The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The publication of the 44-volume Works of Daniel Defoe continues with this collection of Defoe's satirical poetry and fantasy writings, and writings on the supernatural.

The period from the Renaissance to the Enlightenment constitutes a vital phase in the history of European medicine. Elements of continuity with the classical and medieval past are evident in the ongoing importance of a humor-based view of medicine and the treatment of illness. At the same time, new theories of the body emerged in the seventeenth and eighteenth centuries to challenge established ideas in medical circles. In recent years, scholars have explored this terrain with increasingly fascinating results, often revising our previous understanding of the ways in which early modern Europeans discussed the body, health and disease. In order to understand these and related processes, historians are increasingly aware of the way in which every aspect of medical care and provision in early modern Europe was shaped by the social, religious, political and cultural concerns of the age.

The evolution and reception of the Renaissance was mediated by developments in various other spheres of early modern life and culture. Foremost among these were the religious changes initiated by the Protestant Reformation, which are discussed in the opening chapters of this book. Religious and cultural developments in Germany are contrasted with sixteenth-century Spain and are further explored through the study of the picaresque novel Lazarillo de Tormes. The place of Renaissance science or natural philosophy is also the subject of critical evaluation in this book. Case studies on the anatomical revolution, Galileo and court patronage, and Paracelsus illustrate new approaches in the field. Subsequent chapters explore the Renaissance fascination with witchcraft and demonology in both learned discourse (Pico's Strix) and popular drama (The Witch of Edmonton). The volume concludes with a study of one of the most influential and provocative writers of the sixteenth century, Michel de Montaigne, whose Essays provide stimulating material for a reassessment of the impact of the Renaissance on contemporary thought. This volume is the third in a series of three texts designed for the Open University course The Renaissance in Europe: A Cultural Enquiry.

In 1666 Valentine Greatrakes achieved brief but widespread fame as a miracle healer. Dubbed the 'Stroker', he is widely believed to have touched and cured thousands of men, women, and children suffering from a large range of acute diseases and chronic conditions. His actions attracted the attention of the King, Charles II, as well as other eminent figures at court and in the various institutions of government and learning, including the newly founded Royal Society. However, there was little consensus as to the nature and origin of his gift and, following a brief period of intense lobbying on his behalf, he retired to Ireland and relative obscurity. Most histories of this period rarely grant the strange events surrounding the appearance of Greatrakes much more than an occasional footnote. Here, however, for the first time the compelling story of Greatrakes the man, and his place in the history of seventeenth-century Britain, is told in full for the first time. Based on extensive research in Irish and English archives, it reveals a fascinating account of one man's engagement with, and response to, some of the most important events of the period, including the Irish Rebellion of 1641, the English civil wars, the Cromwellian Conquest of Ireland, and the Restoration of 1660. In the process, it shows how Greatrakes' claims to heal the bodies of the sick and maimed were in large part a response to broader divisions within the fractured body politic of Britain - an approach that was enthusiastically received by many prominent figures in church and state who were eager to seek reconciliation and rapprochement in the early years of the Restoration.

This series of three course texts and two anthologies, published in association with the Open University, under the title The Renaissance: A Cultural Enquiry, explores the Renaissance from the perspectives of history, literature, drama, religion, the history of art, philosophy, music, and political thought. Three of the books are published now; two more volumes will be published in the fall of 2000. Together the books provide students and general readers with an unprecedented analysis of this vital period.

The Renaissance, as both a period and a concept, continues to generate lively debate about its origins and influence on European culture and thought. Recent research has emphasized the need to look again at original texts, documents, and artifacts. Any new evaluation of the historical significance of the Renaissance requires attention to these kinds of primary evidence. This anthology responds to the impetus with an important collection of primary sources, selected to reflect the richness and wide variety of Renaissance studies.

The original texts are arranged thematically, and each is introduced by a brief headnote describing the author and the source. Sections of the volume are devoted to humanism and its impact on music, philosophy, and politics; Renaissance court culture; poetry and drama in Renaissance Britain; the Reformation; and science, magic, and witchcraft. Some of the texts are short and familiar, others -- such as an early sixteenth-century demonology by Italian humanist Gianfrancesco Pico della Mirandola -- appear here in translation for the first time. The anthology is illustrated throughout.