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""A critical introduction to Organisation Theory that you can
understand, apply and enjoy ""
This book addresses fundamental questions such as what is
organisation theory and why does it matter. It explores the
historical development of organization theory from its origins
right up to present-day debates. It asks what challenges it
presents to contemporary organisations, and explores the solutions
it can provide.
" "
"Organization Theory" brings a fresh approach to long-standing
questions and is aimed at undergraduate and postgraduate students
for whom the study of organizational theory or analysis is an
integral part of their degree programme.
The genteel thin-lipped Mrs Dobson is irked by her paying-guest,
Miss Queenie Tremayne, a vulgar good-natured actress who is fully a
match for her, and whose money she needs. She pins her hopes on the
marriage of her daughter Sadie to Tony Mortimore, a millionaire's
adopted nephew and heir. 5 women, 2 men
The couple who live next door keep popping in and so does the man
who used to live in the house. The policeman nephew of another
neighbour says he will look into the strange opening of the door.
He discovers the body of a woman buried in the cellar. He and
George go to the police station. The neighbours come to call again
- it seems that the body is their aunt who they murdered for her
money and Francis is alone with them.5 women, 4 men
A play with a plot full of warm, sardonic wit and sentiment, and
with a twist so sensational, it leaves the audience crushed and
stunned.
In this intriguing dialogue, an established pagan and a respected
Christian theologian engage in open, honest conversations about
human spirituality and belief. Paganism is a rapidly expanding
belief system, and this helpful exchange both introduces novices to
its basic tenets and compares them to the beliefs and ideals behind
Christianity. Such topics as the nature of spirituality, who or
what is deity, how humans relate to the divine, the sacred
feminine, gender, and sexuality are all addressed, along with
specific debates involving the teachings and claims of Jesus.
Offering a fair assessment and valuable insights into both faith
systems, this is an engaging look at the state of belief in the
modern world.
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Godzilla Rivals: Round Two
Keith Davidsen, Blue Dellaquanti; Illustrated by SidVenBlu, Ferio Wind, Philip Johnson
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R521
R450
Discovery Miles 4 500
Save R71 (14%)
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Ships in 12 - 17 working days
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Light - hearted, observational look at celebrities, U.K. cities,
modern-day lifestyles and the teaching profession
A playful attempt to discuss, and mock, large institutions and the
occasional celebrity as well as certain behavioural tendencies of
the modern era.
Initially produced as the catalog to accompany a controversial and
groundbreaking 1932 Museum of Modern Art show of the then new
architecture emerging in Europe and America, The International
Style quickly became the definitive statement of the principles
underlying the work of such giants as Mies van der Rohe, Le
Corbusier, Walter Gropius, and other pioneers. It might be said
that Henry-Russell Hitchcock and Philip Johnson discovered as well
as defined "the International Style," and over the decades their
book has served as both a flashpoint for criticism and a frame for
growth in the architectural profession. It has never been out of
print in over sixty years. This new edition has been completely
redesigned and reset, and it features a new foreword by Philip
Johnson, who reflects on the legacy of the International Style and
examines the still-precarious power of architecture in our public
life.
This work sets out to describe the aesthetic qualities intrinsic to
the work of such architects as Le Corbusier, Oud, Gropius and Mies
van der Rohe. The authors observed the distinguishing features that
made possible a definition of a new "style": emphasis on volume as
opposed to mass; regularity as opposed to symmetry; and dependence
on the intrinsic elegance of materials as opposed to applied
decoration. First published in 1932 to coincide with an
architectural exhibition at the Museum of Modern Art, this reissue
contains a new foreword by Philip Johnson reflecting on the impact
of these principles over 60 years after they were first set forth.
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