"China is so big and so diverse that, as in the proverbial blind man touching an elephant, contemporary descriptions that vary dramatically can all be true. Few visitors to glittering Shanghai of Shenzhen, for example, will get any impression of the gaping gray maw of the government's prison camp system that Philip Williams and Yenna Wu, basing themselves on a vast range of Chinese sources, illuminate in erudite detail. The authors look at every facet of the camps, place them within China's historical tradition, and compare them with modern analogues. Throughout, literary and autobiographical sources give the 'feel' for the deadening world of the camps."--Perry Link, author of "The Uses of Literature: Life in the Socialist Chinese Literary System

""The Great Wall of Confinement deals with issues ranging from the legal grounding--or the lack of any--of the Chinese concentration camp system, to its technical implementation, its discursive manifestation, and its physical as well as psychological impact. A book like this is long overdue. With this work, Williams and Wu have made an important contribution to the fields of Chinese legal and literary studies."--David Der-wei Wang, author of "The Monster That Is History

""The Great Wall of Confinement is an excellent book. It synthesizes an already significant corpus of writings on Chinese prisons and labor camps, marshals an array of literary sources as essential historical source materials, and compares the literature of Chinese incarceration with its Soviet and European counterparts. The value of this important study stems equally from its tone--a rare combination of a level-headed quality with a very fine sensitivity to the humantragedy recounted in this literature."--Jean-Luc Domenach, author of "Oy va la Chine? ("Where does China Go?)

""The Great Wall of Confinement has attempted to lift part of the veil on China's long lasting tragedy: the use of imprisonment, torture, forced labor against its citizens, whether criminals, feeble minded or simply political opponents. The angle is new; the question is to find out how Chinese have written on this subject, whether in fiction or reportage, the way they went about telling their stories, how much they said, or withheld. Through Philip Willams and Yenna Wu's thought-provoking analysis of such writings, of the cultural origins of forced labor and imprisonment in imperial and Communist China, one comes closer to this sinister reality, which remains to this day one of the best kept secrets of our planet."--Marie Holzman, President of the Association Solidarite Chine

This interdisciplinary volume of essays studies human rights in political prison literature, while probing the intersections of suffering, politics, and aesthetics in an interliterary and intercultural context. As the first book to explore the concept of global aesthetics in political prison narratives, it demonstrates how literary insight enhances the study of human rights. Covering varied geographical and geopolitical regions, this collection encourages comparative analyses and cross-cultural understanding. Seeking to interrogate linguistic, structural, and cultural constructions of the political prison experience, it highlights the literary aspects without losing sight of the political and the theoretical. The contributors cross various disciplinary boundaries and adopt different interpretive perspectives in analyzing prison narratives, especially memoirs, from such diverse countries as China, Egypt, Morocco, Syria, Romania, Russia, Uruguay, and the U.S. The volume emphasizes the literary works produced since the second half of the twentieth century, particularly since the political seismic shift in 1989. The authors treated range from the canonical to the less well-known: Nawal El Saadawi, Varlam Shalamov, Zhang Xianliang, Cong Weixi, Wumingshi, Carlos Liscano, Fatna El Bouih, Nabil Sulayman, Faraj Bayraqdar, Hasiba 'Abdalrahman, Tahar Ben Jelloun, Nicolae Steinhardt, Irina Ratushinskaya, etc. Critical issues investigated include how the writers represent their sufferings, experiences, and emotions during incarceration; their strategies of survival; and how political prison literature can reveal hidden violations of human rights, while resisting official discourse and serving other functions in society. Examining the commonalities and differences in global experiences of imprisonment, the eight chapters engage with the aesthetics of self-making and resistance, individual and collective memory, denial and conversion, catharsis and redemption, and the experiencing and witnessing of trauma. Topics also include the politics of remembering and the politics of representation, such as the problematic relationship between narrative, language, and representations of torture. Similarly under discussion are prison aesthetics of happiness, the role of spectacle in the criminal justice system, and the intersection of prison, gender, and silences. At a juncture when more and more people all over the world actively defy repressive regimes and demand political reform, this book makes a timely contribution to the advocacy and discourse of universal human rights.

This interdisciplinary volume of essays studies human rights in political prison literature, while probing the intersections of suffering, politics, and aesthetics in an interliterary and intercultural context. As the first book to explore the concept of global aesthetics in political prison narratives, it demonstrates how literary insight enhances the study of human rights. Covering varied geographical and geopolitical regions, this collection encourages comparative analyses and cross-cultural understanding. Seeking to interrogate linguistic, structural, and cultural constructions of the political prison experience, it highlights the literary aspects without losing sight of the political and the theoretical. The contributors cross various disciplinary boundaries and adopt different interpretive perspectives in analyzing prison narratives, especially memoirs, from such diverse countries as China, Egypt, Morocco, Syria, Romania, Russia, Uruguay, and the U.S. The volume emphasizes the literary works produced since the second half of the twentieth century, particularly since the political seismic shift in 1989. The authors treated range from the canonical to the less well-known: Nawal El Saadawi, Varlam Shalamov, Zhang Xianliang, Cong Weixi, Wumingshi, Carlos Liscano, Fatna El Bouih, Nabil Sulayman, Faraj Bayraqdar, Hasiba 'Abdalrahman, Tahar Ben Jelloun, Nicolae Steinhardt, Irina Ratushinskaya, etc. Critical issues investigated include how the writers represent their sufferings, experiences, and emotions during incarceration; their strategies of survival; and how political prison literature can reveal hidden violations of human rights, while resisting official discourse and serving other functions in society. Examining the commonalities and differences in global experiences of imprisonment, the eight chapters engage with the aesthetics of self-making and resistance, individual and collective memory, denial and conversion, catharsis and redemption, and the experiencing and witnessing of trauma. Topics also include the politics of remembering and the politics of representation, such as the problematic relationship between narrative, language, and representations of torture. Similarly under discussion are prison aesthetics of happiness, the role of spectacle in the criminal justice system, and the intersection of prison, gender, and silences. At a juncture when more and more people all over the world actively defy repressive regimes and demand political reform, this book makes a timely contribution to the advocacy and discourse of universal human rights.