To most modern day tennis fans, it was impossible to believe that until the late 1960s pro tennis players—that is those who played openly for prize money—were banned from competing in the world's major tournaments. Before this time, the great contests such as Wimbledon were exclusive to so-called amateurs. Amateur tennis players were meant to compete only for glory. Though this division arose the "pro tour" in the 1930s, and it endured for forty years. In The Pros, The Forgotten Era of Tennis, author Peter Underwood explains why professional players were forced into what was often called the traveling circus where these sporting outcasts played each other during long and rather tatty tours all over the world. Focusing on the eight champions who dominated the pro era beginning in 1930 with the ultimately tragic figure of "Big" Bill Tilden, this book follows each pro champion through the post-1962 Grand Slam pro career of Rod Laver, who then helped usher in the modern-era of pro tennis with the start of the "Open" Era in 1968.

The emerging generation of research and academic library users expect the delivery of user-centered information services. Apomediation refers to the supporting role librarians can give users by stepping in when users need help. Library 3.0 explores the ongoing debates on the point oh phenomenon and its impact on service delivery in libraries. This title analyses Library 3.0 and its potential in creating intelligent libraries capable of meeting contemporary needs, and the growing role of librarians as apomediators. Library 3.0 is divided into four chapters. The first chapter introduces and places the topic in context. The second chapter considers point oh libraries. The third chapter covers library 3.0 librarianship, while the final chapter explores ways libraries can move towards 3.0'.
Focuses on social media in research and academic librariesGives context to the discussion of apomediation in librarianship and information services provisionProvides a balance between more traditional and more progressive approaches"

At the age of 20, Dennis Horn won his first English Rose - the emblem of a National track champion. Throughout the 1930s he rapidly graduated from the rough and tumble of makeshift grass track racing at country fairs and gala sports days in provincial towns to assail the heights of British track cycling on the great urban cycling bastions of the time - the hard-surfaced stadiums of London's Herne Hill and Manchester's Fallowfield - and become the star of British track racing. Every year from 1931 to 1938 he was awarded the season-long Meredith Trophy to add to those legendary gold and silver cups he'd won in fiercely contested track battles in front of crowds of tens of thousands. It was a cycling scene entirely unique to Britain in the years before World War II. But this is more than a simple tale of a strapping rural lad who took on and beat the streetwise metropolitan champions of his era. Dennis Horn, son of a Fenland blacksmith, proved himself to be as astute as any of his urban contemporaries at treading the fine line between amateurism and professionalism as defined by the puritanical British cycling establishment of their day.