This collection of writings from Pierre Hadot (1992-2010) presents, for the first time, previously unreleased and in some cases untranslated materials from one of the world's most prominent classical philosophers and historians of thought. As a passionate proponent of philosophy as a 'way of life' (most powerfully communicated in the life of Socrates), Pierre Hadot rejuvenated interest in the ancient philosophers and developed a philosophy based on their work which is peculiarly contemporary. His radical recasting of philosophy in the West was both provocative and substantial. Indeed, Michel Foucault cites Pierre Hadot as a major influence on his work. This beautifully written, lucid collection of writings will not only be of interest to historians, classicists and philosophers but also those interested in nourishing, as Pierre Hadot himself might have put it, a 'spiritual life'.

One of the most influential historians of ancient philosophy of the past half-century, Pierre Hadot was adept at using ancient philosophers to illuminate the relevance of their ideas to contemporary life. This new edition of "The Present Alone is Our Happiness," which has been significantly revised and expanded to include two previously untranslated essays, is an ideal introduction to some of Hadot's more scholarly work. In it, we discover that to be an Epicurean is not merely to think like one; it is to adopt a way of living where limiting desires is the condition for happiness. Being an Aristotelian, similarly, is to choose a life that involves contemplation, and being a Cynic is to follow Diogenes in his refusal of quotidian convention and the mentality of ordinary people. If so many ancient philosophers founded schools, Hadot explains, it was precisely because they were proposing how to live life on a daily basis. We learn here that the history of philosophy has been something more than just that of a discourse. The founding texts of Greek philosophy, after all, were notes taken from oral exercises undertaken in concrete circumstances and contexts, most often a dialogue between students and specific interlocutors who meant to shed light on their students' real existence. The immense contribution of this book, which also traces Hadot's own personal itinerary in a touching manner, is to remind us, through direct language and numerous examples, what the theoretical aspect of philosophy often masks: its vital and existential dimensions.

"The "Meditations" of Marcus Aurelius" are treasured today--as they have been over the centuries--as an inexhaustible source of wisdom. And as one of the three most important expressions of Stoicism, this is an essential text for everyone interested in ancient religion and philosophy. Yet the clarity and ease of the work's style are deceptive. Pierre Hadot, eminent historian of ancient thought, uncovers new levels of meaning and expands our understanding of its underlying philosophy.

Written by the Roman emperor for his own private guidance and self-admonition, the "Meditations" set forth principles for living a good and just life. Hadot probes Marcus Aurelius's guidelines and convictions and discerns the hitherto unperceived conceptual system that grounds them. Abundantly quoting the "Meditations" to illustrate his analysis, the author allows Marcus Aurelius to speak directly to the reader. And Hadot unfolds for us the philosophical context of the "Meditations," commenting on the philosophers Marcus Aurelius read and giving special attention to the teachings of Epictetus, whose disciple he was.

The soul, the guiding principle within us, is in Marcus Aurelius's Stoic philosophy an inviolable stronghold of freedom, the "inner citadel." This spirited and engaging study of his thought offers a fresh picture of the fascinating philosopher-emperor, a fuller understanding of the tradition and doctrines of Stoicism, and rich insight on the culture of the Roman empire in the second century. Pierre Hadot has been working on Marcus Aurelius for more than twenty years; in this book he distills his analysis and conclusions with extraordinary lucidity for the general reader.

Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst.

From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.

In this book of brilliantly erudite and precise discussions, Pierre Hadot explains that for the Ancients philosophy was not reducible to the building of a theoretical system: it was above all a choice about how to live one's life.
One of the most influential historians of ancient philosophy in the world today, Hadot is adept at using ancient philosophers to illuminate the relevance of their ideas to contemporary life. In this book, which is an ideal introduction to Hadot's more scholarly "What is Ancient Philosophy?," we learn that to be an Epicurean is not merely to think like one; it is to adopt a way of living where limiting desires is the condition for happiness. Being an Aristotelian, similarly, is to choose a life that involves contemplation, and being a Cynic is to follow Diogenes in his refusal of quotidian convention and the mentality of ordinary people. If so many Ancient philosophers founded schools, Hadot explains, it was precisely because they were proposing how to live life on a daily basis. We learn here that the history of philosophy has been something more than just that of a discourse. The founding texts of Greek philosophy, after all, were notes taken from oral exercises undertaken in concrete circumstances and contexts, most often a dialogue between students and specific interlocutors who meant to shed light on their students' real existence. The immense contribution of this book, which also traces Hadot's own personal itinerary in a touching manner, is to remind us, through direct language and numerous examples, what the theoretical aspect of philosophy often masks: its vital and existential dimensions.

