Monteath examines the international literature of the Spanish Civil War across the entire range of the political spectrum, from anarchism to nazism. Utilizing this approach he is able to highlight the extraordinary creative potential of a period in which political and aesthetic practice were almost inseparable. It is widely recognized that there was an extraordinarily high level of political commitment in the literature of the 1930s in general, and of the Spanish Civil War in particular. Writers as well as the general public seemed to interpret the world very much in political terms, and they sought in political ideologies, such as fascism and communism, the answers to the pressing problems of the age. Monteath examines the fiction, non-fictional prose texts, poetry, and drama of the period across the entire range of the political spectrum to assess the impact of political commitment on literature. While an opening chapter establishes the political background to the war, subsequent chapters are structured around the question of the relationship between literature and a particular political ideology, moving from Right to Left across the spectrum. Monteath confirms the inadequacy of the notion that the Spanish Civil War was simply a war between two sides. He shows that there are a number of themes which transcend political boundaries. Beyond those, however, it is evident that the substantive interests expressed in the literature of the war vary not only from one side of the political spectrum to the other, but also within the two opposing camps, and in particular within the Left. Monteath examines these variations and the politically based reasons for their existence in detail. An important work for all students and scholars of the Spanish Civil War and the literature of the twentieth century.

This bibliography is the first attempt to establish a comprehensive list of secondary material relating to the Spanish Civil War in literature, film, and art. It includes books, articles, and chapters in a wide range of languages, including Spanish, English, Russian, French, German, and Italian. Monteath begins the work with an introductory essay surveying the breadth of the scholarship on the cultural manifestations of the war, which he places in its broader cultural-historical context. The bibliography is organized alphabetically within sections devoted to literature, film, and art, and a general subject index completes the work. Anyone interested in the fiction of Hemingway, the film of Ivens, the art of Picasso, and many of the key figures in Western culture of the 1930s will find this work of value.

With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering 'savage worlds'. -- .

This book explores the place of China and the Chinese during the age of imperialism. Focusing not only on the state but also on the vitality of Chinese culture and the Chinese diaspora, it examines the seeming contradictions of a period in which China came under immense pressure from imperial expansion while remaining a major political, cultural and demographic force in its own right. Where histories of China commonly highlight episodes of conflict and subjugation in China's relations with the West, the contributions to this volume explore the complex spaces where empires and their peoples did not merely collide but also became entangled.

This book explores the place of China and the Chinese during the age of imperialism. Focusing not only on the state but also on the vitality of Chinese culture and the Chinese diaspora, it examines the seeming contradictions of a period in which China came under immense pressure from imperial expansion while remaining a major political, cultural and demographic force in its own right. Where histories of China commonly highlight episodes of conflict and subjugation in China's relations with the West, the contributions to this volume explore the complex spaces where empires and their peoples did not merely collide but also became entangled.

With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants, and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering 'savage worlds'. -- .

Fred Rose's life takes us through rip-roaring tales from Australia's northern frontier to enthralling intellectual tussles over kinship systems and political dramas as he runs rings around his Petrov inquisitors. More than any other injustice, the abuse of Aborigines leads him into the Communist Party in 1942. His move to academic life in what he insisted on calling the German Democratic Republic made him a dissident against anthropological orthodoxies in the Soviet Bloc as he had been in Australia. Those final three decades also see his informing on his children to his Stasi handlers. Out of relentless research, Peter Monteath and Valerie Munt present an engrossing portrait of the short twentieth century from Rose's birth during the Great War to his death in Berlin shortly after the Wall comes down. The result is unputdownable for its sweep of events while causing us to reflect on how someone can be heroic and horrendous, appalling and admirable.

From Beehive Corner and Bert Flugelman's polished balls in Rundle Mall to the vineyards, churches and cemeteries of the Barossa Valley, tangible signs of South Australia's Germans are everywhere to be seen. Too often, however, 'the Germans' are regarded as a single group in the state's history. The truth is more complex and intriguing. Those who came during the colony's first decades mostly spoke a common language, but were divided by differences of country, culture and class. They were farmers from Silesia and Brandenburg, missionaries from Dresden, liberals from Berlin, merchants from Hamburg, miners from the Harz mountains or erudite graduates from some of the best universities in the world. They brought an astonishing variety of knowledge and talents, and were destined to make a difference in many fields. No less varied have been the experiences of their descendants and more recent arrivals. Germans have been praised as model citizens, even as over-achievers. But at times they have also been accused of divided loyalties or barefaced treachery. The essays gathered here explore the multiple origins, experiences and contributions of Germans in South Australia over some 175 years. Part celebration and part sober assessment, this book helps make sense of South Australia today.