Although many teenagers these days would tell you there is nothing more exciting than being a vampire, Jerne Volt Ampere is not ready to embrace her destiny; she would much rather spend her time writing children's books than sucking the blood of the innocent. Unfortunately this doesn't satisfy her 200-year old grandmother, with whom Jerne lives in the attic of an old house in Budapest. Jerne finds a job in a small publishing house but her stories are deemed too cruel and obscene for children. At home, her grandmother grows increasingly impatient with Jerne's reluctance to accept her vampiric legacy, and begins to concoct a scheme to make her granddaughter a true vampire. This two-part novel tells a story of love, death and one girl's passion to overcome her destiny, set against the backdrop of contemporary Hungary.

Andric and his girlfriend Laura have been seeing each other for a long time now but it isn't clear what each sees in the other. Self-absorbed, delusional or just a regular couple? 'Big Love is primarily a critique of contemporary society, in which the triumph of liberal democracy has increased rather than diminished the Kafkaesque aspects of life.' - Charles Sabatos.

The reader arrives in Adam Bodor's world, the periphery of civilization, at the break of dawn. Adam, the foster son of Brigadier Anatol Korkodus is waiting at the dilapidated station for a boy who is arriving from a reformatory. Soon afterwards, Korkodus is arrested for unfathomable reasons. Yet this decaying and sinister world is not devoid of a certain joie de vivre: people eat gourmet dishes, point out their interlocutor's hidden motives with incredibly dark humor and enjoy the region's stunning natural beauty.

Traditional African narrative forms combined with European modernism.   The stories comprising The Healer, Marek Vadas’s first collection, which was originally published in 2006, are steeped in the culture, rituals, and traditions of Africa, blurring the boundaries between dream and reality and peopled with characters whose gender, shape, skin color or even memories may change at a stroke. Nevertheless, Vadas refuses to exoticize this world, and many of the stories, told in pared-down language, blend mythical elements with realistic depictions of harsh living conditions, economic deprivation, and colonial oppression. The narratives unfold from the perspective of their protagonists—children (often orphaned), and men struggling to make ends meet and trying in vain to resist the allure of strong women endowed with magic powers. As a Slovak writer focusing on the African continent, Vadas is a rare voice that helps to build bridges between very different cultures, and now his writing is introduced to the global anglophone readership.  

The reader arrives in Adam Bodor's world, the periphery of civilization, at the break of dawn. Adam, the foster son of Brigadier Anatol Korkodus is waiting at the dilapidated station for a boy who is arriving from a reformatory. Soon afterwards, Korkodus is arrested for unfathomable reasons. Yet this decaying and sinister world is not devoid of a certain joie de vivre: people eat gourmet dishes, point out their interlocutor's hidden motives with incredibly dark humor and enjoy the region's stunning natural beauty.

Blanka takes a summer job at a centre for people with physical disabilities in the French city of Marseille, where her encounter with their severe conditions ends badly. A deeply unsettling, visceral tale of a young woman unravelling, evolving from carer to cared for. A novel about our own inability to escape 'our own private cages', imprisoned by fear, anxiety and mistrust, no less than indifference to others. The author: IVANA DOBRAKOVOVA (1982) graduated from Bratislava's Comenius University with a degree in English and French (translation and interpretation). She is based in Turin where she works as a freelance translator from French and Italian into Slovak, currently working on Elena Ferrante's Neapolitan novels. She debuted in 2009 with her short story collection Prva smrt v rodine (The First Death in the Family), followed by the novel Bellevue (2010). Her most recent collection of short stories Toxo appeared in 2013. She has won several literary competitions, including Poviedka 2008, and all three of her books have been shortlisted for the Anasoft Litera prize. In 2019, she was awarded the EU Prize for Literature.

It is 1984 and a small town somewhere in the east of the Czechoslovak Socialist Republic is in the firm grip of totalitarianism. Unruly and sickly Karolína is growing up in an all-female household including her hot-blooded, knife-wielding grandmother. Repelled by her mum’s serial love affairs Karolína runs away and stumbles upon a riding school on the edge of town. There, she befriends Romana, a girl with one leg shorter than the other and Matilda, a rider and trainer who helps the two girls overcome their physical limitations. Together they found a successful trick-riding team and soon it seems that half flags, mills and scales are not the only tricks flashing like blades up her sequinned sleeve as Karolína explores Pink Floyd and smoking, and discovers her knack for seeing deep into others’ souls. The fall of the Iron Curtain in 1989 and the subsequent arrival of capitalism threatens to destroy the riding school. The team has to turn professional. But in a sport of perfect scores is there still room for Romana and Karolína...? The Equestrienne is a poetic, caustic coming-of-age novel about the desire of one young girl to realise her dreams before and after Velvet Revolution; it is a celebration of friendship between women and also a bitter acknowledgement that greed and the desire for power can destroy any relationship.

Balla is often described as "the Slovak Kafka" for his depictions of the absurd and the mundane. In the Name of the Father features a nameless narrator reflecting on his life, looking for someone else to blame for his failed relationship with his parents and two sons, his serial adultery, the breakup of his marriage and his wife's descent into madness. Against the backdrop of their stiflingly grey provincial lives, he completely fails to act against "the thing" growing in the cellar of the house he built with his brother. The book won numerous awards in Slovakia and in this edition is accompanied by three additional short stories, which share its unique dark humour, satire and truth.

When in 1705 Kornell Csillag's grandfather returns destitute to his native Hungary from exile, he happens across a gold fob-watch gleaming in the mud. The shipwrecked fortunes of the Csillag family suddenly take a new and marvelous turn. The golden watch brings an unexpected gift to the future generations of firstborn sons: clairvoyance. Passed down from father to son, this gift offers the ability to look into the future or back into history-for some it is considered a blessing, for others a curse. No matter the outcome, each generation records its astonishing, vivid, and revelatory visions into a battered journal that becomes known as The Book of Fathers. For three hundred years the Csillag family line meanders unbroken across Hungary's rivers and vineyards, through a land overrun by wolves and bandits, scarred by plague and massacre, and brutalized by despots. Impetuous, tenderhearted, and shrewd, the Csillags give birth to scholars and gamblers, artists and entrepreneurs. Led astray by unruly passions, they marry frigid French noblewomen and thieving alehouse whores. They change their name and their religion, and change them back. They wander from home but always return, and through it all The Book of Fathers bears witness to holocaust and wedding feast alike.