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Showing 1 - 11 of 11 matches in All Departments
In an old wooden sloop, Philip Marsden plots a course north from his home in Cornwall. He is sailing for the Summer Isles, a small archipelago near the top of Scotland that holds for him a deep and personal significance. On the way, he must navigate the west coast of Ireland and the Inner Hebrides. Through the people he meets and the tales he uncovers, Marsden builds up a haunting picture of these shores - of imaginary islands and the Celtic otherworld, of the ageless draw of the west, of the life of the sea and perennial loss - and the redemptive power of the imagination. The Summer Isles is an unforgettable account of the search for actual places, invented places, and those places in between that shape the lives of individuals and entire nations.
The story of Britain's colourful maritime past seen through the changing fortunes of the Cornish port of Falmouth. Within the space of few years, during the 1560s and 1570s, a maritime revolution took place in England that would contribute more than anything to the transformation of the country from a small rebel state on the fringes of Europe into a world power. Until then, it was said, there was only one Englishman capable of sailing across the Atlantic. Yet within ten years an English ship with an English crew was circumnavigating the world. At the same time in Cornwall, in the Fal estuary, just a single building - a lime kiln - existed where the port of Falmouth would emerge. Yet by the end of the eighteenth century, Falmouth would be one of the busiest harbours in the world. 'The Levelling Sea' uses the story of Falmouth's spectacular rise and fall to explore wider questions about the sea and its place in history and imagination. Drawing on his own deep connection with Cornwall, award-winning author Philip Marsden writes unforgettably about the power of the sea and its ability to produce greed on a piratical scale, dizzying corruption, and grand and tragic aspirations.
Philip Marsden?s brilliant first novel is set in the 1930s, in the small Cornish fishing village of Polmayne. A newcomer to the village, Jack Sweeney, buys a boat and establishes himself as a fisherman, gradually winning the respect even of the village elders.
The new book from the acclaimed author of The Crossing Place and The Bronski House. In Moscow, a man points on a map to the place where he was born. He is a Doukhobor, a 'spirit-wrestler', a member of a group of radical Russian sectarians. He is pointing to a village beyond the southern steppe, at the far south of the old Russian empire: 'I was born here,' he says. 'On the edge of the world.' So begins Philip Marsden's Russian journey - perhaps the most penetrating account of Russian life since the Soviet Union's collapse made travel possible again. In villages unseen by outsiders since before the revolution, he encounters men and women of fabulous courage, larger than life, dazed by the century's turbulence. By turns wise, devout, comic, they seem to have stepped straight from the pages of Turgenev, Gogol and Babel. Marsden meets such figures as the Yezidi Sheikh of Sheikhs, an exiled Georgian prince and a cast of passionate scholars, stooping survivors of the gulags, strutting Cossacks and extreme, isolated sects of Milk-Drinkers and Spirit-Wrestlers. The Spirit-Wrestlers peels away the grey facade of post-Soviet Russia and reveals a people as committed as ever to answering that great Tolstoyan question: how a man should live. Even more than in The Bronski House and The Crossing Place, Philip Marsden shows that behind the horrors of the Soviet years the human spirit remained triumphant. In so doing, he shows himself to be one of the most exciting and original travel writers of his generation.
When Philip Marsden moved to a remote, creekside farmhouse in Cornwall, the intensity of his response took him aback. It led him to wonder why we react so strongly to certain places and set him off on a journey on foot westwards to Land's End through one of the most myth-rich regions of Europe. From the Neolithic ritual landscape of Bodmin Moor to the Arthurian traditions at Tintagel, from the mysterious china-clay region to the granite tors and tombs of the far south-west, Marsden assembles a chronology of Britain's attitude to place. In archives, he uncovers the life and work of other enthusiasts before him - medieval chroniclers and Tudor topographers, eighteenth-century antiquarians, post-industrial poets and abstract painters. Drawing also on his travels from further afield, Marsden reveals that the shape of the land lies not just at the heart of our own history but of man's perennial struggle to belong on this earth.
This comprehensive research Handbook brings together cutting-edge legal and economic analysis into antitrust issues by leading experts from Europe, the USA, Canada, Mexico and South America. The Handbook of Research in Trans-Atlantic Antitrust covers a wide-range of areas including: * the meaning of consumer welfare * mergers in monopsony markets * unilateral effects * private and criminal enforcement * implementing competition policy in regulated sectors * abuse of intellectual property rights * competition remedies * international enforcement cooperation * complainants' rights * dominant firm pricing * tying and bundling. The Handbook also includes discursive consideration of the similarities and differences among the various regimes on either side of the Atlantic, as well as a look to future trends and applications in regional and global contexts. Offering a comparative view of pressing antitrust issues, this Handbook will be of great interest to academics, lawyers, practitioners and officials.
Rose Wylie RA (b.1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey celebrating her achievements while also examining her current practice. Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core. Drawing on a series of extended interviews with the artist, Clarrie Wallis unpicks the complexities of Wylie's visual language so providing an important contribution to our understanding, and appreciation of, a significant, and increasingly celebrated, figure in contemporary British art.
A remarkable, multifaceted story made up of journal accounts, memories, conversations and personal experience, The Bronski House is a paean to Poland, a landmark in travel writing, and a family history – tied together by the unique experience of returning from exile. In the summer of 1992, accompanied by Philip Marsden, the exiled poet Zofia Hinska stepped into the Belorussian village where she had spent her childhood. The Bronski House is in part the remarkable story of what she found. It is also the story of her mother, Helena Bronska – of her coming of age during the Russian revolution, her dramatic escapes from Bolsheviks, Germans and partisans, of her love and loss in a now vanished world. It brilliantly reconstructs a world which vanished in 1939 when Soviet tanks rolled into eastern Poland.
Philip Marsden returns to the remote, fiercely beautiful landscape that has exercised a powerful mythic appeal over him since his first encounter with it over twenty years ago. 'Ethiopia bred in me the conviction that if there is a wider purpose to our life, it is to understand the world, to seek out its diversity, to celebrate its heroes and its wonders - in short, to witness it.' When Philip Marsden first went to Ethiopia in 1982, it changed the direction of his life. What he saw of its stunning antiquity, its raw Christianity, its extremes of brutality and grace prompted his curiosity, and made him a writer. But Ethiopia at that time was torn apart by civil war. The north, the ancient heartland of the country, was closed off. Twenty years later, Marsden returned. The result is this book - the account of a journey deferred. Walking hundreds of miles through a landscape of cavernous gorges, tabletop mountains and semi-desert, Marsden encounters monks and hermits, rebels and farmers. And he creates an unforgettable picture of one of the most remote regions left on earth. As in his award-winning book 'The Spirit-Wrestlers', Marsden reminds us of the brilliant heights that travel writing can attain, whilst celebrating the ageless rewards of the open road and the people for whom the mythic and the everyday are inextricably joined.
A revised and updated edition of Philip Marsden's classic travel book, published to coincide with the centenary of the Armenian massacres. After centuries of prominence as a world power, Armenia has withstood every attempt during the 20th century to destroy it. With a name redolent both of dim antiquity and of a modern world and its tensions, the Armenians founded a civilization and underwent a diaspora that brought many of the great ideas of the East to Western Europe. The Crossing Place is Philip Marsden's gripping account of his remarkable journey through the Middle East, Eastern Europe and the Caucasus in a quest to discover the secret of one of the world's most extraordinary peoples. Caught between opposing empires, between warring religions and ideologies - at the crossing place of history - the Armenians have somehow survived against the odds. This is their story - told by one of the finest travel writers at work today.
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