NEW EDITION WITH 16 EXTRA PAGES! Marvel Comics in the 1970s covers Marvel's final historical phase: the twilight years of the 1970s, after the initial '60s wave of popularity pushed the company to the forefront of the comics industry, and made many of its characters household names. This full decade of pop-culture history saw Stan Lee's role as writer diminish as he ascended to Publisher, the stunning departure of Jack Kirby to DC (and his later return to Marvel), the rise of Roy Thomas as editor (and eventual Editor In Chief), and the introduction of a new wave of writers and artists who would expand the boundaries of comics beyond super-heroes, while planting the seeds for the company's eventual self-destruction. Comics such as the Spider-Man "drug" issues, Conan the Barbarian, Tomb of Dracula, Master of Kung Fu, Howard the Duck, the new X-Men, and more are covered in detail-along with the creators who wrote and drew them, including Chris Claremont, Barry Windsor-Smith, Gene Colan, Marv Wolfman, Steve Gerber, John Romita, Gil Kane, Sal Buscema, and many others. So don't be satisfied with only half the story! Check out Marvel Comics in the 1970s and find out why Marvel was once hailed as The House of Ideas!

TwoMorrows Publishing presents Marvel Comics in the 1980s, the third volume in Pierre Comtois’ heralded series covering the pop culture phenomenon on an issue-by-issue basis! This new book covers Marvel’s final historical phase, when the movement begun by Stan Lee, Jack Kirby, and Steve Ditko moved into a darker era that has yet to run its course. The 1980s saw Stan Lee's retreat to the West Coast, Jim Shooter's rise and fall as editor-in-chief, the twin triumphs of Frank Miller and John Byrne, the challenge of independent publishers, and the weakening hold of the Comics Code Authority that led to the company's creative downfall — and ultimately the marginalization of the industry itself. Comics such as the Chris Claremont/John Byrne X-Men, Frank Miller's Daredevil, the New Universe, Roger Stern's Avengers and Spider-Man, the new wave of dark heroes such as Wolverine and the Punisher, and more are all covered, in the analytic detail — and often irreverent manner — readers have come to expect from the previous 1960s and 1970s volumes. However, the 1980s represented years of upheaval in the comics industry — with Marvel at the center of the storm — so expect a bumpy ride in the 1980s decade that marked the beginning of the end of Marvel Comics as you knew them!

Once upon a time, the year 2000 had held a fascination for young people of the 1950s and 60s as the point beyond which the future predicted by decades of science fiction writers would arrive. Unfortunately, that future never happened and what we ended up with has been the somewhat disappointing present. Luckily, however, our imaginations are as sharp and bright as they ever were so that we can continue to look forward to a superfuture made up of flying cars, monorails, moving sidewalks, and space liners heading to Ganymede. It is in keeping with those dreams that the stories in this collection were written hopefully to recapture the spirit of optimism young people had for the future at a time when World War II was not that far removed from living memory and American heroes were square jawed soldiers or God fearing scientists who were as comfortable in the cockpit of a jet as they were in a laboratory. So if you are one of those SF fans who are still looking to the future for personal spacecraft, ruined Martian cities, or high speed rail service on Venus, then look no farther than these fables of a time that may yet come to pass