Rose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey celebrating her achievements while also examining her current practice. Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core. Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the complexities of Wylie's visual language so providing an important contribution to our understanding, and appreciation of, a significant, and increasingly celebrated, figure in contemporary British art.

The story of Britain's colourful maritime past seen through the changing fortunes of the Cornish port of Falmouth. Within the space of few years, during the 1560s and 1570s, a maritime revolution took place in England that would contribute more than anything to the transformation of the country from a small rebel state on the fringes of Europe into a world power. Until then, it was said, there was only one Englishman capable of sailing across the Atlantic. Yet within ten years an English ship with an English crew was circumnavigating the world. At the same time in Cornwall, in the Fal estuary, just a single building - a lime kiln - existed where the port of Falmouth would emerge. Yet by the end of the eighteenth century, Falmouth would be one of the busiest harbours in the world. 'The Levelling Sea' uses the story of Falmouth's spectacular rise and fall to explore wider questions about the sea and its place in history and imagination. Drawing on his own deep connection with Cornwall, award-winning author Philip Marsden writes unforgettably about the power of the sea and its ability to produce greed on a piratical scale, dizzying corruption, and grand and tragic aspirations.

In an old wooden sloop, Philip Marsden plots a course north from his home in Cornwall. He is sailing for the Summer Isles, a small archipelago near the top of Scotland that holds for him a deep and personal significance. On the way, he must navigate the west coast of Ireland and the Inner Hebrides. Through the people he meets and the tales he uncovers, Marsden builds up a haunting picture of these shores - of imaginary islands and the Celtic otherworld, of the ageless draw of the west, of the life of the sea and perennial loss - and the redemptive power of the imagination. The Summer Isles is an unforgettable account of the search for actual places, invented places, and those places in between that shape the lives of individuals and entire nations.

This comprehensive research Handbook brings together cutting-edge legal and economic analysis into antitrust issues by leading experts from Europe, the USA, Canada, Mexico and South America. The Handbook of Research in Trans-Atlantic Antitrust covers a wide-range of areas including: * the meaning of consumer welfare * mergers in monopsony markets * unilateral effects * private and criminal enforcement * implementing competition policy in regulated sectors * abuse of intellectual property rights * competition remedies * international enforcement cooperation * complainants' rights * dominant firm pricing * tying and bundling. The Handbook also includes discursive consideration of the similarities and differences among the various regimes on either side of the Atlantic, as well as a look to future trends and applications in regional and global contexts. Offering a comparative view of pressing antitrust issues, this Handbook will be of great interest to academics, lawyers, practitioners and officials.

The ancient Axumite Kingdom, now a part of Ethiopia, was possibly the first nation in the world to convert to Christianity. In AD 340 King Ezana commissioned the construction of the imposing basilica of St. Mary of Tsion. It was here, the Ethiopians say, that Menelik, son of King Solomon and the Queen of Sheba, brought the Ark of the Covenant containing the Ten Commandments. By the fifth century, the Ethiopian Orthodox Church had spread beyond Axum into the countryside, aided by nine saints from Byzantium, and over the next ten centuries a series of spectacular churches were either built or excavated out of solid rock in the region, all of them in regular use to this day. Lalibela, a UNESCO World Heritage Site, has the best known cluster, but the northern state of Tigray, less famous and more remote, has many churches that are masterpieces of design.Ethiopia: The Living Churches of an Ancient Kingdom traces the broad sweep of ecclesiastical history, legend, art, and faith in this sub-Saharan African kingdom and describes some seventy of the most breathtaking churches, with their astounding architecture, colorful decoration, and important religious festivals, all illustrated by more than eight hundred superb color photographs by some of the most celebrated international photographers of traditional cultures. This magnificent, large-format, full-color volume is the most comprehensive celebration yet published of the extraordinary Christian architectural and cultural heritage of Ethiopia. Ethiopia is the third book on iconic sacred places published by Ludwig Publishing and the American University in Cairo Press, following the bestselling success of The Churches of Egypt and The History and Religious Heritage of Old Cairo.

When Philip Marsden moved to a remote, creekside farmhouse in Cornwall, the intensity of his response took him aback. It led him to wonder why we react so strongly to certain places and set him off on a journey on foot westwards to Land's End through one of the most myth-rich regions of Europe. From the Neolithic ritual landscape of Bodmin Moor to the Arthurian traditions at Tintagel, from the mysterious china-clay region to the granite tors and tombs of the far south-west, Marsden assembles a chronology of Britain's attitude to place. In archives, he uncovers the life and work of other enthusiasts before him - medieval chroniclers and Tudor topographers, eighteenth-century antiquarians, post-industrial poets and abstract painters. Drawing also on his travels from further afield, Marsden reveals that the shape of the land lies not just at the heart of our own history but of man's perennial struggle to belong on this earth.

A remarkable, multifaceted story made up of journal accounts, memories, conversations and personal experience, The Bronski House is a paean to Poland, a landmark in travel writing, and a family history – tied together by the unique experience of returning from exile. In the summer of 1992, accompanied by Philip Marsden, the exiled poet Zofia Hinska stepped into the Belorussian village where she had spent her childhood. The Bronski House is in part the remarkable story of what she found. It is also the story of her mother, Helena Bronska – of her coming of age during the Russian revolution, her dramatic escapes from Bolsheviks, Germans and partisans, of her love and loss in a now vanished world. It brilliantly reconstructs a world which vanished in 1939 when Soviet tanks rolled into eastern Poland.

Philip Marsden?s brilliant first novel is set in the 1930s, in the small Cornish fishing village of Polmayne. A newcomer to the village, Jack Sweeney, buys a boat and establishes himself as a fisherman, gradually winning the respect even of the village elders.
But times are changing, and a new kind of visitor is beginning to appear in Polmayne. A bohemian colony of artists offends some sensibilities, while a hotel is opened to accommodate the summer tourists, and pleasure steamers mingle with the fishing boats in the harbour.
Yet, despite the superficial changes, the old ways and the old hazards of Cornish life endure. Offshore, just below the surface of the waves, lie the Main Cages, a treacherous outcrop of rock where many ships and many lives have been lost.
Firmly rooted in a particular place and time, yet recalling in its universality such books as Graham Swift?s Waterland and E. Annie Proulx?s The Shipping News, The Main Cages is a gripping story of love and death, and a remarkable fictional debut.

A revised and updated edition of Philip Marsden's classic travel book, published to coincide with the centenary of the Armenian massacres. After centuries of prominence as a world power, Armenia has withstood every attempt during the 20th century to destroy it. With a name redolent both of dim antiquity and of a modern world and its tensions, the Armenians founded a civilization and underwent a diaspora that brought many of the great ideas of the East to Western Europe. The Crossing Place is Philip Marsden's gripping account of his remarkable journey through the Middle East, Eastern Europe and the Caucasus in a quest to discover the secret of one of the world's most extraordinary peoples. Caught between opposing empires, between warring religions and ideologies - at the crossing place of history - the Armenians have somehow survived against the odds. This is their story - told by one of the finest travel writers at work today.