(Music Sales America). A collection of music arranged for solo piano, including "Metamorphoses One to Five" collected together for the first time. Suitable for intermediate to advanced pianists.

Miles Teller, Jamie Bell, Kate Mara and Michael B. Jordan star in this reimagined story of the team of Marvel's superheroes known as the Fantastic Four. When four young, budding scientists are teleported to an alternate universe by a government project that hopes to learn more about our planet, they awaken realising that their physical forms have changed beyond recognition. Reed Richards (Teller) has gained the ability to stretch his body into unthinkable forms and lengths and is renamed Mister Fantastic, Ben Grimm (Bell) is changed into The Thing with a body of stone giving him indestructible super-strength, Susan Storm (Mara) becomes the Invisible Woman and is able to generate force-fields around herself, and Johnny Storm (Jordan) becomes the Human Torch with the ability to shoot fireballs from his body. Together, they must put their new-found abilities to the test and work as a team to save the Earth from the evil Dr. Doom (Toby Kebbell).

This work offers a selection of Philip Glass's most successful and best-loved pieces for solo Piano, brought together in one collection. These pieces include selections from the BAFTA-winning and 2003 Academy Award[registered] nominated film "The Hours". Also included is the "Trilogy Sonata for Piano" and pieces from the "Metamorphosis Suite". The songs include: "An Unwelcome Friend", "Dead Things", "I'm Going To Make A Cake", "Something She Has To Do", "Tearing Herself Away", "The Hours", "The Poet Acts", "Why Does Someone Have To Die?", and, "Metamorphosis". The Trilogy Sonata for piano includes: "Knee Play No.4" (from "Einstein on the Beach"); "Satyagraha" (Conclusion, Act III); "Dance from 'Akhnaten'" (Scene III); "Modern Love Waltz"; and "Opening Piece" from "Glassworks".

Louis 'Moondog' Hardin was one of New York's most colourful characters and led one of the most improbable lives of the 20th century. He was a blind and homeless man who became a famous eccentric in New York and rose to prominence as an internationally respected music presence. Moondog's compositional style inspired the work of his former roommate, Philip Glass, who provides the introduction to the book.

Film based on a story by Clive Barker. The Candyman is a hooked serial killer who appears when someone speaks his name five times in front of amirror.

A Monumental Gift for Music Lovers: A Deluxe Boxed Set of Philip Glass's Most Beloved and Personal Body of Work, Along with a Book of Appreciations from Notable Fellow Artists Philip Glass is one of the most influential artists of our time. In his long and staggeringly creative career as a composer, he's reached millions of people and transformed how we listen to music. He's written 26 operas, 12 symphonies, 13 concertos, and 35 film scores. But his most beloved, personal, and listened-to work is a series of 20 piano etudes. Originally created to "address the deficiencies in my own playing," in Glass's words, they've taken on a life of their own as a modern masterpiece-majestic and intimate at the same time, these compositions for solo piano have been performed and recorded by dozens of artists and streamed over 100 million times. Philip Glass Piano Etudes is in every way a one-of-a-kind tribute to this singular work. A deluxe boxed gift set, it includes the complete etudes, 1 through 20, plus a hardcover book: Studies in Time: Essays on the Music of Philip Glass. Each etude has been newly engraved (the technical term used for drawing music notation at the highest quality), and each is printed on oversize heavy stock and sewn-bound into individual folios. In Studies in Time, artists and writers including Laurie Anderson, Martin Scorsese, Maira Kalman, Pico Iyer, Alice Waters, Tim Page, Ari Shapiro, and others reflect on the music, the art of composition, the meaning of practice, and so much more. In its heirloom box, this deluxe edition of the etudes is to be cherished by music lovers, piano students and players, and anyone attuned to contemporary culture, savoured for its beauty and insights, and, of course, explored at the keyboard.

