was seminal in redirecting antislavery activism into an international antilynching movement and a global campaign to dismantle slavery and slave trading. This book squarely inserts this influential thinker and activist in the African American literary canon.

Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.

The theory of the firm did not exist, in any serious manner, until around 1970. Only then did the current theory of the firm literature begin to emerge, based largely upon the work of Ronald Coase and to a lesser degree Frank Knight. It was work by Armen Alchian, Robert Crawford, Harold Demsetz, Michael Jensen, Benjamin Klein, William Meckling and Oliver Williamson, among others, that drove the upswing in interest in the firm among mainstream economists. This accessible book provides a valuable overview of the ‘prehistory’ of the firm. Spanning an impressive timeline, it delves into Antiquity, the Medieval era, the pre-classical economics period and the 19th and 20th centuries. Next, the book traces the theoretical contributions from pre-classical, classical and neoclassical economics. It will be illuminating reading for students and researchers of the history of economic thought, industrial organization, microeconomic theory and business history.