|
Showing 1 - 25 of
258 matches in All Departments
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
What did war look like in the cultural imagination of 1914? Why did
men in Scotland sign up to fight in unprecedented numbers? What
were the martial myths shaping Scottish identity from the aftermath
of Bannockburn to the close of the nineteenth century, and what did
the Scottish soldiers of the First World War think they were
fighting for? Scotland and the First World War: Myth, Memory and
the Legacy of Bannockburn is a collection of new interdisciplinary
essays interrogating the trans-historical myths of nation,
belonging and martial identity that shaped Scotland's encounter
with the First World War. In a series of thematically linked
essays, experts from the fields of literature, history and cultural
studies examine how Scotland remembers war, and how remembering war
has shaped Scotland.
This book is not only a must read for children. However, it can
serve as a valuable source of information and reference for couples
with children, and who may find value in its reference to
parenting. There's no myth in the fact that within the
African-American community, a lack of education is responsible for
it rapidly decaying. Without intervention, there is little hope in
reversing the current trends plaguing these communities, and our
nation. What affects a few of us, affects all of America. Thus, in
order for us to move forward as a nation, we must come together for
this great cause. For the benefit of all Americans, the ultimate
goal should be to educate, re-direct, and uplift the
African-American community. Reading through chapter one The
Pitfalls of the African-American Community, one can clearly see
that it is rapidly decaying. For example; Black-on Black crime
across America is rampant, out of control, and continues to be at
an all-time high. In addition, the mass-incarceration of Black men
continues to be disproportionate to that of other ethnic groups
across America. Chapter four offers valuable information pertaining
to career planning. Like education, career planning is a valuable
component of success, and is the key to realizing the American
dream. Couples who may be contemplating marriage will find value in
chapter five The Financial Challenges of Marriage and in chapter
six The Essence of Marital Reciprocity. Chapter seven reveals why
ethnic loyalty is of the essence in the African-American community.
While it emphasizes marrying someone of your own ethnic identity,
it does not advocate alienation or separation. Chapter eight,
Emancipation though Education, is included as a solution toward
reversing the negative effects of black on black crime and
subsequent, incarceration related to crimes such as drug dealing,
bank robberies and other incriminating offenses.
|
Laramie (Hardcover)
Charlie Petersen; Created by Laramie Plains Museum
|
R674
Discovery Miles 6 740
|
Ships in 12 - 19 working days
|
Filled with more than 150 recipes, anecdotes, and stories from some
of America's most popular writers and personalities, this
collaborative effort has a writerly sensibility and a Western point
of view. Including recipes for drinks, appetizers, main dishes,
side dishes, desserts, and fun extras-as well as stories from and
profiles of the contributors, this is both a Western book and a
cookbook that moves beyond the genre.
This book is the outcome of a successful workshop held in Leeds in
September 2003 and explores the effects of World War II on the
representation of gender in post-war literature, film and popular
culture, juxtaposing Western European experience with US, Soviet
and Japanese. It aims to outline the different ways in which these
representations evolved in post-war attempts both to re-establish
social order and reconstruct national identity. It gives the reader
an overview of the similarities and differences that have emerged
in the representation of war and gender in different cultures and
media, as a result of social expectations, political change and
individual artistic innovation. The essays are linked by their
concern with three key questions: how are emotion and gender
represented in relation to the experience of war; what is the
impact of war on the dynamic between the genders; and, as the
memory of war recedes, is it possible to identify chronological
shifts in the artistic response to the conflict?
|
|