The long-awaited memoir by 'the most prolific and popular of all contemporary composers' (New York Times) Rapturous in its ability to depict the creative process, Words Without Music allows readers to experience that sublime moment of creative fusion when life merges with art. Biography lovers will be inspired by the story of a precocious Baltimore boy, the son of a music-shop owner, who entered college at age fifteen, before traveling to Paris to study under the legendary Nadia Boulanger; Glass devotees will be fascinated by the stories behind Einstein on the Beach and Satyagraha, among so many other works. Whether recalling his experiences working at Bethlehem Steel, traveling in India, driving a cab in 1970s New York, or his professional collaborations with the likes of Allen Ginsberg, Ravi Shankar, Robert Wilson, Doris Lessing, and Martin Scorsese, Words Without Music affirms the power of music to change the world. Martin Scorsese on Words Without Music: 'I came to Philip Glass's music very simply, without any critical prodding or guidance. I listened and I was transfixed. The music was dynamic and colorful and mysterious all at once, and it put me in mind of the Zen exercise of sitting before a blank wall and contemplating the question, "What is this?" It's music that seems to go beyond music. It doesn't just stay with you, it infuses and energizes and haunts you, and carries a sense of being alive, a perception of existence itself, the rhythm of living this life. Philip's music has come to mean more and more to me as the years have gone by. I was excited to work with Philip on Kundun, and he exceeded my wildest expectations by giving us a score that was genuinely transcendent. He's exceeded my expectations again with this rich and beautifully written memoir. Who knew that he was as good a writer as he is a composer?'

Performance which tells the story of Orpheus, the artist and prophet of Greek mythology. The piece blends hip hop and breakdance choreography by Dominique Hervieu and José Montalvo with modern and classical music from composers such as Tchaikovsky, Monteverdi, Gluck and Glass.

(Piano Solo Songbook). This folio features piano solo arrangements of 11 beautiful Philip Glass compositions from this highly acclaimed, Oscar-nominated film score: Choosing Life * Dead Things * Escape * The Hours * I'm Going to Make a Cake * Morning Passages * The Poet Acts * Something She Has to Do * Tearing Herself Away * An Unwelcome Friend * Why Does Someone Have to Die?

Performance which tells the story of Orpheus, the artist and prophet of Greek mythology. The piece blends hip hop and breakdance choreography by Dominique Hervieu and José Montalvo with modern and classical music from composers such as Tchaikovsky, Monteverdi, Gluck and Glass.

Andrei Zvyagintsev directs and co-writes this Russian suspense drama. Elena (Nadezhda Markina) is a former nurse now married to a rich husband, Vladimir (Andrey Smirnov). The middle-aged couple's marriage comes under strain when Elena asks her husband to give financial support to Sergey (Aleksey Rozin), her unemployed son from a previous marriage, and his family. Vladimir refuses to help Sergey and goes further, changing his will to make his long-estranged daughter, Katya (Elena Lyadova), his sole heiress. Furious with her husband and with nowhere to turn, Elena decides to take matters into her own hands.

Fictionalised account of the battle to secure Hill 937 (aka Hamburger Hill), an objective which resulted in one of the bloodiest conflicts of the Vietnam War. Focusing on the exploits of 3rd Squad, 1st Platoon, Bravo Company of the 101st Airborne Division, it shows the extreme duress suffered by the soldiers involved, as they do their best to win a pointless prize in a war being fought without popular support and which - like the attempt to secure the hill itself - is destined to end in failure. Written by John Carabatsos, who himself served with the 1st Air Cavalry in 1968-69.

Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.

Fictionalised account of the battle to secure Hill 937 (aka Hamburger Hill), an objective which resulted in one of the bloodiest conflicts of the Vietnam War. Focusing on the exploits of 3rd Squad, 1st Platoon, Bravo Company of the 101st Airborne Division, it shows the extreme duress suffered by the soldiers involved, as they do their best to win a pointless prize in a war being fought without popular support and which - like the attempt to secure the hill itself - is destined to end in failure. Written by John Carabatsos, who himself served with the 1st Air Cavalry in 1968-69.