The volume documents, and makes an original contribution to, an astonishing period in twentieth-century philosophy the progress of Arne Naess's ecophilosophy from its inception to the present. It includes Naess's most crucial polemics with leading thinkers, drawn from sources as diverse as scholarly articles, correspondence, TV interviews and unpublished exchanges. The book testifies to the skeptical and self-correcting aspects of Naess's vision, which has deepened and broadened to include third world and feminist perspectives. Philosophical Dialogues is an essential addition to the literature on environmental philosophy.

What is the source of Norway's culture of environmental harmony in our troubled world? Exploring the role of Norwegian scholar-activists of the late twentieth century, Peder Anker examines how they portrayed their country as a place of environmental stability in a world filled with tension. In contrast with societies dirtied by the hot and cold wars of the twentieth century, Norway's power, they argued, lay in the pristine, ideal natural environment of the periphery. Globally, a beautiful Norway came to be contrasted with a polluted world and fashioned as an ecological microcosm for the creation of a better global macrocosm. In this innovative, interdisciplinary history, Anker explores the ways in which ecological concerns were imported via Rachel Carson's Silent Spring in 1962, then to be exported from Norway back to the world at the Earth Summit in Rio de Janeiro in 1992. This title is also available as Open Access on Cambridge Core.

The volume documents, and makes an original contribution to, an astonishing period in twentieth-century philosophy the progress of Arne Naess's ecophilosophy from its inception to the present. It includes Naess's most crucial polemics with leading thinkers, drawn from sources as diverse as scholarly articles, correspondence, TV interviews and unpublished exchanges. The book testifies to the skeptical and self-correcting aspects of Naess's vision, which has deepened and broadened to include third world and feminist perspectives. Philosophical Dialogues is an essential addition to the literature on environmental philosophy.

What is the source of Norway's culture of environmental harmony in our troubled world? Exploring the role of Norwegian scholar-activists of the late twentieth century, Peder Anker examines how they portrayed their country as a place of environmental stability in a world filled with tension. In contrast with societies dirtied by the hot and cold wars of the twentieth century, Norway's power, they argued, lay in the pristine, ideal natural environment of the periphery. Globally, a beautiful Norway came to be contrasted with a polluted world and fashioned as an ecological microcosm for the creation of a better global macrocosm. In this innovative, interdisciplinary history, Anker explores the ways in which ecological concerns were imported via Rachel Carson's Silent Spring in 1962, then to be exported from Norway back to the world at the Earth Summit in Rio de Janeiro in 1992. This title is also available as Open Access on Cambridge Core.

Global warming and concerns about sustainability recently have pushed ecological design to the forefront of architectural study and debate. As Peder Anker explains in From Bauhaus to Ecohouse, despite claims of novelty, debates about environmentally sensitive architecture have been ongoing for nearly a century. By exploring key moments of inspiration between designers and ecologists from the Bauhaus projects of the interwar period to the eco-arks of the 1980s, Anker traces the historical intersection of architecture and ecological science and assesses how both remain intertwined philosophically and pragmatically within the still-evolving field of ecological design.

The idea that science could improve human life attracted architects and designers who looked to the science of ecology to better their methodologies. Walter Gropius, the founder of the Bauhaus school, taught that designed form should follow the laws of nature in order to function effectively. With the Bauhaus movement, ecology and design merged and laid the foundation of modernist architecture.

Anker discusses in detail how the former faculty members of the Bauhaus school -- including L?szl? Maholy-Nagy and Herbert Bayer -- left Nazi Germany in the mid-1930s and engaged with ecologists during their "London period" and in the U.S. A subsequent generation of students and admirers of Bauhaus, such as Richard Buckminster Fuller and Ian McHarg, picked up their program, and -- under the general banner of merging art and science in the design process -- Bauhaus-minded architects began to think ecologically while some ecologists lent their ideas to design.

Anker charts complicated currents of ecological design thought spanning pre-- and post--World War II and through the cold war, including pivotal changes such as the emergence of space exploration and new theories on closed-system living in space capsules, space stations, and planetary colonies. Space ecology, Anker explains, inspired leading landscape designers of the 1970s, who used the imagined life of astronauts as a model for how humans should live in harmony with nature. Theories of how to design for extraterrestrial living impacted design and ecological thinking for earth-based living as well, as evidenced in Disney's Spaceship Earth attraction as well as in the Biosphere 2 experiments in Arizona in the early 1990s.

Illuminating important connections between theories about the relationship between humans and the built environment, Anker's provocative study provides new insight into a critical period in the evolution of environmental awareness.

From 1895 to the founding of the United Nations in 1945, the promising new science of ecology flourished in the British Empire. Peder Anker asks why ecology expanded so rapidly and how a handful of influential scientists and politicians established a tripartite ecology of nature, knowledge, and society.

Patrons in the northern and southern extremes of the Empire, he argues, urgently needed tools for understanding environmental history as well as human relations to nature and society in order to set policies for the management of natural resources and to effect social control of natives and white settlement. Holists such as Jan Christian Smuts and mechanists such as Arthur George Tansley vied for the right to control and carry out ecological research throughout the British Empire and to lay a foundation of economic and social policy that extended from Spitsbergen to Cape Town.

The enlargement of the field from botany to human ecology required a broader methodological base, and ecologists drew especially on psychology and economy. They incorporated those methodologies and created a new ecological order for environmental, economic, and social management of the Empire.