From the 1950s through the 1970s, blue-collar Filipino Americans, or Pinoys, lived a hardscrabble existence. Immigrant parents endured blatant racism, sporadic violence, and poverty while their US-born children faced more subtle forms of racism, such as the low expectations of teachers and counselors in the public school system. In this collection of autobiographical essays, acclaimed novelist and short-story writer Peter Bacho centers the experiences of the Pinoy generation that grew up in Seattle's multiethnic neighborhoods, from the Central Area to Beacon Hill to Rainier Valley. He recounts intimate moments of everyday life: fishing with marshmallows at Madison Beach, playing bruising games of basketball at Madrona Park, and celebrating with his uncles in Chinatown as hundreds of workers returned from Alaska canneries in the fall. He also relates vivid stories of defiance and activism, including resistance to the union-busting efforts of the federal government in the 1950s and organizing for decent housing and services for elders in the 1970s. Sharing a life inextricably connected to his community and the generation that came before him, this memoir is a tribute to Filipino Seattle.

"I may have been like other boys, but there was a major difference -- my family included 80 to 100 single young men residing in a Filipino farm-labor camp. It was as a 'campo' boy that I first learned of my ancestral roots and the sometimes tortuous path that Filipinos took in sailing halfway around the world to the promise that was America. It was as a campo boy that I first learned the values of family, community, hard work, and education. As a campo boy, I also began to see the two faces of America, a place where Filipinos were at once welcomed and excluded, were considered equal and were discriminated against. It was a place where the values of fairness and freedom often fell short when Filipinos put them to the test.""-- Peter Jamero Peter Jamero's story of hardship and success illuminates the experience of what he calls the "bridge generation" -- the American-born children of the Filipinos recruited as farm workers in the 1920s and 30s. Their experiences span the gap between these early immigrants and those Filipinos who owe their U.S. residency to the liberalization of immigration laws in 1965. His book is a sequel of sorts to Carlos Bulosan's America Is in the Heart, with themes of heartbreaking struggle against racism and poverty and eventual triumph. Jamero describes his early life in a farm-labor camp in Livingston, California, and the path that took him, through naval service and graduate school, far beyond Livingston. A longtime community activist and civic leader, Jamero describes decades of toil and progress before the Filipino community entered the sociopolitical mainstream. He shares a wealth of anecdotes and reflections from his career as an executive of health and human service programs in Sacramento, Washington, D.C., Seattle, and San Francisco.

"I may have been like other boys, but there was a major difference -- my family included 80 to 100 single young men residing in a Filipino farm-labor camp. It was as a 'campo' boy that I first learned of my ancestral roots and the sometimes tortuous path that Filipinos took in sailing halfway around the world to the promise that was America. It was as a campo boy that I first learned the values of family, community, hard work, and education. As a campo boy, I also began to see the two faces of America, a place where Filipinos were at once welcomed and excluded, were considered equal and were discriminated against. It was a place where the values of fairness and freedom often fell short when Filipinos put them to the test.""-- Peter Jamero Peter Jamero's story of hardship and success illuminates the experience of what he calls the "bridge generation" -- the American-born children of the Filipinos recruited as farm workers in the 1920s and 30s. Their experiences span the gap between these early immigrants and those Filipinos who owe their U.S. residency to the liberalization of immigration laws in 1965. His book is a sequel of sorts to Carlos Bulosan's America Is in the Heart, with themes of heartbreaking struggle against racism and poverty and eventual triumph. Jamero describes his early life in a farm-labor camp in Livingston, California, and the path that took him, through naval service and graduate school, far beyond Livingston. A longtime community activist and civic leader, Jamero describes decades of toil and progress before the Filipino community entered the sociopolitical mainstream. He shares a wealth of anecdotes and reflections from his career as an executive of health and human service programs in Sacramento, Washington, D.C., Seattle, and San Francisco.

This remarkable first novel follows the struggle of Ben Lucero, a young Filipino American priest who must come to terms with his bifurcated notion of home as well as his own religious commitment. Ben's first visit to the city of Cebu in the Philippines, for his mother's burial, becomes the occasion of his corruption when he is confronted with the manipulative wiles of two enigmatic women, his powerful Aunt Clara and her glamorous young business associate, Ellen. Ben is inherently corruptible, but his moment of truth is advanced by what he sees as a perversion of Catholicism, namely the crucifixion as a means of bargaining with God. Despair, guilt, and their religious corollary, the need for redemption, follow Ben back to Seattle, where he attempts to unravel his existential dilemma.

Bacho's vision is darkly comic, and he refuses to sentimentalize his demanding material. He conveys his vision well, balancing aphoristic meditations with the oblique revelations of funny, vivid, believable dialogue. His complex and timely message is underscored with skillful irony; even the denouement has an ambiguous twist, raising as many questions as answers.

The fiction of Carlos Bulosan and Bienvenido N. Santos has long been valued for its depiction of the lives of Filipino immigrants; this book tells the story of those immigrants' American-born sons and daughters. Bach's dramatization of the conflict between Filipino and Filipino American cultures conveys the concerns of the post-World War II generation with boldness and skill.

""Cebu" is a passionate and sensuous portrayal of Filipino American life and identity." - Shawn Wong, co-editor of "Aiiieeee An Anthology of Asian American Writers" and author of "Homebase."