This collection of writings from Pierre Hadot (1992-2010) presents, for the first time, previously unreleased and in some cases untranslated materials from one of the world's most prominent classical philosophers and historians of thought. As a passionate proponent of philosophy as a 'way of life' (most powerfully communicated in the life of Socrates), Pierre Hadot rejuvenated interest in the ancient philosophers and developed a philosophy based on their work which is peculiarly contemporary. His radical recasting of philosophy in the West was both provocative and substantial. Indeed, Michel Foucault cites Pierre Hadot as a major influence on his work. This beautifully written, lucid collection of writings will not only be of interest to historians, classicists and philosophers but also those interested in nourishing, as Pierre Hadot himself might have put it, a 'spiritual life'.

In this book of brilliantly erudite and precise discussions, Pierre Hadot explains that for the Ancients philosophy was not reducible to the building of a theoretical system: it was above all a choice about how to live one's life.
One of the most influential historians of ancient philosophy in the world today, Hadot is adept at using ancient philosophers to illuminate the relevance of their ideas to contemporary life. In this book, which is an ideal introduction to Hadot's more scholarly "What is Ancient Philosophy?," we learn that to be an Epicurean is not merely to think like one; it is to adopt a way of living where limiting desires is the condition for happiness. Being an Aristotelian, similarly, is to choose a life that involves contemplation, and being a Cynic is to follow Diogenes in his refusal of quotidian convention and the mentality of ordinary people. If so many Ancient philosophers founded schools, Hadot explains, it was precisely because they were proposing how to live life on a daily basis. We learn here that the history of philosophy has been something more than just that of a discourse. The founding texts of Greek philosophy, after all, were notes taken from oral exercises undertaken in concrete circumstances and contexts, most often a dialogue between students and specific interlocutors who meant to shed light on their students' real existence. The immense contribution of this book, which also traces Hadot's own personal itinerary in a touching manner, is to remind us, through direct language and numerous examples, what the theoretical aspect of philosophy often masks: its vital and existential dimensions.

The esteemed French philosopher Pierre Hadot's final work, now available in English. With a foreword by Arnold I. Davidson and Daniele Lorenzini. In his final book, renowned philosopher Pierre Hadot explores Goethe's relationship with ancient spiritual exercises-transformative acts of intellect, imagination, or will. Goethe sought both an intense experience of the present moment as well as a kind of cosmic consciousness, both of which are rooted in ancient philosophical practices. These practices shaped Goethe's audacious contrast to the traditional maxim memento mori (Don't forget that you will die) with the aim of transforming our ordinary consciousness. Ultimately, Hadot reveals how Goethe cultivated a deep love for life that brings to the forefront a new maxim: Don't forget to live.

A "magisterial mappa mundi" of the terrain that Pierre Hadot has so productively worked for decades, this ambitious work revises our view of ancient philosophy--and in doing so, proposes that we change the way we see philosophy itself. Hadot takes ancient philosophy out of its customary realm of names, dates, and arid abstractions and plants it squarely in the thick of life. Through a meticulous historical reading, he shows how the various schools, trends, and ideas of ancient Greek and Roman philosophy all tended toward one goal: to provide a means for achieving happiness in this life, by transforming the individual's mode of perceiving and being in the world.

Most pressing for Hadot is the question of how the ancients conceived of philosophy. He argues in great detail, systematically covering the ideas of the earliest Greek thinkers, Hellenistic philosophy, and late antiquity, that ancient philosophers were concerned not just to develop philosophical theories, but to practice philosophy as a way of life-a way of life to be suggested, illuminated, and justified by their philosophical "discourse." For the ancients, philosophical theory and the philosophical way of life were inseparably linked.

"What Is Ancient Philosophy?" also explains why this connection broke down, most conspicuously in the case of academic, professional philosophers, especially under the influence of Christianity. Finally, Hadot turns to the question of whether and how this connection might be reestablished. Even as it brings ancient thoughts and thinkers to life, this invigorating work provides direction for those who wish to improve their lives by means of genuine philosophical thought.

