On September 3, 1984 in Sharpeville, South Africa, a peaceful demonstration about rent erupted into a bloody battle between white police and black residents. The Apartheid government arrested, tried, and sentenced to death six people for allegedly killing a town councillor. After an unprecedented international campaign, the prisoners were ultimately granted clemency and released.

In the Shadow of Sharpeville explores the case in comprehensive, personal detail. Among the "Sharpeville Six" was Francis Mokhesi, whose sister, Joyce Mokhesi-Parker and coauthor, Peter Parker, here scrutinize the crime and its investigation by the police, the prosecution's case, and the response of the defense. They argue convincingly that the convictions were obtained because of the inventiveness of the judge and the selective attention paid to the evidence. The authors further examine the corrupting effect of the system on its victims, using Francis Mokhesi's letters from death row to show how an individual responds to the pain and fear of impending execution.

In the Shadow of Sharpevill reveals the obduracy of a regime which refused to understand how indefensible its behavior had become and which still believed that a state could declare war on its people and win.

The authors take a scalpel to South Africa's system of criminal justice during the Apartheid era. They focus on the case of the Sharpeville Six to analyse how criminal justice was used to make convictions easy to secure. Analysing the technicalities of the criminal law, as well as the quality of evidence and judicial reasoning in the case against the Six, Parker and Mokhesi-Parker also convey vividly through letters from death row, the sense these people made of their impending executions and how an international campaign to save their lives succeeded with only 18 hours to spare.

The authors take a scalpel to South Africa's system of criminal justice during the Apartheid era. They focus on the case of the Sharpeville Six to analyse how criminal justice was used to make convictions easy to secure. Analysing the technicalities of the criminal law, as well as the quality of evidence and judicial reasoning in the case against the Six, Parker and Mokhesi-Parker also convey vividly through letters from death row, the sense these people made of their impending executions and how an international campaign to save their lives succeeded with only 18 hours to spare.

Born into the English landed gentry, the heir to a substantial country estate, Christopher Isherwood ended up in California, an American citizen and the disciple of a Hindu swami. En route, he became a leading writer of the 1930's generation, an unmatched chronicler of pre-Hitler Berlin, an experimental dramatist, a war reporter, a travel writer, a pacifist, a Hollywood screenwriter, a monk, and a grand old man of the emerging gay liberation movement. In this biography, the first to be written since Isherwood's death, and the only one with access to all Isherwood's papers, Peter Parker traces the long journey of a man who never felt at home wherever he lived. Isherwood's travels were a means of escape: from his family, his class, his country, and the dead weight of the past. Parker reveals the truth about Isherwood's relationship with his war-hero father, his strong-willed mother, and his disturbed younger brother, Richard, who was also homosexual. He also draws upon a vast number of letters to describe Isherwood's complicated relationships with such lifelong friends as W. H. Auden, Stephen Spender, Edward Upward and John Lehmann. The result is a frank portrait of contradictions, a man searching for meaning in life, and one of the twentieth century's most significant writers.

Why is it that for many people 'England' has always meant an unspoilt rural landscape rather than the ever-changing urban world in which most English people live? What was the 'England' for which people fought in two world wars? What is about the English that makes them constantly hanker for a vanished past, so that nostalgia has become a national characteristic? In March 1896 a small volume of sixty-three poems was published by the small British firm of Kegan Paul, Trench, Trubner & Co. Ltd in an edition of 500 copies, priced at half-a-crown each. The author was not a professional poet, but a thirty-seven-year-old professor of Latin at University College, London called Alfred Edward Housman who had been obliged to pay GBP30 towards the cost of publication. Although slow to sell at first, A Shropshire Lad went on to become one of the most popular books of poetry ever published and has never been out of print. As well as being a publishing phenomenon, the book has had an influence on English culture and notions of what 'England' means, both in England itself and abroad, out of all proportion to its apparent scope. Housman Country will not only look at how A Shropshire Lad came to be written and became a publishing and cultural phenomenon, but will use the poems as a prism through which to examine England and Englishness. The book contains a full transcript of A Shropshire lad itself, also making it a superb present.

Long unavailable, this acclaimed book traces the history of an ideal and examines its effect on the lives of those caught up in the First World War. Rupert Brooke's apparent enthusiasm for the War in 1914 was echoed throughout England, particularly by young men who had been educated in a gentlemanly tradition of patriotism, chivalry and sportsmanship at their public schools. These codes had also trickled down through society thanks to the school stories that appeared in popular boys' magazines, and to the missions and boys' clubs run by the schools and universities in the poorer parts of the country. Drawing upon a wealth of material, Peter Parker's fascinating book traces the growth and dissemination of what Wilfred Owen dismissed as 'the old lie' in his poem "Dulce Et Decorum Est." It also explores the wide variety of responses to the war--from celebration to denigration, from patriotic acquiescence to bitter rebellion--as they were reflected in the poetry, plays and prose of the period. The Old Lie unearths some truly bizarre notions about education and warfare and illuminatingly re-examines the literature of the First World War by placing it in its historical and social perspective.