From his theatrical early canvases to his more recent photographic collages and operatic set designs, Hockney has tackled the challenge of space on a grand scale. At the same time, much of his work has been devoted to the things most dear to him-friends, family, home, and studio. An intellectual of wide-ranging erudition and a world traveller who makes his home in Hollywood, he still cherishes his roots in Bradford, the northern British town where he was born in 1937. Invention, the driving force behind Hockney's art, is in good part play: "If art isn't playful," he once commented, "it's nothing." This illuminating, colour-rich volume conveys with vivid clarity Hockney's serious delight in making art that gives pleasure to both its creator and its audience. About the Modern Masters series: With informative, enjoyable texts and over 100 illustrations - approximately 48 in full colour - this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

One of the first books in our new Basics of Sculpture series. This aims to give the beginner a broad basic knowledge of how to sculpt in wood. Step-by-step photos illustrate how to go about it, and machinery is kept to a minimum so that the beginner can make several pieces on a slim budget with just a few tools. The book is filled with projects of increasing difficulty so that the reader can progress in his or her skill level. The projects gradually become more difficult, and in the final project power tools are introduced. This project is also laid out as a hand tools project, so the reader can see the differences and choose which way to do it. The book also covers the basics needed for getting started: sourcing materials, choosing a suitable wood for the project and planning the project. Possible treatments for finishing off the piece at the end are also recommended, such as using abrasives, repairing blemishes, and colouring, staining or decorating the surface. Essentially a complete guide on sculpting in wood for the beginner upwards.