Staging Authority: Presentation and Power in Nineteenth-Century Europe is a comprehensive handbook on how the presentation, embodiment, and performance of authority changed in the long nineteenth century. It focuses on the diversification of authority: what new forms and expressions of authority arose in that critical century, how traditional authority figures responded and adapted to those changes, and how the public increasingly participated in constructing and validating authority. It pays particular attention to how spaces were transformed to offer new possibilities for the presentation of authority, and how the mediatization of presence affected traditional authority. The handbook's fourteen chapters draw on innovative methodologies in cultural history and the aligned fields of the history of emotions, urban geography, persona studies, gender studies, media studies, and sound studies.

Historicizing both emotions and politics, this open access book argues that the historical work of emotion is most clearly understood in terms of the dynamics of institutionalization. This is shown in twelve case studies that focus on decisive moments in European and US history from 1800 until today. Each case study clarifies how emotions were central to people's political engagement and its effects. The sources range from parliamentary buildings and social movements, to images and speeches of presidents, from fascist cemeteries to the International Criminal Court. Both the timeframe and the geographical focus have been chosen to highlight the increasingly participatory character of nineteenth- and twentieth-century politics, which is inconceivable without the work of emotions.

Spanning Europe, Asia and the Pacific, Encounters with Emotions investigates experiences of face-to-face transcultural encounters from the seventeenth century to the present and the emotional dynamics that helped to shape them. Each of the case studies collected here investigates fascinating historiographical questions that arise from the study of emotion, from the strategies people have used to interpret and understand each other's emotions to the roles that emotions have played in obstructing communication across cultural divides. Together, they explore the cultural aspects of nature as well as the bodily dimensions of nurture and trace the historical trajectories that shape our understandings of current cultural boundaries and effects of globalization.

In the decades between German unification and the demise of the Weimar Republic, German Jewry negotiated their collective and individual identity under the impression of legal emancipation, continued antisemitism, the emergence of Zionism and Socialism, the First World War, and revolution and the republic. For many German Jews liberalism and also increasingly Socialism became attractive propositions. Yet conservative parties and political positions right-of-center also held appeal for some German Jews. From Heimat to Hatred studies German Jews involved in ventures that were from the beginning, or became increasingly, of the Right. Jewish agricultural settlement, Jews' participation in the so-called "Defense of Germandom in the East", their place in military and veteran circles and finally right-of-center politics form the core of this book. These topics created a web of social activities and political persuasions neither entirely conservative nor entirely liberal. For those German Jews engaging with these issues, their motivation came from sincere love of their German Heimat-a term for home imbued with a deep sense of belonging-and from their middle-class environment, as well as to repudiate antisemitic stereotypes of rootlessness, intellectualism or cosmopolitanism. This tension stands at the heart of the book. The book also asks when did the need for self-defense start to outweigh motivations of patriotism and class? Until when could German Jews espouse views to the right of the political spectrum without appearing extreme to either Jews or non-Jews? In an exploration of identity and exclusion, Philipp Nielsen locates the moments when active Jewish members of conservative projects became the radical other. He notes that the decisive stage of the transformation of the German Right occurred precisely during a period of republican stabilization, when even mainstream right-of-center politics abandoned the state-centric, Volk-based ethnic concepts of the Weimar republic. The book builds on recent studies of Jews' relation to German nationalism, the experience of German Jews away from the large cities, and the increasing interest in Germans' obsession with regional roots and the East. The study follows these lines of inquiry to investigate the participation of some German Jews in projects dedicated to originally, or increasingly, illiberal projects. As such it shines light on an area in which Jewish participation has thus far only been treated as an afterthought and illuminates both Jewish and German history afresh.

After 1945 it was not just Europe's parliamentary buildings that promised to house democracy: hotels in Turkey and Dutch shopping malls proposed new democratic attitudes and feelings. Housing programs in the United Kingdom, the United States, and the Soviet Union were designed with the aim of creating new social relations among citizens and thus better, more equal societies. Architecture, Democracy, and Emotions focuses on these competing promises of consumer democracy, welfare democracy, and socialist democracy. Spanning from Turkey across Eastern and Western Europe to the United States, the chapters investigate the emotional politics of housing and representation during the height of the Cold War, as well as its aftermath post-1989. The book assembles detailed research on how the claims and aspirations of being "democratic" influenced the affects of architecture, and how these claims politicized space. Architecture, Democracy, and Emotions contributes to the study of Europe's "democratic age" beyond Cold War divisions without diminishing political differences. The combination of an emotional history of democracy with an architectural history of emotions distinguishes the book's approach from other recent investigations into the interconnection of mind, body, and space.

After 1945 it was not just Europe's parliamentary buildings that promised to house democracy: hotels in Turkey and Dutch shopping malls proposed new democratic attitudes and feelings. Housing programs in the United Kingdom, the United States, and the Soviet Union were designed with the aim of creating new social relations among citizens and thus better, more equal societies. Architecture, Democracy, and Emotions focuses on these competing promises of consumer democracy, welfare democracy, and socialist democracy. Spanning from Turkey across Eastern and Western Europe to the United States, the chapters investigate the emotional politics of housing and representation during the height of the Cold War, as well as its aftermath post-1989. The book assembles detailed research on how the claims and aspirations of being "democratic" influenced the affects of architecture, and how these claims politicized space. Architecture, Democracy, and Emotions contributes to the study of Europe's "democratic age" beyond Cold War divisions without diminishing political differences. The combination of an emotional history of democracy with an architectural history of emotions distinguishes the book's approach from other recent investigations into the interconnection of mind, body, and space.

Historicizing both emotions and politics, this open access book argues that the historical work of emotion is most clearly understood in terms of the dynamics of institutionalization. This is shown in twelve case studies that focus on decisive moments in European and US history from 1800 until today. Each case study clarifies how emotions were central to people's political engagement and its effects. The sources range from parliamentary buildings and social movements, to images and speeches of presidents, from fascist cemeteries to the International Criminal Court. Both the timeframe and the geographical focus have been chosen to highlight the increasingly participatory character of nineteenth- and twentieth-century politics, which is inconceivable without the work of emotions.