Since its original publication in France in 1963, Pierre Hadot's lively philosophical portrait of Plotinus remains the preeminent introduction to the man and his thought. Michael Chase's lucid translation--complete with a useful chronology and analytical bibliography--at last makes this book available to the English-speaking world.
Hadot carefully examines Plotinus's views on the self, existence, love, virtue, gentleness, and solitude. He shows that Plotinus, like other philosophers of his day, believed that Plato and Aristotle had already articulated the essential truths; for him, the purpose of practicing philosophy was not to profess new truths but to engage in spiritual exercises so as to live philosophically. Seen in this light, Plotinus's counsel against fixation on the body and all earthly matters stemmed not from disgust or fear, but rather from his awareness of the negative effect that bodily preoccupation and material concern could have on spiritual exercises.

In a series of conversations with Arnold I. Davidson and Jeannie Carlier, Pierre Hadot, Professor Emeritus at the College de France, and one of the most notable influences on Michel Focault's later thought, reveals the keys to his personal philosophy. Beginning with his reflections on ancient philosophy, Hadot reveals a way of practicing philosophy in which the act of philosophizing does not consist of answering abstract questions but in concretely improving our way of living. The interview format allows the reader to easily come to grips with Hadot's ideas.

In this stirring introduction to Marcus Aurelius's "Meditations," noted French philosopher Pierre Hadot offers proof of the way in which the Roman emperor's thoughts form part of a tradition of spiritual exercise that spans the period between the ancient Greek philosophers to Michel Foucault. This treatise analyzes "Meditations "as the work of a man of action who sought serenity primarily because it was an essential precondition for efficiency. Hadot examines the possible applications of Aurelius's views on governance--an approach in which the city was a symbol of the ruler's own soul, and thus intimately tied to his spiritual praxis--to modern society, posing questions and offering proposals to readers who, at a time of tremendous economic uncertainty, might look to philosophy for a more fulfilling way of life. Ultimately, the book argues that true philosophy isn't merely the practice of addressing abstract problems and issues, but a concrete way of bettering our way of life.

Du Chandelier (Paris, 1582) aux Fureurs heroiques(Londres, 1585), Giordano Bruno a etroitement noue philosophie, litterature et peinture. La serie des sept oeuvres qu'il a redigees en italien s'ouvre par une comedie dont le protagoniste est un peintre-philosophe; elle se clot avec un dialogue ou un peintre-philosophe dessine et commente des images. Philosopher et peindre, c'est d'abord partir de l'ombre, pour tenter desesperement d'en franchir le seuil: En temoignent tant le mythe platonicien et neoplatonicien de la Caverne qe le mythe des origines de la peinture, cher a Pline et a Quintilien, a Alberti et a Vasari. Essentiel a la Renaissance, le theme de l'ombre sert ici de fil conducteur a une analyse claire et rigoureuse - completee par un riche dossier iconographique - des textes italiens de Bruno. En retracant leur genese et leur developpement, Nuccio Ordine fait apparaitre la profonde unite qui relie la piece parisienne aux six dialogues londoniens. Autant d'oeuvres regies par un programme precis et organique: dans le Chandelier, qui joue a cet egard le role d'une veritable ouverture, se font deja entendre les themes qu'orchestreront les six mouvement suivants de la nouvelle philosophie . Bruno reecrit, a la lumiere de l'infini, les rapports que l'homme entretient avec l'univers, avec la connaissance, avec la societe; et sur le plan litteraire, il montre que l'infinitude de l'univers abolit la hierarchie des genres et des styles. Comedie et dialogue fusionnent, tandis que le comique se mele au serieux et le rire aux larmes. En osant tirer toutes les consequences de sa cosmologie, en conferant aussi des sens imprevus aux images et aux mythes (tels ceux d'Acteon et de Narcisse), Bruno s'est montre profondement novateur; ses audaces devaient lui couter la vie. Professeur de theorie de la litterature a l'Universite de Calabre, Nuccio Ordine a consacre une partie de ses travaux a l'etude de la Renaissance. Son interet pour Giordano Bruno s'est precedement traduit par deux essais: Le Mystere de l'ane et une Introduction a l'Expulsion de la bete triomphante. Il a publie aussi Le Rendez-vous des savoirs. Litterature, philosophie et diplomatie a la Renaissance et l'Introduction aux Traites sur la nouvelle Renaissance. Bonciani, Bargagli, Sansovino.