This book draws attention to the issues of Indigenous justice and reconciliation in Taiwan, exploring how Indigenous actors affirm their rights through explicitly political and legal strategies, but also through subtle forms of justice work in films, language instruction, museums, and handicraft production. Taiwan's Indigenous peoples have been colonized by successive external regimes, mobilized into war for Imperial Japan, stigmatized as primitive "mountain compatriots" in need of modernization, and instrumentalized as proof of Taiwan's unique identity vis-a-vis China. Taiwan's government now encapsulates them in democratic institutions of indigeneity. This volume emphasizes that there is new hope for real justice in an era in which states and Indigenous peoples seek meaningful forms of reconciliation at all levels and arenas of social life. The chapters, written by leading Indigenous, Taiwanese, and international scholars in their respective fields, examine concrete situations in which Indigenous peoples seek justice and decolonization from the perspectives of territory and sovereignty, social work and justice. Illustrating that there is new hope for real justice in an era in which states and Indigenous peoples seek meaningful forms of reconciliation, this book is an invaluable resource for students and scholars of Taiwan Studies, Indigenous Studies, and Social Justice Studies.

The peoples of Taiwan have been influenced by many different cultures and migrations throughout the island's history. In the 20th and early 21st centuries especially it has been a stage for cultural and ethnic conflict, not least because of the arrival of mainland Chinese fleeing the Chinese Communist Revolution. The subsequent tensions between those who see Taiwan as a natural territory of China and those who would prefer to see it remain independent have brought to the fore questions of what it is to be 'Taiwanese'. This book addresses the question of how Taiwanese identities have changed after the Taiwanization process which began in the 1990s. It also examines the impact of this process on cross-strait relations between Taiwan and the People's Republic of China after the return of the Kuomintang to power after 2008 and the Sunflower movement in 2014. The various contributors between them cover a range of topics including the waves of migration to Taiwan, changes of political regimes, generational differences and social movements. Taken as a whole, this book presents a nuanced picture of the patchwork of identities which exist in contemporary Taiwan.

The peoples of Taiwan have been influenced by many different cultures and migrations throughout the island's history. In the 20th and early 21st centuries especially it has been a stage for cultural and ethnic conflict, not least because of the arrival of mainland Chinese fleeing the Chinese Communist Revolution. The subsequent tensions between those who see Taiwan as a natural territory of China and those who would prefer to see it remain independent have brought to the fore questions of what it is to be 'Taiwanese'. This book addresses the question of how Taiwanese identities have changed after the Taiwanization process which began in the 1990s. It also examines the impact of this process on cross-strait relations between Taiwan and the People's Republic of China after the return of the Kuomintang to power after 2008 and the Sunflower movement in 2014. The various contributors between them cover a range of topics including the waves of migration to Taiwan, changes of political regimes, generational differences and social movements. Taken as a whole, this book presents a nuanced picture of the patchwork of identities which exist in contemporary Taiwan.

EMOA SPACE CHELSEA, QUARTERLY MAGAZINE. Introduce emerging artists participating group exhibition hosted by EMOA.

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